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The Keyboard Corner

Synths, pianos, software, analog, digital, modeling, virtual instruments, programming tips - this is the place on the web for discussions, debates, opinions and assistance...and the occasional sports thread.

 

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Subforums

  1. Repairs and Mods

    Repairs, modifications, tips, tricks and other suggestions for ailing keyboards and synthesizers.

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  1. Keyboard amplification 1 2

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  2. Oberheim TEO-5

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  3. RIP Mike Pinder

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  4. Nothing 1 2

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  5. New Studiologic Numa X Piano 1 2 3 4 40

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  6. Updated Burn from GSi?

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  • Trending posts on MPN

    • @Caevan O’Shite, Stewmac has Control plates in chrome, gold and black with an "angled slot".  It keeps the switch knob from resting on the tone or volume knobs or from being too close. 😎   Check out: Control Plate for Tele with Angled Slot - StewMac     
    • I call them the Buttmy Tonebro’s. “But my tone, bro…!”
    • You're going to drag this topic down by introducing guitar comparisons? If you are going to do that should we add a topic of 'why do guitar players need 100 watt tube amps on "10" on a 10 x 10 stage'? So that they can get their TONE????
    • I use .73 Cool red thin picks exclusively. They last forever. The thinner plastic Cool pick helps me glide over the strings when playing rhythm guitar and chords (Not recommended for the OP's needs).  These thinner picks also help lesson click-clack pick/string noise and are still thick enough for lead playing.  😎
    • Hi,   I am also a CP88 user, mainly for acoustic piano in a jazz combo. I am struggling for years with amplification. Currently i am using a HK nano 605 fx portable system but i am very unhappy with the sound. I was looking for a very portable system but i must admit to say that "very portable" and "good sound" don't match...  It sound so thin and isn't powerfull enough for cutting through when we play with full kwintet (dr, p, ts, voc, bs). I was thinking on changing to a couple of yam DXR8 or 10s. What do you gys think, will a couple of DXR8s already be an upgrade to my HK nano 605 system or should i go for the DXR10s?    Regards,   Koenraad
  • In MPN’s GEARLAB

    • I just bought one used two days ago.   I had in the past (a very past) the original ARP Odissey and an Avatar (the guitar version of the Odissey). They sounded quite differenti, and now I understand why: two different version of the filter. A friend of mine still have the all black one with coloured sliders, which Is again different, maybe two poles filter?   Anyway the Behringer sounds good but a bit differenti too.   My ARP had a ring modulator I used to build fabolous bell like sounds: metallic, full of harmonics.    The kind of sound you can hear on Japan Tin Drum or Oil on Canvas albums.   Until now I couldn't recreate this sound.    Neither the Avatar did. Just my ARP Odissey I sold for little Money :(
    • In V.A.S.T., be it the original V.A.S.T. or the newer vaster V.A.S.T. with Cascade and Dynamic, there are several ways you can use internal DSP sources with Samples:   1. Samples only 2. Internal DSP Oscillators only without any Sample 3. Samples mixed with internal DSP Oscillators   In the new V.A.S.T., you can certainly use a multi-sampled Keymap, alongside an internal anti-aliased DSP Osc, e.g. a 2-block SINE+ for a single Layer, or even an aliased one like the old SAW+.   For larger AA DSP Oscs, e.g. the 4-block SAW, you'd need to use Cascade Mode, a passthrough signal and a Mixer ALG.   So these aren't mutually exclusive. Instead, what the manual seems to indicate is that if you want to do a traditional analogue subtractive synth, then you'd rather not use a Keymap, which makes sense since analogue subtractive synths don't use them at all.   You can  still use a Keymap's sample Envelope if it is set to Natural, even if the Sample itself isn't sounding via the Layer, say, if you have simply a 4-block AA DSP SAW. That SAW block effectively cuts off any of the Sample signal. However, as the AMPENV mode is set to Natural, it is the factory AMPENV for that multi-Sampled Keymap that is applied to the Layer.   The Natural envelopes have more details than can be produced with a User AMPENV.   The thing that happens with setting the Keymap to Silence is that it sets each key's amplitude to the same maximum amplitude. Maybe that's what you need in a certain program, but sometimes, if you are doing an emulative program, you could be better off actually referencing the emulation's Keymaps Sample although the latter isn't heard, with the corresponding Natural Envelope, or of course, you could just go into User Mode and make your own envelope.   Hope this helps.
    • Sweetwater might accept to deliver to Canada, but you will be charged transport accordingly and as anything going USA to Canada your item will go through customs and it is always possible to end up with extra fees - sometimes very expensive. I personally had a very bad experience about 10 years ago and promised myself to never import again from the USA unless the seller confirms on paper he pays for all possible customs and duties extra fees.   Buying Kurzweil products in Canada has always been complicated. In the 1990s a few stores in the province kept a couple of them, but if you wanted something they didn't have you had to order sight unseen and wait months to get your purchase. That is how I bought my MIDIboard, K1200 and finally, around 2000, a PC2X. I hated the Fatar action on the PC2X from day one and swore to never buy a keyboard sight unseen ever again.
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