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Reezekeys

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About Reezekeys

  • Birthday 11/30/1999

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  1. I haven't read the book. Is the house the one I described in the post above yours, the one in New Jersey with the stream running through it? I guess I'll have to find a copy!
  2. The music biz has been pretty good to George. He used to live in or around Englewood NJ (I don't remember the exact location). I was asked by Eliane Elias to help her do an overdub session on one of her tracks at George's studio, which was at this house. I did not see George while I was there but I will never forget this house, ever. Quite modern - lots of glass, and built on top of a stream which they left unaltered - yes, a forest stream was running through his living room! The other thing I remember from this session was that he had a Synclavier which Eliane used to do rhodes overdubs! And, truth be told, its sound (at least the particular patch that was used) didn't impress me much!
  3. Here I go again... First as everyone else has said, that "salesman" has no clue. The EV is a good speaker and has plenty of highs. The next thing relates to your not enjoying the sound of your Nord. I've said it before and will say it again, ad nauseum - stereo sampled pianos generally do not sound very good coming out of one speaker. If and when you play the Nord with headphones, is the experience better? That's a pretty good clue you'll be happier with stereo amplification. I am a fan of the smaller Alto speakers I now use on most of my gigs (TX308) because two of them weigh less and cost less than one of most other brands! They are probably not the right choice for a wedding or bar gig with a really loud band, but two of them are, in my opinion, perfect for jazz duo or trio gigs where you don't enter the "bash zone", lol. They are bare-bones with nothing more than an input jack and volume control, so you'll want to use the EQ on your keyboard to balance the sound appropriately. If you're only playing a single keyboard on the gig, you don't need a mixer - just cable directly from the keyboard into these speakers, done. That's how I do it (except my sounds come from an iPad, iPhone or laptop, same principal though).
  4. Was that the thread where we both posted videos showing a midi monitor's output as we moved the lever? Or maybe the other vid was comparing with a different Roland board that had a higher resolution output. Too many brain cells ago! Hold up - is this the one? ---> For the record, I have no issues at all with my A800 paddle. I started out on a DX7 with two wheels, I used an OBXa with two levers. I had a Technics WSA-1 - that keyboard had BALLS! 🙂 (And three wheels too, as you can see - has there been any controller to offer this number of real-time controllers of this style?). My .02 is that you acclimate to the controls you have and how they work. I guess it's saying something that I have no issues with my A800's low-res paddle implementation (for more details on the resolution aspect, check out the videos in that older thread I linked to above if you have time to kill!). OTOH I'm a piano player that does very occasional pitch bending and "wiggle-wheeling" so I've never felt like those A800 controls hampered my playing or any semblance of "expressiveness" at all.
  5. Yes, USB makes more sense - one cable & done. That's how I usually do it as well – with my newer A800. My older stay-at-home A800's USB is broken, so I'm pretty happy I have those DIN jacks - otherwise the unit would be good for parts only.
  6. The A800 Pro is a controller only and its DIN midi in is pretty useful imo. You can merge data coming in through there with what you're playing on the keyboard and send the combined data out one of the USB midi ports or the DIN midi out. The A800 also needs its DIN midi in if you connect it to a computer over a midi interface and want to use the editor software - bidirectional communication is required for the editor to work.
  7. Not to bust on you in particular – but while what you're saying makes sense, lots of folks here seem to have no problem sending a phasey summed stereo signal to a mono PA, or just the L or R output. Will a $250 DI box make that "last mile" sound better? Go to any gig anywhere and tell me you can hear the quality of the DI boxes used. There's a hell of a lot more going on in the signal chain that can eff up the sound. A shit sound engineer will do a lot more damage than a cheap DI box imo! if you're recording live in a top-flight recording studio, you want your A+ game when it comes to sound quality so maybe one of those Radials makes sense. Those kinds of studios are probably well-equipped with quality DI boxes to begin with - at least I've always found that to be the case the few times I've done those kinds of sessions.
  8. I mentioned that in an earlier reply. Depends on the board but some have sweepable trim contols and/or pads so the XLR input can accomodate -10 or maybe even +4 level signals. That would be the very first thing I'd check.
  9. Nobody here has stated what I think is the obvious, regarding the issue that prompted rockinredeye to start this thread. Do you remember this part?: I don’t really want to pay $250 for a Jensen just for a -15db pad. I think any decent DI box would be ideal – i.e., one does not need to spend $250 to simply pad down a signal. It seems the time-honored tradition here is to help spend as much of someone else's money as possible! 🙂 IMO, "moving the volume slider to about halfway" might be just fine! Yes it's not "proper" gain staging. However, unless the Kurz's analog output stage is inherently noisy, I doubt it's going to have any sonic impact on a gig. The fact remains that going directly into a PA means you're giving up some control over how you might monitor your instrument. I think it's better to use a DI for the obvious reason of having a pass-through to your own monitor setup that you control. However, we haven't heard from rockinredeye as to whether this is a problem for them.
  10. I like this person's answer, which I found with a quick google search: https://community.gigperformer.com/t/1-4-trs-xlr-male-for-audio-interfaces/2582/6
  11. Do the input channels on the PA have a pad? Or at least a trim control you can adjust? If so and you've reduced the input sensitivity as much as you can, then yes a passive DI should reduce the signal level. You might try a mono (TS) cable from an output on the Kurz to a DI, then feed the PA mixer from the DI and see if that helps. I don't know enough about how DIs with transformers function with a very hot input though - could be you'd oversaturate the transformers. Any around to borrow and try?
  12. I read an article I found in a google search saying the owner of that club paid $30K to have the piano moved. I'm assuming that's the total of the shipping and what's depicted in the video - renting a crane and having a crew of what looks like 9 or 10 guys working, not forgetting having to remove and replace a window! This same article said top prices for the tix for Herbie's show there was $300 - I can believe it. I would also believe that the club lost money on his appearance!
  13. Sounding good there, Dave! I had to revisit the song, but only know the stock changes... some nice subs going on there! A few years back Herbie played at a jazz club in Portsmouth NH. Check this out: https://htv-streaming-otfp.hearst.io/5d5d2ab0-a0e3-4e1c-a54d-7cdf04a4e446/video_rover_16x9_240p_sd_1655212639_11831,video_rover_16x9_360p_sd_1655212639_81787,video_rover_16x9_720p_hd_1655212639_93103,video_rover_16x9_480p_sd_1655212639_10837/master.m3u8?subtitles=en
  14. I have small monitors connected to a Bluetooth amp or will use a headphone. It’s more than adequate for what I’ll be doing. You've done this already, or played a similar setup? I'm pretty sure bluetooth audio doesn't work for playing virtual instruments live - unless you can handle a lot of latency.
  15. I didn't know we were in an episode of "dueling interviews." I'm a long-time Stern listener (not so much these days) and enjoy his interviews, but he's obviously not a musician so the line of questioning is going to be different. Also, he and Billy are neighbors and long-time buds (many of his subjects are his personal friends) so you do sometimes feel more of the camaraderie in the conversations than with Beato, who is sometimes meeting his subjects for the first time. But that's only an observation, not meant to suggest it makes a particular interview "better" or "worse." I'm happy there are both of those guys and I'm not expecting either one to tick every box on my "questions that must be asked" list.
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