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The Keyboard Corner

Synths, pianos, software, analog, digital, modeling, virtual instruments, programming tips - this is the place on the web for discussions, debates, opinions and assistance...and the occasional sports thread.

 

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Subforums

  1. Repairs and Mods

    Repairs, modifications, tips, tricks and other suggestions for ailing keyboards and synthesizers.

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66,923 topics in this forum

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  1. Oberheim TEO-5

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  2. Keyboard amplification 1 2

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  3. RIP Mike Pinder

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  4. Nothing 1 2

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  5. New Studiologic Numa X Piano 1 2 3 4 40

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  6. Updated Burn from GSi?

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  • Trending posts on MPN

    • Everything we use here to communicate is made in Asia, which I always find funny in these conversations on music forums, it's apparently a conversation of importance where the instruments are made, while we all sit here since decades and tap on devices that more or less was never even in production in our own part of the world (smartphones, tablets. etc.).   China has become pretty good at manufacturing these days and the growing middle class in China are extremely quality conscious in their own consumption as well. Factory workers can still have shit wages though, but wages have increased during the last decade and keep growing, in contrary to how it is in Malaysia and Vietnam, where it's not uncommon for companies to move their production to and save a couple of bucks...
    • "Plugins get tricky because you start to hear with your eyes. Some of them have flashy interfaces - they make you think they’re doing more than they’re actually doing"   https://www.musicradar.com/news/st-vincent-interview
    • I use a Vox VX50 (around £250) and find it great, usual caveat re pianos (not so great)
    • Apparently this is a 'claviorganum' – harpsichord on the top, pipe organ and pedals below. How cool is this?
    • Wonder what "engine" it has? Maybe OB-6 voice cards and filters? Seems smart to use what you "already have" as opposed to create something from scratch...or maybe the Curtis "synth on a chip" as in Prophet REV2 "tweaked" to sound more "Oberheim-ish"?
  • In MPN’s GEARLAB

    • I just bought one used two days ago.   I had in the past (a very past) the original ARP Odissey and an Avatar (the guitar version of the Odissey). They sounded quite differenti, and now I understand why: two different version of the filter. A friend of mine still have the all black one with coloured sliders, which Is again different, maybe two poles filter?   Anyway the Behringer sounds good but a bit differenti too.   My ARP had a ring modulator I used to build fabolous bell like sounds: metallic, full of harmonics.    The kind of sound you can hear on Japan Tin Drum or Oil on Canvas albums.   Until now I couldn't recreate this sound.    Neither the Avatar did. Just my ARP Odissey I sold for little Money :(
    • In V.A.S.T., be it the original V.A.S.T. or the newer vaster V.A.S.T. with Cascade and Dynamic, there are several ways you can use internal DSP sources with Samples:   1. Samples only 2. Internal DSP Oscillators only without any Sample 3. Samples mixed with internal DSP Oscillators   In the new V.A.S.T., you can certainly use a multi-sampled Keymap, alongside an internal anti-aliased DSP Osc, e.g. a 2-block SINE+ for a single Layer, or even an aliased one like the old SAW+.   For larger AA DSP Oscs, e.g. the 4-block SAW, you'd need to use Cascade Mode, a passthrough signal and a Mixer ALG.   So these aren't mutually exclusive. Instead, what the manual seems to indicate is that if you want to do a traditional analogue subtractive synth, then you'd rather not use a Keymap, which makes sense since analogue subtractive synths don't use them at all.   You can  still use a Keymap's sample Envelope if it is set to Natural, even if the Sample itself isn't sounding via the Layer, say, if you have simply a 4-block AA DSP SAW. That SAW block effectively cuts off any of the Sample signal. However, as the AMPENV mode is set to Natural, it is the factory AMPENV for that multi-Sampled Keymap that is applied to the Layer.   The Natural envelopes have more details than can be produced with a User AMPENV.   The thing that happens with setting the Keymap to Silence is that it sets each key's amplitude to the same maximum amplitude. Maybe that's what you need in a certain program, but sometimes, if you are doing an emulative program, you could be better off actually referencing the emulation's Keymaps Sample although the latter isn't heard, with the corresponding Natural Envelope, or of course, you could just go into User Mode and make your own envelope.   Hope this helps.
    • Sweetwater might accept to deliver to Canada, but you will be charged transport accordingly and as anything going USA to Canada your item will go through customs and it is always possible to end up with extra fees - sometimes very expensive. I personally had a very bad experience about 10 years ago and promised myself to never import again from the USA unless the seller confirms on paper he pays for all possible customs and duties extra fees.   Buying Kurzweil products in Canada has always been complicated. In the 1990s a few stores in the province kept a couple of them, but if you wanted something they didn't have you had to order sight unseen and wait months to get your purchase. That is how I bought my MIDIboard, K1200 and finally, around 2000, a PC2X. I hated the Fatar action on the PC2X from day one and swore to never buy a keyboard sight unseen ever again.
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