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Low Down Lowdown

An outlet for all bassists to discuss their ideas, ask questions, and share their knowledge with each other.

 

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24,729 topics in this forum

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  1. Buried in the mix

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  2. In the groove

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  3. Carvin basses? 1 2

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  4. Bass Teacher Needed

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  5. Hartke Cabs

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  6. Elliot Cabinets

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  7. acoustic bass

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  8. swr amp

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  9. Sans Amp DI

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  10. P-Bass vs J-Bass

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  11. 3 String bass ?!?

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  12. Mediiiiic!

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    • It is noted that you have signed your post at the end, takes one to know one? 😇 Cheers, Kuru Prionz
    • Its hard not to fall prey to at least a little pretension when you can play an F minor chord with a string patch and create Instant Action Movie vibes. I have a few bass patches I'd never use because you can't help but think "Predator" from the first note. BWWAAAHHH, with a metallic filter sweep.   Our words will live on, stored on servers no one has time to access. Our young men have not died in vain, the tapes have recorded their names! Part of your best defense against Net crap isn't anti-viral software, its the Himalayan mass of archived posts. The headstone will read TL;DR AW LOL.
    • Thanks for that. I must admit when I owned the 88 note version I sold it for pretty much the same reason, keybed. Was years ago now, but I still recall it. Thought the 76 with the semi-weighted (?) may have been better. Like, I knew the action on the 88 was the lowest 88 they made, but somehow was hoping the 76 perhaps had the middle level non-weighted action. Be great if it had the FSX 'board, but alas it does not.
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  • In MPN’s GEARLAB

    • I just bought one used two days ago.   I had in the past (a very past) the original ARP Odissey and an Avatar (the guitar version of the Odissey). They sounded quite differenti, and now I understand why: two different version of the filter. A friend of mine still have the all black one with coloured sliders, which Is again different, maybe two poles filter?   Anyway the Behringer sounds good but a bit differenti too.   My ARP had a ring modulator I used to build fabolous bell like sounds: metallic, full of harmonics.    The kind of sound you can hear on Japan Tin Drum or Oil on Canvas albums.   Until now I couldn't recreate this sound.    Neither the Avatar did. Just my ARP Odissey I sold for little Money :(
    • In V.A.S.T., be it the original V.A.S.T. or the newer vaster V.A.S.T. with Cascade and Dynamic, there are several ways you can use internal DSP sources with Samples:   1. Samples only 2. Internal DSP Oscillators only without any Sample 3. Samples mixed with internal DSP Oscillators   In the new V.A.S.T., you can certainly use a multi-sampled Keymap, alongside an internal anti-aliased DSP Osc, e.g. a 2-block SINE+ for a single Layer, or even an aliased one like the old SAW+.   For larger AA DSP Oscs, e.g. the 4-block SAW, you'd need to use Cascade Mode, a passthrough signal and a Mixer ALG.   So these aren't mutually exclusive. Instead, what the manual seems to indicate is that if you want to do a traditional analogue subtractive synth, then you'd rather not use a Keymap, which makes sense since analogue subtractive synths don't use them at all.   You can  still use a Keymap's sample Envelope if it is set to Natural, even if the Sample itself isn't sounding via the Layer, say, if you have simply a 4-block AA DSP SAW. That SAW block effectively cuts off any of the Sample signal. However, as the AMPENV mode is set to Natural, it is the factory AMPENV for that multi-Sampled Keymap that is applied to the Layer.   The Natural envelopes have more details than can be produced with a User AMPENV.   The thing that happens with setting the Keymap to Silence is that it sets each key's amplitude to the same maximum amplitude. Maybe that's what you need in a certain program, but sometimes, if you are doing an emulative program, you could be better off actually referencing the emulation's Keymaps Sample although the latter isn't heard, with the corresponding Natural Envelope, or of course, you could just go into User Mode and make your own envelope.   Hope this helps.
    • Sweetwater might accept to deliver to Canada, but you will be charged transport accordingly and as anything going USA to Canada your item will go through customs and it is always possible to end up with extra fees - sometimes very expensive. I personally had a very bad experience about 10 years ago and promised myself to never import again from the USA unless the seller confirms on paper he pays for all possible customs and duties extra fees.   Buying Kurzweil products in Canada has always been complicated. In the 1990s a few stores in the province kept a couple of them, but if you wanted something they didn't have you had to order sight unseen and wait months to get your purchase. That is how I bought my MIDIboard, K1200 and finally, around 2000, a PC2X. I hated the Fatar action on the PC2X from day one and swore to never buy a keyboard sight unseen ever again.
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