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i've been spraying this all over the internet, so you might have seen this.

 

however it occurs to me i should participate around here a bit more, so i'll throw this into the post up your music thread:

 

[video:youtube]

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i've been spraying this all over the internet, so you might have seen this.

 

however it occurs to me i should participate around here a bit more, so i'll throw this into the post up your music thread:

 

[video:youtube]

 

That's some serious gear porn, and a great production.

Steinway L, 1958 Hammond B3, Kurzweil Forte, Prophet-6, Minimoog Voyager, Kawai VPC-1,Oberheim SEM-Pro, Doepfer Dark Energy, Nord Rack
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i've been spraying this all over the internet, so you might have seen this.

 

however it occurs to me i should participate around here a bit more, so i'll throw this into the post up your music thread:

 

 

The moral I take away from this video is that it is always better to spend your money on modular synths than fast cars. Nice work, it looks like you have some seriously fun toys!

Turn up the speaker

Hop, flop, squawk

It's a keeper

-Captain Beefheart, Ice Cream for Crow

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New recording. Multiple synthesizer themes. Various rhythm patterns.

 

That sounds pretty cool Steve. I just started fooling around with my 7500's sequencer. I have not produced anything worthwhile yet but it's a lot of fun to use!

 

Thanks for the positive feedback.

Steve Coscia

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  • 3 weeks later...
Nice Linwood. I am always a sucker for smooth jazz piano. Love the harmonized harmonica w/ piano 1/3 of the way through. Of course I love smooth jazz played by real drummers and bass players. But production libraries don't require such things.

Kawai C-60 Grand Piano : Hammond A-100 : Hammond SK2 : Yamaha CP4 : Yamaha Montage 7 : Moog Sub 37

 

My latest album: Funky organ, huge horn section

https://bobbycressey.bandcamp.com/album/cali-native

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Here's a r&b instrumental thing I did today for a production lib. If it were for somethin' else I'd have played more.... a solo section for sure, but with these things you don't really need to blow to much

 

 

hit me

 

Very cool, Linwood.... Solid, well-produced track, and tasty piano work. :thu:

'Someday, we'll look back on these days and laugh; likely a maniacal laugh from our padded cells, but a laugh nonetheless' - Mr. Boffo.

 

We need a barfing cat emoticon!

 

 

 

 

 

 

 

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Thanks Allen! As sad as it is, i enjoy doing this stuff. You pick a vibe in the morning and then write/produce it and by dinner time...it is what it is and you move on and hope it sticks to the wall. lol..

 

...did a new mix of This One this morning. So you can cover a lot of different bags and that's fun for me.

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Hey guys!! I took toni's advice and started recording my practice sessions..Open air recordings are cool in a way cuz you can hear the key clicks..sort of makes its own percussion section.. This just a freestyle boogie so its name is "'Whatever town you live in' Boogie" :-)

"A good mix is subjective to one's cilia." http://hitnmiss.yolasite.com
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I think I hit a few wrong notes here, but I like the way it sounds:-

 

 

Dude, every time there iis a major third involved you hit the wrong note :)

Custom handmade clocks: www.etsy.com/shop/ClockLight
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  • 3 weeks later...

I don't know if this post necessarily belong in this thread but I'll give it a shot.

 

Anyway, I dug into the "archives" last week and resurrected a live recording from 2001 of a blues band I was gigging with off and on at that time. The recordings were made at an outside gig in torrid Houston Texas August heat using an eight channel Akai DPS 16 HD recorder which I had just purchased.

 

The recordings were going to be used for promo for the band but that never happened because the 52 year-old band leader/ guitarist/ vocalist died just three months after the recording was made from cancer. This was actually his last gig before he went into the hospital and then into a hospice, where he passed away in November 2001. The drummer passed away a few years later (2004 - 2005?). I now view the recordings to be a personal "memorial" to these two musicians, who were both really financially struggling at the time.

 

The first recording is an ~8 minute long improvisational arrangement of BB King's classic blues ballad "Guess Who (Someone)". The instrumental solos begin with the flute at ~2'40", then the piano at ~3'50" (me on a Kurz Sp76), and finally the guitar solo comes in at ~4'55".

 

 

The second live recording is a straight-up arrangement of "Lawdy Miss Clawdy", the old Lloyd Price blues standard which I believe was later covered by Elvis. The instrumental solos are very "basic" and taken, in order, by piano, harmonica, and guitar.

 

 

If you are interested, here are links to some other recordings from that gig:

http://soundcloud.com/geobluesguy/sets/steve-radney-band-live-on/

 

 

As I dig into the "archives" I may post a few more of these old live recordings of some other bands I used to play with.

Gigs: Nord 5D 73, Kurz PC4-7 & SP4-7, Hammond SK1, Yamaha MX88 & P121, Numa Compact 2x, Casio CGP700, QSC K12, Yamaha DBR10, JBL515xt(2). Alto TS310(2)

 

 

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Nice to hear these. Yes, this is the right thread.

"I'm so crazy, I don't know this is impossible! Hoo hoo!" - Daffy Duck

 

"The good news is that once you start piano you never have to worry about getting laid again. More time to practice!" - MOI

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Thanks Joe... I miss that southeast Texas roots music vibe.

 

Gigs: Nord 5D 73, Kurz PC4-7 & SP4-7, Hammond SK1, Yamaha MX88 & P121, Numa Compact 2x, Casio CGP700, QSC K12, Yamaha DBR10, JBL515xt(2). Alto TS310(2)

 

 

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This one started life in 2003, during the Kenya years. Originally titled 'Balcony', because I'd come out on the balcony in the morning and watch the neighborhood come to life. That vibe always stuck with me, and it came out like this.

 

This jam was done in 2006 on my FantomX7, and the guitar was done by Yohei Nakamura in 2009.

 

 

 

 

 

 

 

 

local: Korg Nautilus 73 | Yamaha MODX8

away: GigPerformer

home: Kawai RX-2 | Korg D1 | Roland Fantom X7

 

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Soulful relaxing groove... Nice.

Gigs: Nord 5D 73, Kurz PC4-7 & SP4-7, Hammond SK1, Yamaha MX88 & P121, Numa Compact 2x, Casio CGP700, QSC K12, Yamaha DBR10, JBL515xt(2). Alto TS310(2)

 

 

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This one started life in 2003, during the Kenya years. Originally titled 'Balcony', because I'd come out on the balcony in the morning and watch the neighborhood come to life. That vibe always stuck with me, and it came out like this.

 

This jam was done in 2006 on my FantomX7, and the guitar was done by Yohei Nakamura in 2009.

 

 

 

Nicely done. Instruments sound terrific. Definitely a relaxing tune.

Steve Coscia

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http://archive.org/details/genetics2013-05-11.mtx.kindrec

 

Here's a new live recording of my band. This set was really special for us, we had a few rotating hand percussionists sitting in with us throughout the night, one of them being Chuck Morris of the band Lotus, who I've been a big fan of since high school. In addition, part of it was a tribute set to the band Oysterhead, which is a trio consisting of Trey Anastasio, Les Claypool and Stewart Copeland. Since we're playing it as a six piece, its really quite a fun adaptation, although personally I didn't enjoy half of the songs really at all... Its kind of a guitar album, for some reason I just couldn't get keys to feel right on parts of it. (I'm particularly proud of my Rhodes solo in the last song, to be completely honest)

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  • 2 weeks later...
http://archive.org/details/genetics2013-05-11.mtx.kindrec

 

Here's a new live recording of my band. This set was really special for us, we had a few rotating hand percussionists sitting in with us throughout the night, one of them being Chuck Morris of the band Lotus, who I've been a big fan of since high school. In addition, part of it was a tribute set to the band Oysterhead, which is a trio consisting of Trey Anastasio, Les Claypool and Stewart Copeland. Since we're playing it as a six piece, its really quite a fun adaptation, although personally I didn't enjoy half of the songs really at all... Its kind of a guitar album, for some reason I just couldn't get keys to feel right on parts of it. (I'm particularly proud of my Rhodes solo in the last song, to be completely honest)

 

Very Cool stuff here too man.

So much to hear around here , but not enough time to hear it all yet :).

Best part is the keys :).

 

Brett.

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