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Too fast!


mate stubb

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I have long noticed that many bands in the 70s played their music at warp speed live. My bands, big name bands, it didn't seem to matter. Listening to old recordings can be painful - groove and danceability got destroyed.

 

Anybody else remember this phenomenon?

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Moe

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Remember it, I live it at every gig :)  We try to make sure we are keeping tempos down, but the inclination is to play way too fast.  I only realize it when I hear recordings.  Our old drummer didn't play to a click, but he used some app on his phone to set the tempo for every song...he got really frustrated as the muscle memory of the rest of us (mainly guitar) fought against the "slow" tempo! :D 

Too fast is usually better than too slow though.  Our drummer will occasionally set the tempo way down (probably confusing one song with another) and it's murder to sing some songs when they slow down...

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Drummers playing to click tracks have been a welcome change these last couple decades. 

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I always laugh when, in rehearsal, someone complains that we were playing too slow. Like that will ever happen in the performance!

I do one of my bands with a click and there certain times it's just painful to play the song that slow when you're ready to rip.

You want me to start this song too slow or too fast?

 

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I saw a local band once doing "Superstition". First thing I noticed was, the singer was struggling to spit the words out because the darned thing was so fast. I look a little closer at the stage and realized the drummer was singing the song! Seems like the drummer equivalent of a dog chasing his/her tail. 🤣

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Years ago I was in a band that never got out of the basement, and we recorded some rehearsals.  Someone made a comment about the previous song being too fast, and then the guitar player starts playing "What I Like About You" at Mach 3.  Everybody joined in where the full band kicks in on the song.  Drummer sings the song falsetto.  Harmonies are sung chipmunk style.  Guitar solo played on the top three frets of the fretboard.  We actually made it through the damn song.  Yes the incriminating evidence is on an mp3 on my computer.  No I don't think anyone would want to lose two minutes of their life if I uploaded it.

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Honestly, I think those chaotic tempos and general roughness-around-the-edges is part of the charm that I fell in love with hearing live recordings of bands I loved from that era growing up. Sometimes a click is the right thing. And I have nothing but admiration for drummers who can play slow tempos and keep it energetic and funky (here's looking at you, Levon Helm). But 1970s live records were part of my education about "stage time" and how differently you perceive time while performing. Certainly it helped me understand why the recordings I heard of myself didn't quite match up with what I thought was happening when I was in the moment.

 

Though watching that 1977 TOP clip, I can only think: poor Rocco! 🤣

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Samuel B. Lupowitz

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Today at 71 my internal metronome is way better than it was 50 years ago. I’m as sensitive about a bad tempo as an out of tune Strat.

 

I realize that speeding up tunes was a technique I and my bandmates used when a song had lost its initial magic. 
 

And I think in many cases the “magic “ lost was that the song was no longer culturally hip. So we played it faster to artificially pump back the effect.

 

Today I try a different mental approach. I try to place myself back in 1972 when Superstition was at the front edge of hip. Way before Saturday Night Fever. Platform shoes. A slower funk that was powerful without the speed. 
 

And then do the same mental work for an Artie Shaw chart.

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I'm part of these players who did a lot of home recording with drum tracks. Therefore I'm very sensitive to even the slightest tempo change.

It can be very disturbing when playing with drummers who can't keep a steady tempo, even more considering that my playing is very syncopated.

Therefore I'm complaining a lot when the tempo is too fast for me to feel comfortable. This leads to a lot of discussion with my band mates, but in the end, I almost always win 🤣

I get to the point now to try to force myself playing slightly behind the beat, in order to catch the tempo variations. We are seriously considering using click tracks in one of the band I'm playing with.

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17 hours ago, Tom Williams said:

Much of ELP's recorded stuff seems to have accelerated by 25% in live performance.  Tarkus is a good example.

Yes, and it suffered for it. When you're there it's exciting, but listening back, not so much. But it's not like Carl ever had a great groove/pocket. You had to wait for Cozy Powell for that...

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Several groups I've been in were guilty of rushing tempos. Early on, I certainly made contributions to that.  Getting on some radio/TV spots cured me of the problem, or else... And I learned what staying in the pocket with a rhythm section really meant.  Still a challenge on occasion when playing solo or with a duo/trio, though I've become very sensitive to time for at least the last two decades.   A leader I work for rushes intensely at times, though he at least admits to the problem and tries to correct it.  But the times he gets excited about a song and forgets tempo...it can be quite a quick trip. At one of the most recent rehearsals we played through an arrangement with a recorded tempo of 140; by the end of the piece I tapped in the final tempo on my metronome app as 177.  Was fun, in a strange way, to see how long I could keep up without flying off the rails. Speed metal piano time! Or like witnessing Bill Payne play bluegrass with Leftover Salmon...

 

 

 

 

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Yes - Long Distance Runaround… LOL

 

But sometimes it was really welcome and made the song better. My favorite is Genesis - Sqwonk. The studio version is just so plodding and dirgey, but the live comes alive! The studio can be a stifling and monotonous place, and sometimes tracks just get lulled into half-asleep tempos.

 

I also think faster tempos translate better for a live audience. I played with a “Cocaine Drummer” for many years who took everything about 25% faster. But you know what? It really worked! The dancers always loved his tempos, and so did we. And it got to the point that I couldn’t stand to hear the original versions if they came on the radio.

Puck Funk! :)

 

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I suffered from drummers who gradually speed up the tempo and by the time the signature piano solo comes up I can't play the solo that fast.  Happens with Sweet Home Alabama and Tuesday's Gone.  We had a drummer that I dreaded his rolls around the toms, because that was where his tempo crept up.  Few things p!ss me off, but that is one of them.

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15 minutes ago, The Real MC said:

I suffered from drummers who gradually speed up the tempo and by the time the signature piano solo comes up I can't play the solo that fast.  Happens with Sweet Home Alabama and Tuesday's Gone.  We had a drummer that I dreaded his rolls around the toms, because that was where his tempo crept up.  Few things p!ss me off, but that is one of them.

 

Yeah, no excuse for that. Mr. Cocaine used to do that sometimes too. Coolest thing in the world is to purposefully bump up the tempo for a breakdown. Worst thing in the world is to gradually speed up because you can't keep your mojo in check. Generally in music, if you don't realize you're changing things, it's bad. If you did it with purpose, that's art.

Puck Funk! :)

 

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3 hours ago, The Real MC said:

We had a drummer that I dreaded his rolls around the toms, because that was where his tempo crept up.  Few things p!ss me off, but that is one of them.

I know from experience (I drum a bit) -- there's something in the metronome / click generator that obviously is slowing down during the fills.  Stupid metronome....

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On 3/29/2023 at 3:27 PM, mate stubb said:

I have long noticed that many bands in the 70s played their music at warp speed live. My bands, big name bands, it didn't seem to matter. Listening to old recordings can be painful - groove and danceability got destroyed.

 

Anybody else remember this phenomenon?

I think it's true regardless of the era. Always drove me nuts. Thanks for this thread; when I've mentioned this to others they acted like I was delusional.

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 As observed at the top of this thread, a lot of the bands were like wind-up toys at live shows in the 70's.  IMO The Meters were one of the few bands back then who usually stayed in the funky pocket when playing live without speeding up too much.  Maybe they were drinking whiskey and doing 'ludes rather than tooting up, who knows.

 

In fact, in this example, the drummer Zigaboo Modeliste, actually seems to slow the tempo down leading into the next song during the drum break beginning at ~3' 10".

https://youtu.be/p5IQ0y8wllk?t=122

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