Tom Williams

All post-Mirage Ensoniq samplers. The EPS 13-minus had amazing sample editing and real-time performance capabilities, and I assume its successors (16+, ASR) were even better. My beloved Kurzweils can't touch Ensoniq sample manipulations.

As of this writing, clearly Elton John, as Liberace's dead.

Boy, this seems like a lot of ado.

Bing doing Porgy and Bess...

P.P.S. Thank you, KC forum buddies, for the very useful advice, and the generous offer to help me fund a professional service. This is an unusually caring online community.

TL;DR summary: My first (post childhood) piano is now at my house. No one nearby was into moving pianos. My original plan of hiring a moving crew at each end of the run fell through. I ended up with three resourceful middle-aged-to-old guys on the personnel list. A trip to Youtube University netted me an excellent demonstration -- by a single (strong, experienced) moving guy in Pittsburgh -- showing how to break down, pack, and load a baby grand. The "leader" of the crew also watched the video(s) by this guy. Established a need for a piano skid -- a sledge with ratchet strap connections, built expressly for moving grand pianos. I could buy a piano skid from the midwest USA, for about $150. Unfortunately, the shipping time might or might not make it to my house in time for the scheduled move. Fortunately, a local music store, which has suspended its own piano relocation services, agreed to rent me their piano skid, hardware, and some tools over the weekend for $50. Since I don't expect to move that piano again (planning to retire and die in this house), I went with the rental. We left around 6:30 this morning, arrived at the site by 9. We did all the pad wrapping and securing (music stand stays inside piano, lid stays on), and locked down the lid. Then we quickly learned how to remove the left-front leg from the piano. The professionals recommend using the lyre as a fulcrum for tipping the piano on its side, unless the lyre's obviously old and weak. Tip piano onto the skid, remove two more legs and a lyre, put the skid on the dolly, and Bob's your uncle. Well, almost. There was still a 50-80 foot (15-25 meter) stretch of sidewalk and lawn to cross before we could get to the trailer. We built a path of plywood, and then we got to the trailer's non-slip coated loading ramp, ... ... ... a wheel on the dolly broke. No harm to man or machine, but we had to think fast and build another plywood path up into the trailer. Total time for us amateurs to knock down and load piano safely into the van: about 2 hours. Trip back was uneventful. Got it to the house, went on level ground and concrete through the garage to the music room. Then, while I was out of the room, the piano lid (which I believed I secured and locked at the seller's house) slipped, opened, and fell onto some drum hardware. Yup, the only cosmetic damage to this pristine piano was the final 18 inches. AAAAUUUUGGGHH! When the piano is open for playing, the marred portion is not visible. It's still a respectable gash though. Call it a victory scar.... Reverse the process, put on the lyre and two legs, tip the piano back to the "upright" position, reconnect the third leg. Minor adjustments to pedals. Total cost to move the piano: $125 gas money for the truck, $40 to feed the troops, and $50 to rent the piano skid, total $215. Trailer and laborers were free. My buddies saved me somewhere between $800 and $1000 dollars, and I now know how my piano fits together. (P.S. the Young Chang damper pedal control rod is about a centimeter shorter than the other two pedals. Who knew? I learned that after the lyre was bolted into place and upright, of course. 🙂 )

A Hauptwerk or Allen organ with a full complement of diapasons and flutes (16'-1') a couple ranks of strings and reeds, two or three manuals, pistons for each manual, and of course an AGO pedalboard. Behringer X32 and SD16 for playing out. I've concluded that I like pushing real faders whenever possible.

I don't know if I replied in previous years, but my current chronological list would be: 1970s -- Farfisa VIP 345 -- I could even play piano parts on it, after a fashion. 1980s -- Ensoniq Mirage -- Picked it over the DX7, and never regretted it. 1990s -- Ensoniq EPS Thrteen-minus -- band in a box. I ran two of 'em at a time. 2000s -- Alesis Fusion -- If only it weren't so buggy, it did a little of everything. Now -- Kurzweil PC4-7 -- Hammond, check; piano, check; E-piano, check; Orchestral strings, check....

I'd anchor a bowl with velcro, and put the shakers in the bowl. That way the velcro doesn't eat the HF from the shakers' sound. If you are going with a mic stand, get a cup holder and just drop them into that.

I looked into something like that. Even a small "$19.95/day" U-Haul truck runs about $150 -- plus gas -- for the trip. The mileage eats it up fast. Add workers at both ends, and the moving cost quickly exceeds $400 which, like it or not, is about the top end of the moving part of the budget. P.S. I'm still waiting to hear back from a nearby music store that claims to do piano relocation. I really am taking y'all's advice to heart.

Thanks, all. I know that the advice is good and wise. I'll see if I can get local quotes on pro movers, but some of the numbers quoted above are just plain beyond my means. That's why it quite literally took me 40 years to find a decent piano I could afford in the first place.

Those four words may affect my ability to take the sage advice about professional piano movers. This move isn't across town -- it's a hundred mile run from one small town to another.

Update It's real. I took a day trip to the Pittsburgh area today, visited the seller, and played on the piano. I brought along a buddy who has some piano tuning skills (post-grad studies, believe it or not) and had moved a few pianos when he was college faculty. It's in pretty good shape for being ~3 years since its last tuning. The finish is flawless -- pretty good for a piano purchased new in 1999 (I saw the receipt. Seller kept meticulous records.) Some lower dampers are a bit sluggish, and there's a little sticking between the F# and G a 12th above middle C. Oh, and Una Corda doesn't move the action far enough. Like the YC pianos I remember from the 1980s, this 5'2" (157 cm) piano sounds like a 7' or bigger. Gorgeous timbre. Now all I gotta do is figure out how to get it to my house in two weeks without breaking the bank on the logistics end of it. P.S. -- does anyone know how to remove the legs from a YC baby grand?

The problem for manufacturers is that the inclusion of an internal transformer power supply adds not only engineering time, but certification time (FCC I think) before they can bring the model to market -- I'm guessing (SWAG) six months or more. It may be worth it for a flagship workstation, but for lower-end stuff, say less than $2000 US, getting the product to market fast gives a better overall payoff. (The above is more perception than actual knowledge. Corrections are welcome.)

It's never bothered me. Of course, now that you've brought it up, I'll probably be miserable tomorrow. Regarding the loud environment, it's been my quiet (no louder than mezzo forte) music room for a year and a half, even when I have a band playing there. When I gig I use(d?) IEMs, so key-clack would not have been a problem anyway.