cedar Posted February 7, 2018 Share Posted February 7, 2018 I guess this is the week where I post interviews. Here is one out today with Quincy Jones. http://www.vulture.com/2018/02/quincy-jones-in-conversation.html?utm_source=fb Aside from his credits, I don't know much about Quincy. I never saw the documentary made about him some time ago. But I've always been intrigued. In this interview, I think he comes across as an a***hole. Disses a lot of people. But perhaps the interview doesn't capture his tone. Whenever I've seen brief snippets of him, he seems nice enough. Also, he's pushing 85. When I'm that age, I plan to be very crotchety (even without any serious credentials). And with his resume, I'll cut the guy some slack. Link to comment Share on other sites More sharing options...
Bobadohshe Posted February 7, 2018 Share Posted February 7, 2018 There's an even better one from GQ that dropped last week. The tone in the GQ one is more measured and conversational. The tone that comes across in the Vulture one seems more of a result of their editing Q and A down to almost Soundbyte level. Either way, both articles are almost mandatory reading. GQ:: Quincy Jones Has a Story About That Kawai C-60 Grand Piano : Hammond A-100 : Hammond SK2 : Yamaha CP4 : Yamaha Montage 7 : Moog Sub 37 My latest album: Funky organ, huge horn section https://bobbycressey.bandcamp.com/album/cali-native Link to comment Share on other sites More sharing options...
timwat Posted February 7, 2018 Share Posted February 7, 2018 Reminds me a great deal of Paul Mooney. .. Link to comment Share on other sites More sharing options...
Outkaster Posted February 7, 2018 Share Posted February 7, 2018 Well he has the right to his opinions and I would value his knowledge more than anyone's I guess...Both interviews said about the same thing. It was a different time back then so it's probably hard for people to relate. No internet for one thing. I agree about the producers and musicians "not caring if they even have it" comment. I wish more musicians had his honesty because I wouldn't have to deal with half the drama I do having a band. "Danny, ci manchi a tutti. La E-Street Band non e' la stessa senza di te. Riposa in pace, fratello" noblevibes.com Link to comment Share on other sites More sharing options...
Doerfler Posted February 7, 2018 Share Posted February 7, 2018 In this interview, I think he comes across as an a***hole. I've often been described the same way. I will say however that some time ago I had a PM session with another forum member(obviously won't mention who it was) who described QJ exactly the same way. Despite this I purchased "Playground Sessions" for my youngest son about 14 months ago. He has quite the accomplished career. Link to comment Share on other sites More sharing options...
mate stubb Posted February 7, 2018 Share Posted February 7, 2018 Here's a fun old clip of Herbie showing his Chroma and Fairlight to Quincy. [video:youtube] Moe --- Link to comment Share on other sites More sharing options...
cedar Posted February 7, 2018 Author Share Posted February 7, 2018 I've seen that video before. It's a lot of fun. As I said in the OP, I am inclined to give Q the benefit of the doubt. But I found his judgments about modern day artists (and producers) somewhat startling (though not necessarily wrong), in part because he has been involved in so many different genres. That has led me to assume that he would be exceptionally open-minded and generous in his evaluations. Link to comment Share on other sites More sharing options...
Threadslayer Posted February 7, 2018 Share Posted February 7, 2018 I found his judgments about modern day artists (and producers) somewhat startling (though not necessarily wrong), in part because he has been involved in so many different genres. That has led me to assume that he would be exceptionally open-minded and generous in his evaluations. I thought his comment about Hendrix was unnecessary, though probably true. JH probably wasn't comfortable playing with all the jazz cats in QJ's band because it wasn't his genre, but the way he put it seemed mean spirited. Whenever you find yourself on the side of the majority, it is time to pause and reflect. -Mark Twain Link to comment Share on other sites More sharing options...
Josh Paxton Posted February 7, 2018 Share Posted February 7, 2018 I found his judgments about modern day artists (and producers) somewhat startling (though not necessarily wrong), If I end up being remembered as "somewhat startling (though not necessarily wrong)," I'm more than okay with that. And I loved the interview. Link to comment Share on other sites More sharing options...
marczellm Posted February 7, 2018 Share Posted February 7, 2018 It turns out that there is a way to somehow "buy" a Quincy endorsement. I can think of no other way for a partly fake (bow-syncing to a track recorded by someone else) revue violinist to earn that video. You just have to look at the Youtube channel. [video:youtube] Life is subtractive.Genres: Jazz, funk, pop, Christian worship, BebHop Wishlist: 80s-ish (synth)pop, symph pop, prog rock, fusion, musical theatre Gear: NS2 + JUNO-G. KingKORG. SP6 at church. Link to comment Share on other sites More sharing options...
Mitch Towne Posted February 7, 2018 Share Posted February 7, 2018 I loved both interviews. If anyone has earned the right to talk some shit, its Quincy Jones. Endorsing Artist/Ambassador for MAG Organs and Motion Sound Amplifiers, Organ player for SRT - www.srtgroove.com Link to comment Share on other sites More sharing options...
marczellm Posted February 7, 2018 Share Posted February 7, 2018 Anyone knows what he means by this? the best example of me trying to feed the musical principles of the past Im talking about bebop is Baby Be Mine. [Hums the songs melody.] Thats Coltrane done in a pop song. Life is subtractive.Genres: Jazz, funk, pop, Christian worship, BebHop Wishlist: 80s-ish (synth)pop, symph pop, prog rock, fusion, musical theatre Gear: NS2 + JUNO-G. KingKORG. SP6 at church. Link to comment Share on other sites More sharing options...
ElmerJFudd Posted February 7, 2018 Share Posted February 7, 2018 Asked what his first impressions of John, Paul, George and Ringo were, Jones didnt hold back, declaring that they were the worst musicians in the world. They were no-playing motherfers. Jones reserved his harshest criticism for Paul McCartney and Ringo Starr. Paul was the worst bass player I ever heard, Jones assessed. And Ringo? Dont even talk about it. Jones then shared an anecdote where he said that Starr, unable to nail down a four-bar thing during a studio session, was replaced on the track by another drummer as he took a break. I remember once we were in the studio with George Martin, and Ringo had taken three hours for a four-bar thin he was trying to fix on a song. He couldnt get it, Jones said. We said, Mate, why dont you get some lager and lime, some Shepherds pie, and take an hour-and-a-half and relax a little bit. So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up, the producer continued. Ringo comes back and says, George, can you play it back for me one more time? So George did, and Ringo says, That didnt sound so bad. And I said, Yeah, motherfer because it aint you. Great guy, though, Jones added. Wasnt Hendrix supposed to play on Gula Matari? He was supposed to play on my albumApparently, Hendrix was supposed to lend guitar work to Joness 1970 album Gula Matari, which arrived at a time when the guitarist was expanding his musical vocabulary beyond rock and blues and into jazz and funk. Sadly, he didnt get far, dying of asphyxiation in September of that same year. and he chickened out. He was nervous to play with Toots Thielemans, Herbie Hancock, Hubert Laws, Roland Kirk those are some scary motherfuckers. Toots was one of the greatest soloists that ever fucking lived. The cats on my records were the baddest cats in the world and Hendrix didnt want to play with them. Whatd you think when you first heard rock music? Rock aint nothing but a white version of rhythm and blues, motherfucker. You know, I met Paul McCartney when he was 21. Yamaha CP88, Casio PX-560 Link to comment Share on other sites More sharing options...
midinut Posted February 7, 2018 Share Posted February 7, 2018 What Paul may have lacked in bass skills at that time I'd say he more than made up for in songwriting ability. Hardware: Yamaha: MODX7 | Korg: Kronos 88, Wavestate | ASM: Hydrasynth Deluxe | Roland: Jupiter-Xm, Cloud Pro, TD-9K V-Drums | Alesis: StrikePad Pro| Behringer: Crave, Poly D, XR-18, RX1602 | CPS: SpaceStation SSv2 | Controllers: ROLI RISE 49 | Arturia KeyLab Essentials 88, KeyLab 61, MiniLab | M-Audio KeyStation 88 & 49 | Akai EWI USB | Novation LaunchPad Mini, | Guitars & Such: Line 6 Variax, Helix LT, POD X3 Live, Martin Acoustic, DG Strat Copy, LP Sunburst Copy, Natural Tele Copy| Squier Precision 5-String Bass | Mandolin | Banjo | Ukulele Software: Recording: MacBook Pro | Mac Mini | Logic Pro X | Mainstage | Cubase Pro 12 | Ableton Live 11 | Monitors: M-Audio BX8 | Presonus Eris 3.5BT Monitors | Slate Digital VSX Headphones & ML-1 Mic | Behringer XR-18 & RX1602 Mixers | Beyerdynamics DT-770 & DT-240 Arturia: V-Collection 9 | Native Instruments: Komplete 1 Standard | Spectrasonics: Omnisphere 2, Keyscape, Trilian | Korg: Legacy Collection 4 | Roland: Cloud Pro | GForce: Most all of their plugins | u-he: Diva, Hive 2, Repro, Zebra Legacy | AAS: Most of their VSTs | IK Multimedia: SampleTank 4 Max, Sonik Synth, MODO Drums & Bass | Cherry Audio: Most of their VSTs | Link to comment Share on other sites More sharing options...
zephonic Posted February 7, 2018 Share Posted February 7, 2018 What Paul may have lacked in bass skills at that time I'd say he more than made up for in songwriting ability. Yes, indeed. And that, I think, is the biggest divide between the "serious" (Jazz/Classical) musicians and the "Pop" guys. The former insist on musical proficiency at all times (because their music demands that), whereas the latter tend to view proficiency as a means to an end, which is usually the song or what the song intends to convey. There's no right or wrong here, just different approaches. the end result (good music) is all that matters. gear list.pdf Link to comment Share on other sites More sharing options...
AnotherScott Posted February 7, 2018 Share Posted February 7, 2018 What Paul may have lacked in bass skills at that time I'd say he more than made up for in songwriting ability. Yes. Plus, he was 21. I seem to remember McCartney himself saying something like he didn't put a lot of thought into his parts until later, because on the early songs, the way stuff was produced/mixed then, you hardly heard the bass anyway. Maybe this is the best place for a shameless plug! Our now not-so-new new video at https://youtu.be/3ZRC3b4p4EI is a 40 minute adaptation of T. S. Eliot's "Prufrock" - check it out! And hopefully I'll have something new here this year. ;-) Link to comment Share on other sites More sharing options...
midiotlv Posted February 7, 2018 Share Posted February 7, 2018 And that, I think, is the biggest divide between the "serious" (Jazz/Classical) musicians and the "Pop" guys. Pop musicians play 4 chords for 1000 people; jazz musicians play 1000 chords for 4 people. I kid....I kid..... "Inspiration is not a choice, it's got to search you out..." - Jason Falkner Kurzweils, some oldie but goodie stuff from Yamaha/Korg, and soft-synths that I've barely explored. Link to comment Share on other sites More sharing options...
Outkaster Posted February 7, 2018 Share Posted February 7, 2018 Asked what his first impressions of John, Paul, George and Ringo were, Jones didnt hold back, declaring that they were the worst musicians in the world. They were no-playing motherfers. Jones reserved his harshest criticism for Paul McCartney and Ringo Starr. Paul was the worst bass player I ever heard, Jones assessed. And Ringo? Dont even talk about it. Jones then shared an anecdote where he said that Starr, unable to nail down a four-bar thing during a studio session, was replaced on the track by another drummer as he took a break. I remember once we were in the studio with George Martin, and Ringo had taken three hours for a four-bar thin he was trying to fix on a song. He couldnt get it, Jones said. We said, Mate, why dont you get some lager and lime, some Shepherds pie, and take an hour-and-a-half and relax a little bit. So he did, and we called Ronnie Verrell, a jazz drummer. Ronnie came in for 15 minutes and tore it up, the producer continued. Ringo comes back and says, George, can you play it back for me one more time? So George did, and Ringo says, That didnt sound so bad. And I said, Yeah, motherfer because it aint you. Great guy, though, Jones added. Wasnt Hendrix supposed to play on Gula Matari? He was supposed to play on my albumApparently, Hendrix was supposed to lend guitar work to Joness 1970 album Gula Matari, which arrived at a time when the guitarist was expanding his musical vocabulary beyond rock and blues and into jazz and funk. Sadly, he didnt get far, dying of asphyxiation in September of that same year. and he chickened out. He was nervous to play with Toots Thielemans, Herbie Hancock, Hubert Laws, Roland Kirk those are some scary motherfuckers. Toots was one of the greatest soloists that ever fucking lived. The cats on my records were the baddest cats in the world and Hendrix didnt want to play with them. Whatd you think when you first heard rock music? Rock aint nothing but a white version of rhythm and blues, motherfucker. You know, I met Paul McCartney when he was 21. At least he was honest. "Danny, ci manchi a tutti. La E-Street Band non e' la stessa senza di te. Riposa in pace, fratello" noblevibes.com Link to comment Share on other sites More sharing options...
p19978 Posted February 7, 2018 Share Posted February 7, 2018 Dude is whack, as the kids say. Link to comment Share on other sites More sharing options...
marino Posted February 7, 2018 Share Posted February 7, 2018 I loved both interviews. If anyone has earned the right to talk some shit, its Quincy Jones. I think the same. Link to comment Share on other sites More sharing options...
Dave Ferris Posted February 8, 2018 Share Posted February 8, 2018 A bit too much hypocrisy in the interview with regard to women, that bothered me. And this hits closer to home- "Greedy, man. Greedy. Dont Stop Til You Get Enough Greg Phillinganes wrote the c section. Michael shouldve given him 10 percent of the song. Wouldnt do it". In spite of the fact there's been some stuff go down with one of my close friends and him, I generally agree with most everything he said about pop music today. Beatle fans should not read though. https://soundcloud.com/dave-ferris https://www.youtube.com/@daveferris2709 Link to comment Share on other sites More sharing options...
Reezekeys Posted February 8, 2018 Share Posted February 8, 2018 And this hits closer to home- "Greedy, man. Greedy. Dont Stop Til You Get Enough Greg Phillinganes wrote the c section. Michael shouldve given him 10 percent of the song. Wouldnt do it". Derail here, but Greg tells the story in this great interview that I don't believe has been mentioned on the forum: The interview is almost an hour & a half long. The link above takes you right to the section where he talks about "Don't Stop", but the whole thing is interesting. It's marred by the uploader editing out the musical examples, presumably due to copyright/licensing concerns. Link to comment Share on other sites More sharing options...
burningbusch Posted February 8, 2018 Share Posted February 8, 2018 I love Q. Enjoyed his autobiography. I follow him on FB and he always comes off as extremely positive. The interviewer is from rollingstone.com and in a lot of the interview I felt Quincy a) he didn't have much respect for the guy and b) wanted to him to know he didn't much care for the people he normally interviews and writes about, i.e. rockers. The questions are vague/superficial. He doesn't know the breadth of his music. I see that as being disrespectful. Quincy's anger makes perfect sense to me. Busch. Link to comment Share on other sites More sharing options...
Mighty Motif Max Posted February 8, 2018 Share Posted February 8, 2018 "We need songs, not hooks!" Uh huh, like Billie Jean and Smooth Criminal weren't repetitive. Yamaha: Motif XF8, MODX7, YS200, CVP-305, CLP-130, YPG-235, PSR-295, PSS-470 | Roland: Fantom 7, JV-1000 Kurzweil: PC3-76, PC4 (88) | Hammond: SK Pro 73 | Korg: Triton LE 76, N1R, X5DR | Emu: Proteus/1 | Casio: CT-370 | Novation: Launchkey 37 MK3 | Technics: WSA1R Former: Emu Proformance Plus & Mo'Phatt, Korg Krome 61, Roland Fantom XR & JV-1010, Yamaha MX61, Behringer CAT Assorted electric & acoustic guitars and electric basses | Roland TD-17 KVX | Alesis SamplePad Pro | Assorted organs, accordions, other instruments Link to comment Share on other sites More sharing options...
ProfD Posted February 8, 2018 Share Posted February 8, 2018 QJ delivers it straight, no chaser. It's still abridged. The "Dude" has certainly lived a full life. I appreciate and respect his candor. PD "The greatest thing you'll ever learn, is just to love and be loved in return."--E. Ahbez "Nature Boy" Link to comment Share on other sites More sharing options...
Outkaster Posted February 8, 2018 Share Posted February 8, 2018 "We need songs, not hooks!" Uh huh, like Billie Jean and Smooth Criminal weren't repetitive. Still better than half the shit out there today. "Danny, ci manchi a tutti. La E-Street Band non e' la stessa senza di te. Riposa in pace, fratello" noblevibes.com Link to comment Share on other sites More sharing options...
Franz Schiller Posted February 8, 2018 Share Posted February 8, 2018 My favorite line... "God walks out of the room when youre thinking about money." Link to comment Share on other sites More sharing options...
Franz Schiller Posted February 8, 2018 Share Posted February 8, 2018 Also, I never heard of that Slonimsky book before. I bet Amazon sales double due to Mr. Jones' mention. Link to comment Share on other sites More sharing options...
nadroj Posted February 8, 2018 Share Posted February 8, 2018 I should read the article Bobby posted, because without knowing much about Q, this article made him out to be something of an asshole. Hammond SKX Mainstage 3 Link to comment Share on other sites More sharing options...
Bobadohshe Posted February 8, 2018 Share Posted February 8, 2018 I love the Beatles and yet I think Quincy's comments are both true and may very well have been edited and cherry picked. When he says they were copying black American music, he's right. When he disparages a 21 year old McCartney's playing ability, he's kinda right. When he says Ringo couldn't play, ESPECIALLY when juxtaposed to some session cats, he's kinda right. Nowhere did the interviewer ask if Q thought they could or couldn't write songs. Nowhere did he say that they didn't get better as they progressed. Or that the albums aren't masterful. I can live with both this interview and my love of the Beatles. Kawai C-60 Grand Piano : Hammond A-100 : Hammond SK2 : Yamaha CP4 : Yamaha Montage 7 : Moog Sub 37 My latest album: Funky organ, huge horn section https://bobbycressey.bandcamp.com/album/cali-native Link to comment Share on other sites More sharing options...
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