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The Big Picture
Iconic images, album artwork, music video, social media or marketing - photography is to the eyes, what music is to the ears. We discuss all things photography and video, with an emphasis on the creative process and deliver a healthy dose of the tools and toys at the heart of our art.
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Trending posts on MPN
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Q: What's the difference between a large pizza and a jazz musician? A: A large pizza can feed a family of four. -
By KuruPrionz · Posted
A man was on a cruise in the South Pacific and a violent storm ensued. Waves were hurling over the decks. The ship began to sink and the man grabbed a life raft and jumped into the sea. Eventually the storm calmed and he rowed towards an island. As he got closer, the raft began leaking air and he finally swam a considerable distance to the shore and passed out in exhaustion. When he awoke, he was on a cot in a hut, surrounded by the native people who lived on the island. They were kind but spoke little English. The Chief was more conversant than the rest of the tribe. After a short time, the man realized that there were drums in the distance and he asked "What are those drums?" The Chief said "Bad when drums stop!" The man recovered from his long swim and the people fed him and took good care of him. The drums continued to play, day and night. Every now and then he would ask the Chief about the drums and the Chief would always answer "Bad when drums stop!!!" One day at lunch time, the drums stopped. All the people in the village hurled themselves to the ground and howled with anguish. The man rushed over to the Chief, who was writhing in agony on the ground and asked about the drums. The Chief said "Bad when drums stop!!! Next come... bass solo!!!!!" -
This was on the radio during the Grammies. Worth a listen especially the classical piano piece he wrote. Brian Marsala trio and Medeski group. https://www.npr.org/2023/01/26/1151676859/this-is-not-entertainment-john-zorn-all-over-big-ears -
By Mark Zeger · Posted
Knock knock. Who’s there? Knock knock. Who’s there? Knock knock. Who’s there? Knock knock. Who’s there? Knock knock. Who’s there? Knock knock. Who’s there? Phillip Glass
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In MPN’s GEARLAB
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By AnotherScott · Posted
It is surprising that it all seems to work smoothly on iPad, but is problematic on Mac, considering that CoreMIDI should be the same on both platforms. -
i can't confirm right now 'cause it's all taken apart and in multiple locations, but i'm pretty sure i had no problem with bluetooth midi in either direction with an ipad mini 6. rig was ct-s1000v, ipad mini 6, yammy reface cp and yc all controlled by camelot pro running on ipad with a usb C powered hub. -
By Dave Bryce · Posted
I also spent some time trying to get the WU-BT10 to connect to Digital Performer. Audio MIDI Setup did see it, and DP acknowledged 16 channels in the MIDI Input menu…but they were all designated as “missing” - usually means powered down in DP speak - until I lit up which channels I wanted to use in the Audi MIDI Setup menu; then, those channels disappeared entirely from the DP menu, leaving only the “missing” ones which I had not activated in Audio MIDI Setup. dB -
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By Adrian Lee · Posted
Hi Mark, that might be a great reason for offering the incremental voice numbers that we see on every other Cherry Audio synth. The jump in demand using the current 2,4,8,16 offering is huge, especially when considering double racked, dual mode. Between 8 and 16 it's the difference between 32 voices or a whopping 64. Ouch. Notwithstanding that there are good creative reasons for limiting voice count; to prevent unruly releases, for example. That's true up the point that any kind of Yamaha CS-80 type sustain or release is in use, I would suggest. While that is an immediate solution, it does come with more than a little management baggage. The whole shebang living under one roof does take care of recall, splits, duals, naming, and probably a whole host of other conveniences that would now require way more housekeeping,
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