Outkaster Posted December 27, 2013 Posted December 27, 2013 To me, the only advantage that the SK2 has over the XK3c is the weight. The XK3c is much more authentic to the console Hammond experience. It has a superior keyboard, real drawbars (and three sets of them), correct positioning of switches, reverse preset keys, superior overdrive, and with the addition of the lower manual, a much more substantial appearance. Exactly and that is important to a lot of us that have played the real thing. I might still have mine if the motherboard had not got damaged. "Danny, ci manchi a tutti. La E-Street Band non e' la stessa senza di te. Riposa in pace, fratello" noblevibes.com
Aidan Posted December 27, 2013 Posted December 27, 2013 The OP doesn't mention how much experience he has in playing the 'real thing' but if the likes of Jim Alfredson can adapt to the SK set-up without too much trouble, I wouldn't have thought it that much of a stretch for other Hammond veterans. Granted, the XK3c is much closer to a B3 layout than the SK/XK-1c but it's still not exactly the same - latch buttons instead of rockers for CV and percussion, three sets of drawbars instead of five, reverse keys with momentary touch instead of staying down. And if you've The deciding factor in the end is how much you want to spend and how much weight you're willing to carry in the name of 'authenticity'. Yamaha: P515, CP88, Genos 1, HX1
Outkaster Posted December 27, 2013 Posted December 27, 2013 Aidan I was never worried about the weight, more worried about damaging the wood ends. Problem is the XK-3C had three different price changes since 2008 when it came out. "Danny, ci manchi a tutti. La E-Street Band non e' la stessa senza di te. Riposa in pace, fratello" noblevibes.com
Aidan Posted December 27, 2013 Posted December 27, 2013 Yeah, Jason, definitely pretty vulnerable those ends - I don't think I ever saw an XK3/c out of the shop which wasn't a bit battle-scarred. Out of interest, are those on the XK1-c any more robust? Yamaha: P515, CP88, Genos 1, HX1
Outkaster Posted December 27, 2013 Posted December 27, 2013 Yeah I managed to keep mine up pretty well but it took some idiot sitting in at a wedding trying to show off to some girls to dent it. I was pissed. The XK-1C feels very cheap to me. The action is OK. I just feel its kind of fragile. I have it up for sale for financial reasons, medical bills. Its here on the forum in the classifieds. "Danny, ci manchi a tutti. La E-Street Band non e' la stessa senza di te. Riposa in pace, fratello" noblevibes.com
HammondDave Posted December 27, 2013 Posted December 27, 2013 I should also mention if the op does care for other non/Hammond sounds, then the SK would certainly hold an advantage. But I am purely a Hammond guy, so i really don't consider these things. I played an SK2 at a gig a few months ago and enjoyed it. But I would rather play an Xk3c with lower manual. Just easier and more natural for me. '55 and '59 B3's; Leslies 147, 122, 21H; MODX 7+; NUMA Piano X 88; Motif XS7; Mellotrons M300 and M400’s; Wurlitzer 206; Gibson G101; Vox Continental; Mojo 61; Launchkey 88 Mk III; Korg Module; B3X; Model D6; Moog Model D
Aussie_Chicago Posted December 27, 2013 Posted December 27, 2013 Ive never played an Xk3c, only the Sk2, which is my main axe, but Im really starting to miss a second set of drawbars for the lower or to switch to a different set during a song. The only thing stopping me from a used Xk3c right now, is the weight. The Sk2 is a dream to lug around, and a huge sound from such a little keyboard. Wonder what NAMM will bring ? As much as I like the Sk2, the extra sounds arn't doing it for me, so Im thinking of going the 88 key piano type board on bottom, maybe an xk3c, or xk1c on top...and use the Sk2 for the gigs I play entirely organ on. "Ive been playing Hammond since long before anybody paid me to play one, I didn't do it to be cool, I didnt do it to make a statement......I just liked it "
HammondDave Posted December 28, 2013 Posted December 28, 2013 Ive never played an Xk3c, only the Sk2, which is my main axe, but Im really starting to miss a second set of drawbars for the lower or to switch to a different set during a song. The only thing stopping me from a used Xk3c right now, is the weight. The Sk2 is a dream to lug around, and a huge sound from such a little keyboard. Wonder what NAMM will bring ? As much as I like the Sk2, the extra sounds arn't doing it for me, so Im thinking of going the 88 key piano type board on bottom, maybe an xk3c, or xk1c on top...and use the Sk2 for the gigs I play entirely organ on. I agree about the extra sounds in the SK's. They don't cut it for me either. But I am used to motif quality pianos, strings, etc. It all depends on what your needs and expectations are. Hammond has never been too accomplished with their non Hammond sounds. Funky loop points, noisy samples, weak EP's, etc. That's why you see a lot of SK artists with second keyboards... kind of defeats the purpose. '55 and '59 B3's; Leslies 147, 122, 21H; MODX 7+; NUMA Piano X 88; Motif XS7; Mellotrons M300 and M400’s; Wurlitzer 206; Gibson G101; Vox Continental; Mojo 61; Launchkey 88 Mk III; Korg Module; B3X; Model D6; Moog Model D
Outkaster Posted December 28, 2013 Posted December 28, 2013 All I know is if they came out with a really well thought out XK system again it could really be good. "Danny, ci manchi a tutti. La E-Street Band non e' la stessa senza di te. Riposa in pace, fratello" noblevibes.com
Baldwin Funster Posted December 28, 2013 Posted December 28, 2013 All I know is if they came out with a really well thought out XK system again it could really be good. Just update the os a little bit and change out the metal chassis for something lighter. Lose 10 pounds and its there. lose 15 pounds and its really there. FunMachine.
HammondDave Posted December 29, 2013 Posted December 29, 2013 All I know is if they came out with a really well thought out XK system again it could really be good. Just update the os a little bit and change out the metal chassis for something lighter. Lose 10 pounds and its there. lose 15 pounds and its really there. I agree. But I don't think it will happen. Hammond seems to be setting in on these universal parts, draw faders, keyboard, etc. I just hope I am wrong. '55 and '59 B3's; Leslies 147, 122, 21H; MODX 7+; NUMA Piano X 88; Motif XS7; Mellotrons M300 and M400’s; Wurlitzer 206; Gibson G101; Vox Continental; Mojo 61; Launchkey 88 Mk III; Korg Module; B3X; Model D6; Moog Model D
Outkaster Posted December 29, 2013 Posted December 29, 2013 Yeah I mean they did so well since 2004 with the XK3 series I would think they would want to capitalize on that. Maybe integrate ventilator technology in it also. "Danny, ci manchi a tutti. La E-Street Band non e' la stessa senza di te. Riposa in pace, fratello" noblevibes.com
Aidan Posted December 29, 2013 Posted December 29, 2013 From what I've heard in other exchanges here, Hammond have zero interest in the Vent, except as a competitor to their own Leslie stomp box. 2014 COULD be the year we see a successor to the XK3c but don't hold your breath. The arrival of the SK models at cheaper price points and lower weights, if anything, has probably further marginalised the audience for a new XK system - just as you won't see Hammond updating the New B3 every couple of years, for the same reason. Yamaha: P515, CP88, Genos 1, HX1
Dlrshort Posted December 29, 2013 Author Posted December 29, 2013 I don't really mind the non Hammond sounds I just can't stand playing piano on a non weighted board--and vice versa.
b3plyr Posted December 30, 2013 Posted December 30, 2013 I agree with Aldan. It appears that the SK series is the future of portable organs for Hammond. Having said this, I am using the technique of reverse psychology in the hope that Hammond will do something incredible for the future.
Aidan Posted December 31, 2013 Posted December 31, 2013 I'm sure they have some sort of development plan for both the New B3 and XK system. Hammond needs these totems to mentally connect prospective buyers of the cheaper/lighter options with their 'heritage'. It's just that those development cycles are likely to run at a slower pace with the SK series and its derivatives in place. Yamaha: P515, CP88, Genos 1, HX1
Losendoskeys Posted December 31, 2013 Posted December 31, 2013 Yeah I managed to keep mine up pretty well but it took some idiot sitting in at a wedding trying to show off to some girls to dent it. I was pissed. The XK-1C feels very cheap to me. The action is OK. I just feel its kind of fragile. I have it up for sale for financial reasons, medical bills. Its here on the forum in the classifieds. I got the bass player in the band (who is a luthier) to Tolex the XK3c end panels after the first ding ( did it myself ) Works a treat! Yamaha CP70B;Roland XP30/AXSynth/Fantom/FA76/XR;Hammond XK3C SK2; Korg Kronos 73;ProSoloist Rack+; ARP ProSoloist; Mellotron M4000D; GEM Promega2; Hohner Pianet N, Roland V-Grand,Voyager XL, RMI
CEB Posted December 31, 2013 Posted December 31, 2013 I like to adjust the nonactive drawbars for the next registration. Having only one set of drawbaws would suck for me. If I could not have my XK3 I would want the Mojo or Nord. I like the leslie socket also. "It doesn't have to be difficult to be cool" - Mitch Towne "A great musician can bring tears to your eyes!!! So can a auto Mechanic." - Stokes Hunt
Aussie_Chicago Posted December 31, 2013 Posted December 31, 2013 I like to adjust the nonactive drawbars for the next registration. Having only one set of drawbaws would suck for me. If I could not have my XK3 I would want the Mojo or Nord. I like the leslie socket also. That's exactly what I miss having the Sk2. I also adjust the drawbars on the fly on both manuals, gets a bit harder doing it with only 1 set. "Ive been playing Hammond since long before anybody paid me to play one, I didn't do it to be cool, I didnt do it to make a statement......I just liked it "
HammondDave Posted December 31, 2013 Posted December 31, 2013 +1. The problem is when people accept these compromises and find ways to "work around" them. Before you know it, there will be no organs left with real drawbars, multiple sets of drawbars, preset keys, decent action, etc. Oh well, guess I will have to hang on to my Hammonds for a while longer. '55 and '59 B3's; Leslies 147, 122, 21H; MODX 7+; NUMA Piano X 88; Motif XS7; Mellotrons M300 and M400’s; Wurlitzer 206; Gibson G101; Vox Continental; Mojo 61; Launchkey 88 Mk III; Korg Module; B3X; Model D6; Moog Model D
Joe Muscara Posted December 31, 2013 Posted December 31, 2013 Once you're dead, Dave, it won't be an issue any longer for you, right? "I'm so crazy, I don't know this is impossible! Hoo hoo!" - Daffy Duck "The good news is that once you start piano you never have to worry about getting laid again. More time to practice!" - MOI
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