J.F.N.

I counter with Luke 😊 https://www.youtube.com/watch?v=k1LSii7aWwY

Great timing for this clip to show up in my YT flow:

I can imagine, it looks like parts from K2700 meets 3d-printing to "Look it's a new machine", in a non designer worked through way. Looking forward to see how the new ones turns out, and what feature sets, I am in the market come 6 months down the road, for another Kurzweil, as for now the votes are on the K2700 as the mother of everything home in the studio, and then keep my PC3 for band/live activitives, leaving it in the rehearsal room etc.

I love my Prologue 16, takes me back to the realms of Prophet VS (one of my favorite synths) and I totally agree that it's an incredibly versatile machine, obviously depending on what you've got in the multi-oscillator slots can take things one step further, still, in its base configuration, an amazing synth. Will never get rid of mine!

I was a bit disappointed seeing that the marimba part wasn't played with one hand only... Though it does take a lot of practice, BUT, if you can play the intro to "Perfect Strangers" with Deep Purple, having a good flow playing one handed, you can play that marimba part with one hand too.. (first part of the intro, same intervals and harmonies but in "backward" order kind of...).

Watched that vid on YouTube some days ago, got a weird feeling Paich was not at all into playing, ending up pulling Human Nature on Steve to get off the piano...

The new 3 octave KingKORG could be something maybe?

Yes, they don't have Chorus indeed, spring reverb though (X2 too?), and yes, sounded great through a Leslie, did a lot of different styles and recordings too with it.

Danny, one of my heroes, together with Jon Lord, what an organ force they have up (or down) there.... 😊

I was not here in my haydays though, I'm a Viking from way up north lost in the south of Europe... I would be surprised of Ace Tone was not exported to the US.

Was there by any chance an iOS update at some point?

That depends on where in Asia they decide to manufacture them, and how many they get into a container...

That was Mr. Kakehashi pre Roland, the GT7 was later more well known as Hammond X5 (Produced by Ace Tone for Hammond). Greatest "clone" back in the days, I had two, in the end I sold one to a repair guy (together with a Leslie 760) who I think may have renovated it, and the second died in a basement flooding.

Why I suggested a touch screen instead, the remote control iPad is definitely a SPOF to avoid.

Or just like in the good old analog days, 4 busses, routed to each of the outputs of the Scarlett, and BOOM!

What previous poster said, switch the "stereo" on the ports (boxes to the left) to mono and you should instead see one box per mono channel, which hopefully will resolve your problem.

Here's some inspiration: Been investigating this for recording purposes on the road, the mac, drives, accessories, and a keyboard with trackpad in a drawer, and another drawer to store the monitor in when packed down, all in a rack, then depending on how you want it setup, attach the monitor with a vesa mount in your rig etc. There seems to be a fair number of touch screen monitors supporting Mac, so just dig one up that fits your specs, and with a touch screen you get the direct interaction from your rig, but you still have the keyboard/trackpad in the rack if needed.

I have only good experience from the Focusrite support, they helped me with some minor things with my SL61MkII and surprisingly sent me a Power supply, for free, even though it's an old product and I had bought it used. Call them and ask for help with setting your interface up in Reaper and they will most probably walk you through the process, and eventual problems can be ironed out with them directly on the phone.

I mean, look at their normally very smooth well designed hardware interface, this has to got to be NAMM rush work with the 3D-printer on max speed...

Okay, so, software out through the interface and then to the mixer. Sounds either like a driver setup problem, or a bug somewhere if you can't access all four streams in Reaper.

The 4i4 has 4 physical inputs, and 4 physical outputs, which you will find, all of them, in your DAW. You are talking about a mixer, what mixer is that? If you want to route 4 channels from the mixer to 4 of the physical inputs on the 4i4, the mixer needs to be compatible with your strategy here.

And it's kinda funny, as once upon a time there were no options.. Back in my haydays, in the early and mid 90s, I lugged a Rhodes (owned three of them) a Clavinet (owned two..) a Hammond or clone (CX3 or Acetone GT7), Leslie, Fender or Musicman amps for the electromechanical keys, and when needed, synths (to sound like synths) on top of that... Had a cpl of different ones, Juno 60, D50, Moog Prodigy, Logan String machine, Siel something, and later on an XP50 which basically replaced all of the above and some, that's when things started to change... Those were the days, and oh, my physical condition was SO much better back then.. 😂

Blues-in-Gi-1.m4a Blues in Gi (Girona) - A covid lockdown improvisation (I was living in Girona, Spain, we were all locked in for 3-4 months), which in the end turned out to be a nice little blues. Drums, unknown loop randomly used for jamming. Recorded live with my phone in my room (!). Fretless bass and guitar by my friend, who did his part locked inside his home, I think in Garageband or Logic, thank Dogs for the internet! 😃

I really hope these are just handcrafted prototypes, as the design and materials looks terrible!

I was watching this one some week or two ago, I find she's definitely concluding it in a very easy and comprehensive way, great video!!