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Recording Magazine - The Forum

The official online forum for the Recording magazine community! This is the place to share tips and tricks, look at new gear, and ask questions about microphones, monitoring, studio acoustics, signal processing, and more...basically, all things recording studio related.  

 

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273 topics in this forum

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  1. Microphone vs. piano 1 2

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  2. New Mic Pre Day NMPD!

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  3. Tube tester!

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  4. IK Multimedia Mixbox

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  5. MOTU routing woes

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  6. Subwoofer placement

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  7. AEA ribbon mics! 1 2

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  8. Soldering Help?

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  • Trending posts on MPN

    • GREAT TOPIC!!!!   I joined an original ska/reggae/pop band called Fighting Gravity in 1987 as I was wrapping up my high school years. We toured significantly for well over a decade and recorded 10+ original albums. We were "almost famous" and disbanded in the mid '00s. The band was known well enough to attract crowds for big reunion shows 3-4x per years over the last 7-8 years. I am still very close to these guys after 35+ years and consider them my musical brothers. Something magical happens when we get on stage together.   Early photo from about 1989 and recent photo from 2023. We have several shows we are prepping for 2024. It's really good for the soul.    
    • In a Sentimental Mood (Duke Ellington). Blowing over the first two A sections, melody on the bridge and out. On a super nice Fazioli 228 at Pierre's Fine Pianos a few weeks back. As always for best audio, listen with good phones or studio monitors.    
    • Semi OT, but here is a recent interview with Mark talking with Anthony about how digital soft synths have surpassed legacy analog: Edit -- Ooops I see this is in a thread on KC as well.    But ties in with Cherry Audio.  
    • @Caevan O’Shite I still have the tube dampers on my other SCX2, also I have a question in to Eurotubes about the BIAS setting. The newly acquired amp to me is definitely a bit punchier than the older one. The newly acquired amp is actually 12 years old but relatively unused, the one I have been using for about 4 years is a 2020 model, the newly acquired amp was built in 2012, but was relatively not used at all.   I am however gonna get another set of JJ's for the 2020 model as well as a new Lil Buddy if the new tubes don't make that one punchier. I have both amps set in Fender Fuse to the exact same settings, so I am guessing the new tubes are different sounding because of the new improvements on the 6V6's and the one preamp tube a 12AX7 style Under Eurotubes name of 5157.
  • In MPN’s GEARLAB

    • Semi OT, but here is a recent interview with Mark talking with Anthony about how digital soft synths have surpassed legacy analog: Edit -- Ooops I see this is in a thread on KC as well.    But ties in with Cherry Audio.  
    • So….. resurrecting this for any other PolyBrute owners out there that might be interested. I’m still loving my PolyBrute nearly 3 years later, but (and this may be a big duh for some) one thing I didn’t anticipate is just how good a controller it also is.   I’ve been fascinated by, and still am, the Soundforce controllers and have been thinking about getting a few…. Or several… or all of them. For those unfamiliar with them, they are front end MIDI controllers for VSTis that mimic front panels of popular analog synths. Before taking the plunge on any of them, I decided to see how hard / practical / beneficial it would be to use my PB as a controller instead. In short, the PB works great and programming a VSTi seems much more natural doing it from a synth than doing so with a mouse. I’ve tested it with Arturia’s JP-8 & OP-Xa and U-He’s Repro 5 and Diva. Works great. You’ll need to go thru the MIDI Learn process for whatever softsynths you want to control, but, at least for the ones I tried, it was pretty quick & painless (once I figured out note #2 below!).   2 quick notes should you choose to join me down this rabbit hole…   1/ On the PolyBrute, assuming you’re using the PB Connect, make sure to have Local Control off (so that when you go to one of the other synth tracks you won’t hear the PB) and make sure that you click “disconnect” on PB Connect before changing tracks. Once you come back to the PB track, simply click “connect” and you’re back where you left off with your unsaved edits still in place.   2/ MIDI Learn does not work on the VST3 versions of the U-He plug-ins. You need to use the VST2 versions.   Tweak away!   greg
    • This doesn't really affect me (yet) thanks to how and what I play.  But that said, I completely, 100% agree that these fixed split points are unacceptable.  The idea that the most expensive, capable, best sounding board of its kind, restricts players to preset split points is simply impossible for me to understand.  Is there any other board that does this?  I mean, I guess it'd be sort of OK if there were only one key that people play in.  But obviously that's not the case!
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