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Recording Magazine - The Forum

The official online forum for the Recording magazine community! This is the place to share tips and tricks, look at new gear, and ask questions about microphones, monitoring, studio acoustics, signal processing, and more...basically, all things recording studio related.  

 

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218 topics in this forum

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  1. Show us your Studio!

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  2. Best free plugins

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  • Trending posts on MPN

    • Holy cow, that was a depressing read! I had forgotten about all of those negatives, which were left out of most other obits. But it also gave me even deeper respect for McVie as a survivor.
    • B and D… I use Korg Module for my setlist on my IPad and follow along with the set list on the MODX. 
    • The UK matches I went to were teetering on the edge.  Thousands of guys were standing up and pointing and screaming at each other (from one grandstand to another), essentially the precursor to brawls after the match.   The game itself was wild, with lots of songs being sung by the crowd.  I was amazed, as they didn't seem to repeat any song.  Does anyone remember when they used to chant "Daryl".... for Daryl Strawberry?  There was a similar thing going for Andy Cole.
    • I've been through the December issue once, will have to do another scan but i enjoyed it.  And... I learned stuff! I knew Spitfire Audio existed but now I want the Epic Choir plugin and I'll be downloading their 3 free titles - all of those look awesome.    Plus, the review of the Neve 88M had me thinking I really wanted one and then I remembered that I have a Focusrite ISA Two and could run that into the line ins on my SSL 2+. There are transformers in the preamps, purportedly the same ones as chosen by Rupert Neve at the time (long ago and far away) and not only do both preamps have their own send and return loops, they also have variable high pass filters and DI options. Which means I pretty much have what I want already but not sure I would have though of it without reading Recording.    So, goodie!
    • Oh man that's on my someday list. You can hook them up to keyboards right?  
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  • In MPN’s GEARLAB

    • That is magnificent madness!!! 
    • A bit late to the party, but I finally fired it up. Truly excellent. Playing this with the Osmose is going to be exquisite, I can tell. Several years ago I added MIDI to an old pipe organ pedalboard. It’s in storage right now, but I made it to do the GX-1 thing (not knowing that it even existed). But it did make me think, this must be the instrument for that pedalboard!  For the curious, those are real pipe organ quality expression pedals that output MIDI. One has a side lever that acts as sustain. I think there’s 20 toe pistons. Again, high quality organ parts connected to MIDI scanning boards. It’s big and heavy!    
    • I'm sure it can. It's LFO modulation of the filter, with LFO rate being controlled by (I believe) key pressure. You can set that up in the Touch Response section of the performance section.
    • Just curious...is there a parameter or setting on the GX-80 that emulates the volume modulation effect that speeds up in the introl (at 0:24 and 0:52)?
    • Are you kidding? I'm not even through my first walkthrough of the 1000 presets! 🤪 I keep getting diverted by the Awesome. Its not the synth for everything, but it excels at its specialties beyond the same test of other instruments. Its not unlike exploring my first grand piano. Mesmerizing.   A bank of KC-derived patches sounds nice, but I'm skeptical, in that a cello doesn't need an added patch set. This thing is the synth counterpart. Sure, I'm taking note of the sudden golden beauties n' such, but loosely speaking, I'm coming to decide that it has about 20 different sounds that define it. Everything else is real-time ribbon tweaking, paddle nudging, etc. There's a creamy center, whether you're tweaking a brass hybrid or that great harmonica patch.   So I doubt I could add much when I'm still reading the outstanding tutorials and trying to figure out a few alien parameters. Its hard to polish perfection. This could become a diet aid, because you don't want to stop and eat.    
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