Back when I actually HAD gigs I would go from the sublime to the stoopid on drummers....
The one main band I play in is a 50's and 60's show band. I initially joined them as the sax player, but after a couple of years the girl that was playing piano quit. We were having a hard time finding a replacement, so eventually I offered to move over and cover keys as well, with one caveat.....I told them that there were things going on in the rhythm section that, although they didn't bother me much as the sax player, were going to drive me CRAZY as the piano guy, and should be addressed. Really it was all about the drummer. The guy doesn't have much of a feel (shuffles are TOTALLY off the set list) He starts off the gig rushing like a bat out of hell, and as the gig wears on and he gets tired he starts to wind down like a dying clock. Add to that, he wants to be part of the "show" up front so badly he can taste it. He spends the whole night doing stuff like twirling his sticks, etc, and every time he does the time goes to Mars....well, we've spent several years rubbing back and forth about this stuff and we've finally come to a place where, even though the feel of the tunes is wonky, at least it doesn't overtly suck....
Contrast that with my other gig, a jazz trio. The drummer in THAT group is a local legend, unbelievable touch and groove, swings his ass off, and is one of the nicest guys I've ever gigged with. To go from playing with guy #1 on a Saturday night to guy #2 on a Sunday is an incredible palate cleanser. Besides, I don't have a ton of musical investment in songs like Charlie Brown and Get a Job anyway.....
Oh.....I bet you can't guess which gig pays more? Like a TON more?......