linwood

Yeah...that one was a little hard to hear. I only listened to the first one at 1:26. I had Sibelius open because I was working on a thing for a local choir when I saw the post and banged out the tones I thought I heard Joe play. Even he sounded unsure what he wanted to do at that moment.

Maybe...

I got to do this string arrangement last week. Did it with Spitfire Studio Strings Pro... Bésame Mucho

So sorry to hear it. He was something else...a musician's musician. Much love to his Family in these most difficult days.

Breaks my heart...

Mine plays that nice, but I don't. lol

This is the one you want... https://www.liveauctioneers.com/item/105899580_chick-corea-s-1972-fender-rhodes-suitcase-model?fbclid=IwAR00WZwOCLF9fBsnWol8zaHEDwxp1FVMAipMLOz0iZckPJbBJqpeBD5A1LA

Finally got the Rhodes together. It really plays nice. I've still got tweaks to do over the next several days as I play it. I bought a Zoom 70CDR for it. Wonderful pedal for the price!

Startup on Netflix. Very good.

This isn't what they played, but I'd probably go:

I did a session with Pancho several years ago. The MGM called me and booked it. He arrived in a limo with his guy. They come in and I put up a U87. Within minutes he records I Left My Heart In San Francisco and he's back in his limo heading to the Strip. Total pro.

"I'M ON THE PHONE!!!!"

First one is 1st inversion of the "Spy Movie Chord" m/M9: GmM9/B... Yes, it's hard to give that stuff a symbol and if that's all you see it limits you. You can also look at it and see M3 relationships and get much more out of it B D# G Bb D F# A C# F Ab C E You can take this info write spy music for days. Hey...I hope I'm not comin' across like some stupid know it all. I just like talking this stuff and exploring it with like minded folks.. Sometimes with posts and emails things can sound differently than you want them to.

"Intro notes to Star Trek in Ab / Bb" Winner, hands down. lmao

Yeah....it's like a jimi Hendrix E but you drop the top two notes down one.

Peg/Bb

It's so hard to come up with symbols sometimes. Imagine if you're going from B to Bb but like: B G Bb D F# A to Bb Gb C Db F Bb There's a can of worms for you.

Fantastic!

HAHA...I can just reach it and on some roots it hurts a little. The point was from G it's a mirror. If you went to minor you could do something like keep the G and then an Ab triad on the bottom and a Bb major on top. Two traids a fifth away from the G. That kind of stuff. You don't use it a lot, but to be aware of it and hunt for it can take you to some interesting places. You can sit around for hours playing with that stuff....and it's not always about the piano. This stuff could be for tpts,bones, ww's, etc.

I'm hip. Let's apply it and play it like Eb A D G C F B.

No, I meant at times I might think of it as a G triad over an F triad. Not dom. Just two 1 3 5 triads. Lyd. Reason being if I think two roots there are some things that I can do with it or places I can go that I might not do if I just think F root. I try to see stuff from bottom to top top to bottom and middle out. All that stuff can help. Like if you were to see it as lyd, because all those tones are available to you, but see it as F A C D E G B and look at the center (D) In interval speak it's 2+3+4 in both directions. A mirror of itself. Just seeing things multiple ways helps me find things to do and places to go.

I think of those as bitonal triads even though the C isn't in there at times, but if I need a chord symbol I'd probably write F6/9#11 that way the C is still in play under the B if I wanna use it some where.

No sweat. It's what us nerds do.

Sumpin' like this. I know some things are misspelled, but that's how I'd do it. lol Sorry stuff is so darn big

I just noticed you had a clip of the music and I dl'd and took a listen. If I wanted to give that Bb chord a name I'd go with Bbm7b6. Without hearing it I didn't know he was using 5 up the octave.