Iconoclast Posted October 21, 2022 Share Posted October 21, 2022 I need the two synth bleeps at:03, :06, :09 and :12 seconds into this song. I'm not getting anywhere...Seems like they'd be a pretty std thing, but I'm not getting there. Anyone have that one piece of information that I'm missing here? Quote You want me to start this song too slow or too fast? Forte7, Nord Stage 3, XK3c, OB-6, Arturia Collection, Mainstage, MotionSound KBR3D. A bunch of MusicMan Guitars, Line6 stuff Link to comment Share on other sites More sharing options...
mcgoo Posted October 21, 2022 Share Posted October 21, 2022 Got a couple ARP 2600s at your disposal? That's likely what they used. I'd start with (in analog speak) oscillators off, filter resonance very high (set to self-oscillating), wide slope / emphasis and sharp attack and pretty fast decay on the filter envelope. Add noise to taste. 4 Quote Custom Music, Audio Post Production, Location Audio www.gmma.biz https://www.facebook.com/gmmamusic/ Link to comment Share on other sites More sharing options...
stoken6 Posted October 22, 2022 Share Posted October 22, 2022 I always thought that was a guitar scratch through a wah! @mcgoo’s recipe seems on the money. On my Nord I’d try a noise sample, lots of resonance, and sweep the filter with the same kind of envelope. Cheers, Mike Quote Link to comment Share on other sites More sharing options...
CEB Posted October 22, 2022 Share Posted October 22, 2022 No idea. I played guitar on this one. It was a great tune. Quote "It doesn't have to be difficult to be cool" - Mitch Towne "A great musician can bring tears to your eyes!!! So can a auto Mechanic." - Stokes Hunt Link to comment Share on other sites More sharing options...
DJkeys Posted October 22, 2022 Share Posted October 22, 2022 Any waveform with tons of resonance with a quick amp/filter decay, no sustain or release. I would concentrate more on the two sounds used at 2:36, as they are much more challenging- -dj Quote iMac i7 13.5.2 Studio One 5.5.2 Nord Stage 3 Nord Wave 2 Nektar T4 Drawmer DL 241 Focusrite ISA Two Focusrite Clarett 8 Pre Link to comment Share on other sites More sharing options...
David Emm Posted October 22, 2022 Share Posted October 22, 2022 23 hours ago, mcgoo said: Got a couple ARP 2600s at your disposal? That's likely what they used. I'd start with (in analog speak) oscillators off, filter resonance very high (set to self-oscillating), wide slope / emphasis and sharp attack and pretty fast decay on the filter envelope. Add noise to taste. Yep, its two 2600s. He was doing the same kinds of things for this band that Eno did by embellishing the atmosphere around Roxy Music. IIRC, Michael Cotton won the BAM award for best synthesist one year. I've always been keen on the Tubes, who are like Phish on crank. Anyone whose act is banned in Boston automatically gets at least a Dis-Honorable Mention from me. I love the moment on their double live album where just before "White Punks On Dope," Prarie Prince says "Aw, do we have to do this one again?" Quote As an adolescent I aspired to lasting fame, I craved factual certainty and I thirsted for a meaningful vision of human life- so I became a scientist. This is like becoming an archbishop so you can meet girls. ~ Matt Cartmill Link to comment Share on other sites More sharing options...
Baldwin Funster Posted October 23, 2022 Share Posted October 23, 2022 Written and recorded by David Foster and Steve Luke. Fee sang on it and viola instant tubes hit. 1 Quote FunMachine. Link to comment Share on other sites More sharing options...
Synthoid Posted October 23, 2022 Share Posted October 23, 2022 8 hours ago, Jr. Deluxe said: Written and recorded by David Foster and Steve Luke. Fee sang on it and viola instant tubes hit. Excellent tune for sure. First heard/saw on YouTube I believe. Quote When an eel hits your eye like a big pizza pie, that's a Moray. Link to comment Share on other sites More sharing options...
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