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Ever write a song only to discover...


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... that it's already been written?

 

That's one of my biggest problems.

 

Case 1 - I'm doodling on the guitar and come up with what I think is a catchy hook. Record that and add a some backing to it. Go and grab a fresh pair of ears to have a listen.

"That hook is from A1's Caught in the Middle"

"Sorry who?"

"They're a boy band. Get lots of radio play."

"Ah ok."

Scratch that one.

 

Case 2 - I'm doodling on the piano. Nice little chord progression going.

"That's the end of the chorus on Sugar Ray's Every Morning... You know the bit that goes Aaah ah aaaaah Every morning ah aaaah every morning shut the door baby don't say a word."

"If you say so."

 

I don't know whether to stop listening to the radio cos I'm obviously subliminally (that's a word) picking up the music, or maybe I should just write some new lyrics.

 

Cough and Spittle - yeah that fits...

 

Anyone else with similar problems?

Chris Griffin: Yo, did y'all check me when that hottie was all up in my Kool-Aid? Yeah, I was looking to break off a little somethin' somethin' but my crew gave me the 411 on that skank and she's all about the bling-bling.
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Originally posted by FnB:

Anyone else with similar problems?

Everyone does to a degree,it's subtle innocence that makes the difference,and yeah,what your listening to on a regaular basis.
"A Robot Playing Trumpet Blows"
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Don't worry too much if you've written a chord progression that sounds like something you've heard before. If your melody is different, you're cool.

I used to think I was Libertarian. Until I saw their platform; now I know I'm no more Libertarian than I am RepubliCrat or neoCON or Liberal or Socialist.

 

This ain't no track meet; this is football.

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I took chords from two eagles tunes and writ a ditty that many folkes say sounds like PINK FLOYD.(mothersday) At the time I know NO floyd tunes.

I did my (OLD LOVE), a reggae tune and some folkes say it sound like that SHAGGY (angel of the mornin')tune.

I purposly DO NOT listen to other music while I'm in the recording process. no radio or tapes of anything that might SWAY me musically on a subconsious level.

I try very much to make my own way EXCEPT when I am HONORING a player such as: TAMPA RED; then I'll COPY him exactly.

Frank Ranklin and the Ranktones

 

WARP SPEED ONLY STREAM

FRANKIE RANKLIN (Stanky Franks) <<<

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Happens most often with titles of songs.

Fortunaltely, titles are not copyrightable.

 

As for chord progression - the matching strinhg of chords has to be long enough to constitute a rip off legally. Same for melodies. Common bits and pieces, if they are short, are not necessarily an issue. I forget the specifics- but you can look this up in one of the music business books that talks about copyrights.

Check out some tunes here:

http://www.garageband.com/artist/KenFava

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Yeah, it happens to me sometimes. I had some long ass jam that our HS band used to do. I called it something ghey like Powerchord Symphony.

 

Looking back, i see a few riffs from Mustaine's Call of Ktulu, and some chunky rhythm guitar stuff from a song by another band on the circuit at the time :eek: I've even realised later that some of my thrashmetal songs have some stuff lifted from the massive amount of surf tunes i used to listen to as a youngin'.

 

Nobody else seemed to notice, though, or maybe they didn't say anything. In my defence, i had a lot of other really cool riffs in there that were my own, though.

 

Also, i notice that the older i get, and the more my horizon of listened-to music expands, the harder it is to keep from doing this. It's as if your subconscious is saying "oh, hell, we can snag this fast and chunky rhythm guitar run from Megadeth's Hook In Mouth, paraphrase it, slow it down and use it for a bassline in this funk-jazz ditty! It's a different genre, he won't know!" and stuff.

 

Dammit all to hell.

Dr. Seuss: The Original White Rapper

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WWND?

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This is interesting...it brings back that theory that everything that CAN be written HAS already been written. Hell, in a traditional sense, we've only got 12 notes to work with (excluding microtonal, and other funky tunings).

 

How many songs all use the same chord progression but are separated by only the slightest bit of originality that makes them entirely unique once again?

 

I had a friend that had recently learned to play a guitar and was tinkering around one afternoon.

He was picking around the notes of a chord progression I was familiar with.

By him not knowing the song, he had a different swing, a different sequence of picking the notes in the chord, etc. that made the song unique to him.

 

Even with synthesizers and keyboards, just changing patches can make a mundane chord progression interesting.

 

I've always wanted to research how we can hear the same chord progressions and subtle variations of melodies yet willingly suspend our knowledge that we've already heard it before and still find a way to enjoy it. Sorry...I guess I'm getting too philosophical now...

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I've always wanted to research how we can hear the same chord progressions and subtle variations of melodies yet willingly suspend our knowledge that we've already heard it before and still find a way to enjoy it. Sorry...I guess I'm getting too philosophical now...

 

No need to apologise ;)

 

I follow what you say, and i find it interesting also. Just the other day i heard some top 40 pop thing (some autotuned chick singing over manufactured music). The chord progression was undeniably Pachelbel's Canon in D. I picked it right out, probably because i greatly dislike Pop-Music type stuff, and i had no interest in it at all.

 

Yet, in my recent exploits of messing with early Pink Floyd songs, a lot of them are just 3, 4 or 5 chord things, some of them pretty generic. But since they are something i'm interested in, and something that hasn't been done in a long time, they sound fresh, new and exciting all over again.

 

There's definately an "ear of the beholder" thing going into it, i think. How we hear the same old changes and things is affected by our state of mind or interest, like you say.

Dr. Seuss: The Original White Rapper

.

WWND?

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Didn't Vanilla Ice have that problem?

 

I've done that only to have to delete it, what's worse is realizing that you've written the tune before! :rolleyes:

 

Steve

You shouldn't chase after the past or pin your hopes on the future.
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The funniest experience I had in this dept was, I was doing a lot of theater work at one point, and had written music for 2 shows, simultaneously... One show was in the process of being produced, and the other one was being written...

 

anyway, one time, while going ot the rehearsal for the one being produced, I heard somebody playing piano in the distance... I said to myself "hey, that tune sounds familiar", but I couldn't figure out who wrote it... About a minute later I realized, that's my tune, the music director was playing it... :)

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