Jump to content


Please note: You can easily log in to MPN using your Facebook account!

Larry Fine's Piano Book questions


MonksDream

Recommended Posts

This weekend my wife and I took off to an island off the coast here (Salt Spring) for a few days of R&R. While in a used book store there I scored a copy of larry Fine's 'The Piano Book' signed by the author in '88! The book is every bit as good as it's reputed to be however I have some questions for the tuners and technicians here. Given that the book was published in '88 is there anything in it that's no longer applicable? Has the past 22 years seen any major changes in design and/or materials that one should be aware of when looking at pianos? It looks like I have the first edition; are the later editions different enough to make them must-buys? I'm assuming they'd be must-reads if one was looking to buy a piano.
Instrumentation is meaningless - a song either stands on its own merit, or it requires bells and whistles to cover its lack of adequacy, much less quality. - kanker
Link to comment
Share on other sites



  • Replies 10
  • Created
  • Last Reply

There are probably technical changes since that edition. However, you might be better off looking at the manufacturer changes since then, which you can find in the Piano Buyer's Guide that he also publishes. You can buy the guide, or read it free online.

 

http://www.pianobuyer.com/

 

He hasn't actually updated The Piano Book since the fourth edition from January 2001.

"I'm so crazy, I don't know this is impossible! Hoo hoo!" - Daffy Duck

 

"The good news is that once you start piano you never have to worry about getting laid again. More time to practice!" - MOI

Link to comment
Share on other sites

The fundamentals from the book in '88 have changed little. A piano still works the same way and it mostly the same materials. Having said that, it would behoove you to check out the latest edition. The guts of the book are the same though.

Kawai C-60 Grand Piano : Hammond A-100 : Hammond SK2 : Yamaha CP4 : Yamaha Montage 7 : Moog Sub 37

 

My latest album: Funky organ, huge horn section

https://bobbycressey.bandcamp.com/album/cali-native

Link to comment
Share on other sites

I SO want to ask about Curlys' and Moes' theory books .....

 

BUT I know better

 

or do I?

 

darn I see SK beat me to it

SpaceStation V3,

MoxF6,PX5S,Hammond-SK2,Artis7,Stage2-73,

KronosX-73,MS Pro145,Ventilator,OB DB1,Lester K

Toys: RIP died in the flood of 8/16 1930 Hammond AV, 1970s Leslie 145, 1974 Rhodes Stage

 

Link to comment
Share on other sites

the quality has gone up and down on various models. If you are looking at buying a new piano, you should get the latest info. When I narrowed my search down to a few pianos, I actually paid for a consult with Fine over the phone--he was invaluable in helping me thing through the final choice, the pros and cons of each option I was considering (restored Mason Hamlin 5'10 vs. new Schimmel 5'10 vs Petrof 6'4).
Link to comment
Share on other sites

I SO want to ask about Curlys' and Moes' theory books .....

The book by Larry's brother ("Larry the Stooge in the Middle") is a great read. Moe's book ("Moe Howard and the Three Stooges") is pretty good too. Curly never wrote a book....

"We don't stop playing because we grow old; we grow old because we stop playing."

- George Bernard Shaw

 

Link to comment
Share on other sites

Thank, everyone, for your feedback. I figured things haven't changed that much in the world of piano building however it never hurts to check. I can't afford an acoustic piano right now but that doesn't mean I can't shop for one!
Instrumentation is meaningless - a song either stands on its own merit, or it requires bells and whistles to cover its lack of adequacy, much less quality. - kanker
Link to comment
Share on other sites

...Given that the book was published in '88 is there anything in it that's no longer applicable? Has the past 22 years seen any major changes in design and/or materials that one should be aware of when looking at pianos?

 

The basic design of both upright & grand pianos has changed very little over the last 100 years -

 

a few manufacturers have made small tweaks here & there, but basically its the same.....

 

if it ain't broke, don't fix it! The current piano action is as perfect as it's going to get.

 

If that wasn't the case, someone would have come up with something better by now.

 

The only 'radical' attempt at 'improvement' that I know of was by an Irish company (Lindner)

 

who, in the 1970's, although it was still based on the traditional design, used completely different

 

materials throughout (apart from the wooden soundboard)...all metal action parts, all plastic keys

 

with a stupid plastic flange & spring mechanism which 'clicked' into the balance rail.

 

This was especially problematic, 'cos these flanges/springs were constanly breaking, & 'cos

 

the company quickly went out of business and the parts were unique,

 

replacement parts were as rare as hens teeth.

 

This turned out to be a nightmare for us technicians & owners alike.

 

 

In summary, I think all the other piano makers took heed of this, & stayed with the tried-&-tested.

John.

 

some stuff on myspace

 

Nord: StageEX-88, Electro2-73, Hammond: XK-1, Yamaha: XS7

Korg: M3-73 EXpanded, M50-88, X50, Roland: Juno D, Kurzweil: K2000vp.

Link to comment
Share on other sites

Thank, everyone, for your feedback. I figured things haven't changed that much in the world of piano building however it never hurts to check. I can't afford an acoustic piano right now but that doesn't mean I can't shop for one!
I'm in the same boat (so I'm lucky that I "inherited" a small grand). Unfortunately, piano salespeople can be like their car counterparts. At least the good ones will let you "test drive" for a while without bugging you. I was comparing two 9' Steinway Ds as well as a B, an A, and an O, I think, the other day. That was fun. I actually liked the A better than the B, but I don't know if that would apply to all As and Bs or just those two. It could be the B wasn't voiced right or something. (Steinway As are 6'2", Bs are 6'10.5". Some say they are 6' vs. 7' as most people usually round the length. In fact, a D is 8'11.75".) I also tried some Bostons they had, but didn't like them as much as I would have hoped. I'm not sure why, but but the action and the tone weren't speaking to me.

 

Piano shopping and comparison is hard, but fun. ;)

 

Please feel free to talk about your shopping experiences here, if you wish. I know there's another forum that's more focused on that subject, but I'm more interested in a casual conversation about our experiences. I'd like to be able to gather impressions from people I know better as well as keep my knowledge about the subject honed a bit. Also, there are a few people on here that are tuners and such so there's knowledge here.

 

In summary, I think all the other piano makers took heed of this, & stayed with the tried-&-tested.
I'm sure you know Kawai has been using "plastic" actions for nearly 40 years in nearly all of their models.

"I'm so crazy, I don't know this is impossible! Hoo hoo!" - Daffy Duck

 

"The good news is that once you start piano you never have to worry about getting laid again. More time to practice!" - MOI

Link to comment
Share on other sites

In summary, I think all the other piano makers took heed of this, & stayed with the tried-&-tested.

I'm sure you know Kawai has been using "plastic" actions for nearly 40 years in nearly all of their models.

 

Yes Joe - many manufacturers have replaced various wooden parts with varying degrees of success over the years.

 

The one thing we do know is that the traditional wooden parts, if properly cared for,

 

will last 100 years or more.

 

Plastic parts?... well only time will tell.

 

One problem I've encoutered in my experience (28 years), is that a common repair is when the (particulary)

 

hammer or jack bushings become worn (loose).

 

In a wooden action it's simple to replace the centre-pin with a larger one,

 

& the wood will 'absorb' that change in size 'cos of its 'spongy-ness'.

 

With plastic parts this is sometimes an issue &, because of its lack of flexibility,

 

you have to 're-bush' (or 're-felt') the flange - which is a lot more time-consuming

 

(ie: more costly to the customer).

 

PS: Kawai do still use wooden keys / hammer shanks etc, etc :thu:.

John.

 

some stuff on myspace

 

Nord: StageEX-88, Electro2-73, Hammond: XK-1, Yamaha: XS7

Korg: M3-73 EXpanded, M50-88, X50, Roland: Juno D, Kurzweil: K2000vp.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

×
×
  • Create New...