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AROIOS

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Everything posted by AROIOS

  1. Very sad news, I'm a big fan of Peter. May his gentle soul rest in heaven.
  2. 1080/2080/1010/30/50/60/80 are the "Super JVs". He might be referring to the original JVs (JV80/880/90/1000 etc)
  3. Glad you liked it, Reezekeys, and thanks for the new tip. I'm gonna try it out in my next synth bass programming adventure.
  4. Glad you enjoyed the patch, jazzpiano88. And yes, the original bass is more impressive in isolation but could be a PITA to tame in a mix. The mix engineers behind so many of these Pop and Rock hits don't get nearly as much recognition as they deserve. Only after listening to a lot of the original stems, did I realize what crude materials they were dealing with back in the day.
  5. @Reezekeys so I layered 3 FM bass patches today and got a sound similar to "Glory of Love". This opens a new door for my synth bass programming. Thanks again for the suggestion. Here's a quick demo of it: SBS - Glory of Love .mp3
  6. Sounds like the DX7 factory preset "Fretless" from ROM #3, i.e. the "Take My Breath Away" bass. Here's a quick demo of it: SBS - Commodores - Nightshift; DX7 ROM3A Fretless.mp3
  7. Besides being a great songwriter, he's also got a distinctive Blue-Eyed-Soul voice. My favorite cover of The Emotions' "Don't Ask My Neighbors" was from Bobby.
  8. That's a great idea. I've done it with electric piano patches for years but never thought of applying it on FM basses.
  9. Yes it is, with volume normalized/compressed. It was ripped from the game Rock Band.
  10. That's one of the biggest arrangement/mixing lessons I learned from transcribing and listening to original mix stems of my favorite Pop tunes: Density management. The individual parts of those tunes are often much simpler than I thought or what I would write. It's the brilliant interplay among these simple parts, plus the genius of the mix engineers, that turned those parts into a final product greater than the simple sum of them.
  11. That long swirling decay is the most definitive feature of the 80's/David Foster style power ballad synth bass. It fills up the sparse arrangements in the verse of a power ballad much better than a real bass could. And yes, bass layering was common at the time. "Thriller"'s bass was actually done on a ARP 2600 with a Moog ladder filter. So Minimoog can definitely do a convincing job of covering it.
  12. Great demonstration of emulating analog filter and pulsation with FM, thanks for the share.
  13. Ah, I see. Without additional context, I would have heard it simply as iiim-Imaj7 or vim-IVmaj7.
  14. I don't see (hear) that progression (attached below) as being dramatic/epic at all. The "Light My Fire" i-vi progression is probably abused more in film/TV scores. What am I missing? CHD Pro -064.mp3
  15. Excellent piece! Sierra games had some great MIDI tracks, here's a favorite of mine:
  16. Only the attack sounds FM-ish, the swirl and growl in the sustain sounded very analog, and the static pattern of that swirl and growl hints at samples of analog being used.
  17. The sustain of it doesn't sound like an DX7 bass to me, probably layered with a 360 Systems MIDI Bass popular around that time. And not to dismiss your personal preferences brother, but this bass track is pretty run-of-the-mill. To call it a masterpiece is an overstatement.
  18. Happy Birthday, Brother Dave!! 🍰
  19. Here's the isolated piano track. It's just some common Blues/Gospel licks around C-Eb-F-G. The missing flavor you're looking for might be the b3 and b7 Blues notes and the I - IV/I Gospel lick. You can even throw in a VIIb/I after the IV/I to spice things up a bit further. piano01 Copy.mp3
  20. It's here. We're f*ed. 😆 https://www.suno.ai/
  21. Charlatan: $0 MiniMogue: $0 OB-XD: $0 PG-8X: $0 Synth1: $0 Tyrell N6: $0
  22. I just tested that patch on the free OB-XD, and it destroyed Arturia's version in warmth. What a nice little piece of gem! untitled.mp3
  23. Always loved the progression he played at 0:50, finally transcribed it after coming across the video again tonight. The 3 hip chords in there are honey to my ears: B13b9 (IIIb13b9), C#/E (IV/VIb), A13b9 (IIb13b9) CHD Pro - 63.mp3
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