stoken6
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Posts posted by stoken6
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1 hour ago, Chummy said:
I do like the Casio CT-S500 but I wonder, If I could add more cash (even x5/x6 times the price theoretically) and get a better , more professional lightweight portable board that has improvement in any number of the following categories:
* better sound engine
* a drawbar organ engine with drawbars
* more keys than 61, up to 76
* better/louder speakers
Casio's WK700 gives you 2 and 3, I don't know about 4 and I suspect not 1!
Regards, Mike.
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I like that it's named for/inspired by a real place (just down the road from me) - in the same way as Penny Lane.
Cheers, Mike.
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20 hours ago, Leroy C said:
<Pic of Samson mixer>
Love that old-school desk @Leroy C. My gig last Saturday used a Bose ToneMatch mixer - so unintuitive. I think there's a feature where if if you unplug a cable, that channel gets muted. So if you're pulling cables to resolve a problem, you have to remember to keep unmuting. A simple analog(ue) mixer wouldn't have that problem.
Cheers, Mike.
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@eric nails it.
One other option is to consider a keyboardless synth module if you need more analog(ue)-style goodness than your Electro+MODX can provide.
Cheers, Mike.
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5 hours ago, AnotherScott said:
buy a pair of them... you'd practically have a 16 pound double manual clonewheel! I'd use a stand that would allow me to stack one over the other
Presumably you'd offset the two boards by an octave, in honour of the M3?
5 hours ago, AnotherScott said:Use a pair of flat sustain pedals mounted to a a small piece of wood so you can easily operate them both simultaneously
Or, if you're brave/handy with a soldering iron, wire a dual-throw switch to a pair of TS cables?
Cheers, Mike.
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1 hour ago, CEB said:
I want a simple thing.
Roland Boutique format release housing their classic and Supernatural pianos and EPS and clavs. I’d buy one for my S90XS.
A boutique-format organ module running their V-Combo model would be pretty sweet as well.
Cheers, Mike.
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1 hour ago, CEB said:
The greatest Strat sound in history was a Les Paul
Cool fact. Even better than "Black Velvet is synth bass", and "7 Nation Army is a guitar through a pedal".
Cheers, Mike.
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2 hours ago, Tusker said:
"wiggles"
I'm going to use this. "Wiggle factory" instead of "modulation matrix".
Cheers, Mike.
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Some good advice above. If it's "synth" sounds you want, there isn't an "instant noob method" to get from a song to a sound. You really should start by listening to e.g. square/triangle/sawtooth waves (and PWM), oscillator sync, low/band/high-pass filters (2-pole and 4-pole), ADSR envelopes and so on. The Sound on Sound articles that @NewImprov mentioned above are a great tutorial for starting at the "sound" end of the journey.
Unfortunately the Kurzweil board you're getting, while a superb instrument, is not the best platform for learning about subtractive synthesis from square one. Do you have a PC/Mac/iPad that you could run a VA app on? That might make things easier.Finally - your Helix will be a fabulous synth-effects platform.
Cheers, Mike.
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24 minutes ago, K K said:
Got the all new Creative Pebble X Plus 2.1 system. Incredible sound and impressive bass for its size.
I've heard good thinks about the Pebbles - but never from a source who's a musician! Good to hear.
Cheers, Mike.
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4 hours ago, Synthesis said:
My originally loaded additive synth instruments has no overlapping frequencies over their elements/layers so you can build out of its elements/layers extremely easily new sounds in a real additive way, even if one would replace elements/layers with well-aimed elements/layers from an external instrument source of mine.
It's due to a frequency standard, applied for all easy additive synth instruments of mine.
Your English is excellent, but this paragraph is where I lost comprehension. "Overlapping frequencies" don't prevent you creating "new sounds in a real additive way" from "elements/layers extremely easily" - just layer a square wave and a triangle wave on a Minimoog for proof. And I don't know what "well-aimed elements/layers from an external instrument source" is, let alone one "of mine".
I think you're saying that you can provide me with a sound which is, say harmonics 1, 3, 6, 12 and 15 - and a separate sound which is 2, 4, 8 and 10 - and another sound which is harmonics 5, 11, 13, 14, 16 - and when you layer them there is no duplication of harmonics. Am I right? And if I am - why is this such a big deal?Cheers, Mike.
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Please tell me it’s pronounced “Minimogue Boke”?
cheers, Mike
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37 minutes ago, J.F.N. said:
Buy two, try the drill first... (or use the "lid" to try first...), drilling, screwing, feels like better longevity..
Keep us posted!
True. I also found this: https://www.ebay.co.uk/itm/304961883774?chn=ps&_ul=GB which is close to what I initially envisaged, although about 50% bigger.
Cheers, Mike.
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26 minutes ago, adamcz said:
Would something like that work with a stereo pedalboard?
Thank you for reminding me. I checked: yes the SM10 has a (single, mono-send/stereo-return) FX loop, which means you can adjust the wet/dry mix. I'm not sure if the "Line ins" are wired L/R to act as a return - if not, simply return via a spare conventional channel.
Cheers, Mike.
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Just now, J.F.N. said:
Glue gun?
Not a bad idea. I'd have to buy one...
Cheers, Mike.
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4 hours ago, J.F.N. said:
Hence the Amazon plastic eggholder I sent ya, cut the "lid" off, attach the remaining "bottom" egg holder to whatever type of clamp that works on to your stand. No idea what stand you use but I am sure you have a clue about how you could attach something to it, like this one:
You're right there's no problem attaching the clamp to the stand. I'm not clear how to attach your amazon link to the clamp. It looks like it's made of ABS - if I try and drill it I'm concerned it will crack/shatter.
Cheers, Mike.
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16 hours ago, adamcz said:
moar keyboards
Hough menny moar?
Is this for live use? I mean three boards is a sizeable rig, and I can't imagine bringing more than four, even to a "once-in-a-lifetime" gig.
If studio/home use, then Key Largo is not the most efficient tool - its pedalboard form factor doesn't bring benefits. Look for a line mixer like the Samson SM10 (or Rane, Ashly for premium alternatives if you can find them) alternatively compact mic/line mixers like the Yamaha that @ImproKeys suggested.
Cheers, Mike.
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20 hours ago, kpl1228 said:
Real fretless bass?
Would love to hear 80's Pino Palladino take a crack at that line. I'll bet he could work the same kind of magic as on Paul Young's "Wherever I lay my hat".
Cheers, Mike.
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Thanks for all the sensible and silly suggestions. I should stress that I'm looking for something that can clamp to a tube on my keyboard stand (not to sit in my refrigerator, or on my kitchen countertop). The cupholder was the first thing I thought of, but most that I've seen are a little small to hold a pair of 2.5inx1.5in eggs.
Cheers, Mike.
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And I'm enjoying being wrong about an acquisition by an anonymous conglomerate.
Cheers, Mike.
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5 hours ago, JohnG11 said:
Not quite sure what this is meant to represent.
Corporate top brass will find anything exciting if you give them enough stock options to go with it.
Cheers, Mike.
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1 hour ago, The Piano Man said:
XE20
This board doesn't have 5-pin MIDI, but does have a "TO DEVICE port for connecting, USB flash memory and controllers".
Has anyone tried connecting a class-compliant USB-MIDI device to this port? A controller, or better still a sound source? This could make the XE20 a useful lower board under a top with USB MIDI Device capability.
Cheers, Mike.
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I bring a pair of egg shakers to gigs in case one or both of my hands are doing nothing in certain songs. I'm looking for a holder that can keep them close by, that can clamp to my keyboard stand. Has anyone solved this problem? There are plenty of "tray"-type solutions, but they won't stop eggs from rolling away.
Cheers, Mike.
Lightweight semi-weighteds: CK61, CT-S500, Liano
in The Keyboard Corner
Posted
Absolutely. The Nord Electro is a ready-made template for these kinds of boards, and it's a proven success. (Although even the latest Electro only supports 3-way split I think).
Cheers, Mike.