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Great solo, but bad tone


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While driving in to work today I heard the Commodores doing "Easy". The guitar solo is a nice tasteful selection of notes, but the tone is just awful. Sounds like it was recorded though an overdriven channel on a mixing board. The song "Vehicle Baby" by The Ides of March comes to mind too as a really nice solo, but the guitar tone is just awful. Any others?
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Early on, it seemed like the pop bands that came from a jazz (there's that word!) background had a different perspective on what good guitar tone was. Tower of Power, Blood, Sweat & Tears, Chicago all came from another corner. Now, I just think it adds another color to the spectrum.

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The guitar solo in "Let it Be" suffers not from bad tone, but bad tuning. I retune the guitar in my head every time I hear it. (Pause, duck bottles thrown by thousands of Beatles fans). Good point, Evets, but watch your language: every time I hear that loaded word, "jazz," it makes me want to rip somebody's head off with my teeth.
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[quote]Originally posted by eljefe: [b]The guitar solo in "Let it Be" suffers not from bad tone, but bad tuning. I retune the guitar in my head every time I hear it. (Pause, duck bottles thrown by thousands of Beatles fans). Good point, Evets, but watch your language: every time I hear that loaded word, "jazz," it makes me want to rip somebody's head off with my teeth.[/b][/quote]Damn right! :D

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Just about any early clapton solo. Yardbirds through Cream, maybe even later. Excellent phrasing and bends, but the tone reminds me way too much of a $59.95 solid-state 20W practice amp, or a really aggressive distortion pedal recorded direct. Just not good. The wierd thing is he gets some great tones on Wheels Of Fire in some songs, but others have this stale, brittle and thin sound. Maybe he [i]likes[/i] that sound? -------------------------------------------------- #include

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[quote]Originally posted by SoundWrangler: [b]Ron Wood's solo guitar melody on Rod's "Maggie May". Sounds like he just said "screw it" & went direct to the board.[/b][/quote]I can't disagree more! I love the simplicity of his clean tone in the context of the song, especially the dynamics he produces with different notes. The solo tone contrasts the high strung section on the outro. Remember, many "bad" tones are just right in context. Alone, I'd have to agree with Dylan on Elliott Randall's tone for Steely Dan's "Reeling In The Years." It's a mess. But, for whatever reason, it works in context. I'm not sure a "better" distorted tone would be appropriate or help make the song unique, in a pleasant way. Randall's timbre, on that song, does both. Take a listen to the Toy Matinee album. If you disect each song (All of which are masterfully written and arranged.) you'll find plenty of godawful tones that fit perfectly in the context of the songs. Alone they would be hideous.

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Wha??? Whats wrong with the Commodores guitar tone??? I'm trying to remember what it sounds like, but if I recall it was kind of that thick/overdriven/bassy tone I associate with LesPauls and 335's and heavy gauge strings. That's not bad tone! That's the bad-assed coolest freak'n tone there is!!! I'm thinking of: Larry Carlton - Last Nite John McLaughlin - Birds of Fire

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[quote]Originally posted by Phantasm-sound: [i]Originally posted by SoundWrangler: Ron Wood's solo guitar melody on Rod's "Maggie May". Sounds like he just said "screw it" & went direct to the board.[/i] [b]I can't disagree more! I love the simplicity of his clean tone in the context of the song, especially the dynamics he produces with different notes. The solo tone contrasts the high strung section on the outro.[/b][/quote]Actually, we don't disagree as much as you might think! :) It IS an icky, direct-injected guitar sound, but like so many other "imperfections" on the albums he did w/Rod, it ends up being charming, & exactly right for the song. Everytime I play gtr on that song, I always play that section pretty much as is, flat tone & all! :thu: (It's such a distinctive line; more of a "B" melody than a solo, really. Same thing happens with other famous guitar lines, like "Something", or "Get Back" - no matter what you do afterwards, if you don't start by quoting it correctly, you're not really quite "playing" the song, are you?)
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[quote]Originally posted by eljefe: [b]The guitar solo in "Let it Be" suffers not from bad tone, but bad tuning. I retune the guitar in my head every time I hear it. (Pause, duck bottles thrown by thousands of Beatles fans). [/b][/quote]No bottles.. but I must say the version of 'Let It Be' with the guitar solo (album version) is far and above my favorite version; It raaawks! I also like the delay that Phil Spector added to the hihat on that version, even know the timing on it drifts a little here and there. Matt
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There are indeed 2 versions of this song, with different guitar parts & tones (& other different instrument parts). As far as good part/bad tone, I don't think anyone can touch the overall grating tones on Trout Mask Replica (Beefheart) but that was probably intentional. :freak:
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[quote]Originally posted by SoundWrangler: [b]Actually, we don't disagree as much as you might think! :) It IS an icky, direct-injected guitar sound, but like so many other "imperfections" on the albums he did w/Rod, it ends up being charming, & exactly right for the song. Everytime I play gtr on that song, I always play that section pretty much as is, flat tone & all! :thu: (It's such a distinctive line; more of a "B" melody than a solo, really. Same thing happens with other famous guitar lines, like "Something", or "Get Back" - no matter what you do afterwards, if you don't start by quoting it correctly, you're not really quite "playing" the song, are you?)[/b][/quote]Agreed. :) One of my other fav Rod Stewart songs is I Was Only Joking, which begins it's solo with much the same, if not identical, timbre to Maggie May. It takes a different turn in the middle, when a distorted tone takes over. Very cool!

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[quote]Originally posted by Scary 8: [b]Wha??? Whats wrong with the Commodores guitar tone??? I'm trying to remember what it sounds like, but if I recall it was kind of that thick/overdriven/bassy tone I associate with LesPauls and 335's and heavy gauge strings. That's not bad tone! That's the bad-assed coolest freak'n tone there is!!! I'm thinking of: Larry Carlton - Last Nite John McLaughlin - Birds of Fire[/b][/quote]I agree. I remeber loving the sound and the way that solo was played.

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[quote]Originally posted by Henchman: [b]I agree. I remeber loving the sound and the way that solo was played.[/b][/quote]Thank you, sir! It was well played, wasn't it. Kind of a clever/playful approach. Man, Lionel should'a never left! After "All Nite Long", he got uninteresting REALLY fast...

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[quote]Originally posted by Philip O'Keefe: [b]I'm going to tick off every Neil Young fan in the world... because I don't think I'd call most of his solos "good" yet alone "great", but his tone? Sounds to me like a mosquito with a cold. I HATE it![/b][/quote]That tone is intentional, to match his voice. ;) Neil is definately an 'aquired taste'. Matt
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Oh, I actually like a lot of his songs, and his voice isn't as annoying to me as his guitar tone... and I actually DO like some of his solos... Cinnamon Girl in particular is nice, and the tone on that isn't QUITE as bad as some of his other stuff... but most of the time, intentional or not, his guitar tone on solos just bugs me.
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While not solos as such, an album full of out of tune, or probably more to the point slightly dischordent, guitar sounds is Nick Cave's - 'No More Shall We Part'. And how does it all sound?... Fucking Awesome!!! ;)
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This is all so subjective... BUT... This prove a point I have made before... the performance is much more important than the tone. You have quoted hit records, the performances were what made it so in spite of the taste in tone.
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