Sundown Posted December 17, 2023 Share Posted December 17, 2023 Hey all, My oldest brother is getting married late in life and when he was a young buck, he and his high school band did a great 2-track live demo. They played live so often that recording it was pretty straightforward and the results were better than what you might expect. As as gift, I want to take that original 2-track reel and get it converted cleanly to a high-res digital format (stereo 32-bit float or 24-bit WAV). I’ll then take that starting point and work my magic with processing and plugins to create a great sounding master. Any thoughts or recommendations on conversion services? I can look for someone local, but I want flat EQ, straight conversion through a set of great A/D converters from a well-maintained tape machine. It’s only six or seven tracks at 3 minutes each (probably a single reel), and my budget for conversion is <$500. Any recommendations? Todd Quote Sundown Just finished: The Jupiter Bluff Working on: Driven Away Main axes: Kawai MP11 and Kurz PC361 DAW Platform: Cubase Link to comment Share on other sites More sharing options...
KuruPrionz Posted December 17, 2023 Share Posted December 17, 2023 If you have a good quality interface and a DAW, try doing it yourself. You should get excellent results. If possible, record as separate tracks rather than a single stereo track. Use quality cables, they aren't cheap but they aren't $500 either. Definitely go 24 bit 96khz or higher. Whether separate tracks or a stereo track, I would go lightly on any added effects. If there is no ambience, a small bit of good reverb might be all you need. I'd recommend make a copy of whatever you record and adding effects to that and blending it with the original track on mix down. It's a different situation if you have individual tracks and can add different effects to various tracks. I would keep the effects to a minimum. Quote It took a chunk of my life to get here and I am still not sure where "here" is. Link to comment Share on other sites More sharing options...
Anderton Posted December 17, 2023 Share Posted December 17, 2023 49 minutes ago, KuruPrionz said: If you have a good quality interface and a DAW, try doing it yourself. I think the issue is that it's on a tape reel (presumably 1/4"?), so he needs someone with a tape machine who can digitize the tape. Quote Craig Anderton Educational site: http://www.craiganderton.org Music: http://www.youtube.com/thecraiganderton Twitter: http://www.twitter.com/craig_anderton Link to comment Share on other sites More sharing options...
KuruPrionz Posted December 17, 2023 Share Posted December 17, 2023 9 hours ago, Anderton said: I think the issue is that it's on a tape reel (presumably 1/4"?), so he needs someone with a tape machine who can digitize the tape. You are probably correct, I hadn't thought about the hardware. I've owned a few reel to reels and used to hang out at a local recording studio with an 8 track Tascam recorder and yes, a reel to reel in good condition would be few and far between now. Quote It took a chunk of my life to get here and I am still not sure where "here" is. Link to comment Share on other sites More sharing options...
Sundown Posted December 17, 2023 Author Share Posted December 17, 2023 Hi Guys - You’re indeed correct … I don’t have a reel-to-reel deck so I need a studio that does to do the conversion to WAV. Then I’ll do the rest. Now I have four tasks ahead of me for initial success: 1) Find the tapes (this is the most critical step, and regrettably they might be lost due to a death in the band years ago) 2) Find a studio with a decent reel-to-reel 3) Find a studio with bad-ass A/D converters (or at least equal-to/better than mine which shouldn’t be too hard) 4) Find a studio with both who is willing to do the work Then I’ll use my tools and knowledge to make something special. I could hire a mastering engineer (and they could surely eclipse my work), but part of the enjoyment and gift if the work I will put into it. They did a transfer decades ago but it was crap … It was clearly done with early 90’s consumer equipment, and/or someone who didn’t understand gain staging. I was still able to make a better product from it, but I salivate at what I could do with a clean, flat, fresh transfer. I can’t remix it per se (it’s two track live), but I remember using a de-esser to tame some hats and cymbals, a gate to hide some noise, and of course EQ and saturation (and limiting) to really make it pop. But the initial transfer or starting point left a lot to be desired level-wise and clarity-wise. Todd Quote Sundown Just finished: The Jupiter Bluff Working on: Driven Away Main axes: Kawai MP11 and Kurz PC361 DAW Platform: Cubase Link to comment Share on other sites More sharing options...
elif Posted December 18, 2023 Share Posted December 18, 2023 The Mix Labs can do 2" tape conversion. I don't know about 1/4". Quote Link to comment Share on other sites More sharing options...
Philbo King Posted January 17 Share Posted January 17 I still have a working Teac 3340S (1/4", 7 or 15 ips only) which might be able to do the job. If it was recorded at a slower speed I wouldn't be the guy you want. Else, message me & we can work something out. Quote Link to comment Share on other sites More sharing options...
Jeff Leites Posted January 17 Share Posted January 17 I'm just wondering if you are trying to get more out than you'd be putting in. I don't know very much but do you need 24-bits to make a copy of a 1/4" tape at 3 3/4 ips or 7 1/2 ips? I digitized my home recordings by borrowing a friends Teac open reel deck (my Sony isn't in good shape), recorded them on my PC as WAV, and burned them to CDs. Good enough for government work 😁 Quote My Web Site - Tunes - Pictures - Guitar Projects - Native American Style Flute Projects - Hard Rock Cafe Guitar Pins My Eclectic YouTube Channel Link to comment Share on other sites More sharing options...
Anderton Posted January 17 Share Posted January 17 1 hour ago, Jeff Leites said: I don't know very much but do you need 24-bits to make a copy of a 1/4" tape at 3 3/4 ips or 7 1/2 ips tape? Probably not, unless the tape was recorded with Dolby S. Remember that 16 bits gives a theoretical dynamic range of 98 dB. Take away 5 bits/30 dB of resolution to account for noise floor and quantization noise, and you still have almost 70 dB of "clean" response. I believe that exceeds the typical tape S/N ratios of that era. 1 Quote Craig Anderton Educational site: http://www.craiganderton.org Music: http://www.youtube.com/thecraiganderton Twitter: http://www.twitter.com/craig_anderton Link to comment Share on other sites More sharing options...
Sundown Posted January 18 Author Share Posted January 18 Hi Guys - I’m still struggling to find the person who has the reels. Once I can locate them (the odds are diminishing), then I’ll be in a position to do something. Todd Quote Sundown Just finished: The Jupiter Bluff Working on: Driven Away Main axes: Kawai MP11 and Kurz PC361 DAW Platform: Cubase Link to comment Share on other sites More sharing options...
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