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Hiromi and Stanley Clarke


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Love Stanley, been listening to him since the 70's and have many vinyl albums (remember those?) of his band as well as when he played in Return to Forever.  I remember seeing RTF with Gayle Moran at the Philly Spectrum either in the late 70's or early 80's, they played 5 songs and an encore; the concert lasted 3 hours!  Glad to see that he is still making great music.

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57 Hammond B3; 69 Hammond L100P; 68 Leslie 122; Kurzweil Forte7 & PC3; M-Audio Code 61; Voce V5+; Neo Vent; EV ELX112P; GSI Gemini & Burn

Delaware Dave

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I wasn't all warm and fuzzy when I read the title of this thread.   I'm not a big fan of Stanley Clarke on ELECTRIC bass, but I LOVE Stanley Clarke on upright bass.     Hiromi was someone I was slow to warmup to but have become a big fan.  I'm still undecided about her new album some of the material I haven't liked so I have to sit and take in the whole project before deciding.   

 

I'd really like to hear Hiromi with  Christian McBride who I like both his electric and upright playing I think that would be very interesting. 

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It's great to see 72-year-old Stanley Clarke who looks ageless still in top form;  mentoring and playing with a younger generation of musicians. He's showing how it's done. 😎

 

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PD

 

"The greatest thing you'll ever learn, is just to love and be loved in return."--E. Ahbez "Nature Boy"

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  • 4 weeks later...

For some reason, I was surprised when the liner notes on Stanley's solo LP "Journey To Love" listed him as playing bowed bass. It made perfect sense. I still say "A Song To John" is one of the most beautifully emotional instrumentals I can name. Chick truly outdid himself on accompanying piano, too. I've heard both men in many settings & team-ups, but that piece is, for me, just plain riveting. He and Hiromi are an excellent match. 

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 “The joy of dogs is that they free us of our own undignified existence,
   our self-consciousness and inhibitions;
    our self-imposed hindrances to pleasure;
     our unwillingness to be embarrassed, exposed, or vulnerable.”
        ~ Alexandra Horowitz

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