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stoken6

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Posts posted by stoken6

  1. 18 hours ago, EricBarker said:

    I can always resell and upgrade down the line, the one caveat is living in Fairbanks, Alaska, the ability of easy resell is limited, but that's minor.

    Just make sure you keep the original box, and it's easy to ship. Frankly Nord commands ridiculous secondhand prices, so you won't lose much.

     

    Cheers, Mike.

  2. 1 hour ago, EricBarker said:

    there's a decent chance that Nord is going to bump up the line this year, and I'm just gonna fall apart if I've just bought a Stage3C

    Not a snark but: why? Any keyboard is just as capable the day after its successor is announced as it was the day before the announcement. If the Stage 3 works for you (and - more to the point - you can afford it), then who cares what else is announced?

     

    Cheers, Mike.

  3. 29 minutes ago, Stokely said:

    Now I'll need a hub I guess to get Setlist maker to be able to talk to two keyboards.  Getting more "fiddly".   But it's definitely going to be nice to send program changes from one spot, all in order to match the set list for the night. 

    Do either of your keyboards have a "THRU merge" function - where anything appearing at the MIDI in is merged to the MIDI out alongside anything played on the keyboard? That would save you the need for a hub.

     

    Cheers, Mike.

  4. 10 hours ago, Stokely said:

     I'm considering getting  a tabletop synth for instance (with the additional hassle that implies for live), while I could just use some very nice synths from my ipad.   I mean, what the hell is the real difference?  I reckon in a blind sound test I might not be able to tell a quality difference between (for example) a prophet rev 2 and Zeeon (my best ios poly synth).  In fact, my drummer was oohing and aahing over my Zeeon subdivisions patch, he couldn't believe that sound was coming from an ipad!   Do I need a knob with "cutoff" written on it so badly, vs one that I have to map from my hardware keyboard?  Really wrestling with this lately.

    If you have an iPad, and a softsynth you like, and a board that integrates really well with iPad, why not give the combinatin an airing at a couple of gigs? You'll quickly know if you need to change course and spend additional $$$ on a hardware module.

     

    Cheers, Mike.

  5. 15 hours ago, Paul Woodward said:

    Pretty much what a modern iPad can do, without all the outputs of course.

    I think there's still a degree of complexity with the software ecosystem around iPad - for this particular situation. As I posted a couple of years ago, MainStage for iPad would be a great offer from Apple. Plus if they want to subcontract/co-brand an audio/MIDI interface with USBC power delivery, they could charge a tidy markup on that.

     

    Cheers, Mike.

  6. 18 hours ago, KuruPrionz said:

    I would expect the guitarist (assuming there is one) to play "Gilmour-ish", melodic and open, making good use of the notes and not going "outside". If they start shredding, they've blown it. 

    If you play more or less the first five notes of the solo you've got it well under control.

    +1. If it's in the style of "Gilmour improvising" it's good. Same concept applies for many other iconic solos (Sultans of Swing, Peg...)

     

    Cheers, Mike.

  7. 3 hours ago, Tusker said:

    For me, it goes to show that a single 88 with multi-zoning can enlarge a band mightily.

    Props to you if you can do it - I could never pull that off. "Where's the split point again?" So I gig with a 149-key split-level rig, and for a simple two-sound split, I never forget where the split point is.

     

    Cheers, Mike.

    • Like 2
  8. Serious question: is there a word, not for sound rage, but for sound anxiety? I've posted before that I can get stressed by lots of simultaneous sounds at too-high volumes - guitar amps and drum kits, to take a couple of hypothetical examples. Which is why IEMs are so valuable to me. 

     

    Cheers, Mike.

    • Like 2
  9. 6 hours ago, bill5 said:

    I confess the first time I saw a Rick Beato video I hated the guy. He had some "best ever" list and it was IMO weak, in some ways absurdly so.

     

    I since have changed my tune, even if I still think some of his "best" lists are off. The guy is extremely knowledgeable, talented, and as far as I can tell in his videos, personable. This of course has given him the opportunity to interview and hob-nob with many of the greats. Say maybe THAT'S why I hated him - pure petty jealousy! 

     

    Re the girl, eh, pfft, I am better than her. oops I mean I was until oh I'd guess she was about 3 months old. 

    I don't agree with Rick on several things - he has a habit of over-analysing things (no, the bassline in the verse of Every Little Thing She Does Is Magic is not "Lydian"). But the fact that a guitar player gets excited about theory AND classical music AND acknowledges the existence of keyboards is a plus. (Shout-out also to brother @KuruPrionz on this board, and others I've forgotten).

     

    Cheers, Mike.

    • Like 2
    • Thanks 1
  10. 10 hours ago, Synthaholic said:

    That "Sweet" place just dropped $150 off of the DS76. It's now $999.00, and will probably do everything he wants.

    Nice board, but actually more expensive than I had expected (I haven't been tracking prices on that board).

     

    Thinking about it: for 90s sounds, why not buy a 90s keyboard? My default recommendation is Alesis QS x.1 or x.2 - sounds good, well-built, nice action, and they integrate well into a bigger rig. (I gigged a QS6.2 + weighted controller for many years).

     

    Regards, Mike

  11. 3 minutes ago, AnotherScott said:

     

    Good point. They've had it on XW-P1, WK-7600, MZX-500, so it's not like they have no foundation for it. They aren't first-rate organs, but they're better than nothing (and the somewhat competitive Juno DS88 and Kross 88 and MX88 have nothing), and as long as the 9 sliders can send MIDI cc, you always have the option of controlling VB3m or whatever.

    Plus, as we've discussed in the past, it's not the organ, it's the leslie. And the PX5 can pan sounds L/R if I remember, which adds flexibility. 

     

    Cheers, Mike.

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