TrancedelicBlues Posted November 12, 2004 Share Posted November 12, 2004 myself, i want the new Hammond B3, a ProMega 5, and an Andromeda... that should cover all the bases... Link to comment Share on other sites More sharing options...
Unsound Practices Posted November 12, 2004 Share Posted November 12, 2004 1- Andromeda2- Hammond XK33- A big truck to move that and all my other kit around with "More tools than talent" Motif ES7:Kurzweil PC1x:Electro 2 73:Nord Lead 3:MKS-80:Matrix 1000:Microwave XT Link to comment Share on other sites More sharing options...
clusterchord Posted November 12, 2004 Share Posted November 12, 2004 Eventide H8000 Apogee AD16X/DA16X Steinway Grand http://www.babic.com - music for film/theatre, audio-post Link to comment Share on other sites More sharing options...
Roger Hooper Posted November 12, 2004 Share Posted November 12, 2004 Motif ES8Minimoog VoyagerAndromeda Composer/Performer at Roger Hooper Music Product Trainer at CASIO www.rogerhooper.com Link to comment Share on other sites More sharing options...
Yoozer Posted November 12, 2004 Share Posted November 12, 2004 That's a rather odd way of compensating. Either way, I'd rather have the money - no company would just give me a Yamaha CS-80, a Moog Modular 55, and an Arp 2600 in pristine shape . Albeit that I'm not against the idea of a nice big grand either . Link to comment Share on other sites More sharing options...
Byrdman Posted November 12, 2004 Share Posted November 12, 2004 Originally posted by TrancedelicBlues: myself, i want the new Hammond B3, a ProMega 5, and an Andromeda... that should cover all the bases...Check the fine print. You will almost certainly find that its coming out of your advances. In other words the money is coming out of your pocket not theirs. And there may be conditions attached whereby they retain ownership but you are responsible for loss or damage. That way they get the gear if your act bombs. And if you need a truck to move the stuff, that's going to cost you too. Quite commonly the company takes 95% of the profits but all the expenses get paid out of your 5%. Bottom line - get a good lawyer before you sign, and make sure its not one recommended to you by the label. Link to comment Share on other sites More sharing options...
Michelle ggurl Posted November 12, 2004 Share Posted November 12, 2004 I imagine this is a hypothetical situation? Regardless, what Byrdman said. Given the sneaky nature of recoupable expenses and even sneakier nature of "record label math" for how they calculate what's your earnings and what's theirs (so you essentially pay for your advance twice in a sense), I'd take the cash. And invest it. Maybe property. Hell, where I'm from, you can count on a return of 10% a year on real estate. Original Latin Jazz CD Baby "I am not certain how original my contribution to music is as I am obviously an amateur." Patti Smith Link to comment Share on other sites More sharing options...
marino Posted November 12, 2004 Share Posted November 12, 2004 It won't happen, but if one can dream... Steinway D Nord G2 Electro 73 or maybe a Neuron... it's free, isn't it?! Link to comment Share on other sites More sharing options...
I I mjrn Posted November 12, 2004 Share Posted November 12, 2004 Byrdman's accurate assesment aside, I'd opt for whatever might best create the basis of a recording studio set-up so as to cut the company out sooner or to better recover when they did that to me. Link to comment Share on other sites More sharing options...
Phait Posted November 13, 2004 Share Posted November 13, 2004 Well, this probably means something that costs a substantial amount, and I can get alot of the stuff I want no problem, so uh... - house - car - dog Link to comment Share on other sites More sharing options...
TrancedelicBlues Posted November 13, 2004 Author Share Posted November 13, 2004 Originally posted by Phait: Well, this probably means something that costs a substantial amount, and I can get alot of the stuff I want no problem, so uh... - house - car - dog OK, you can have the dog--you want one of those "beautiful" ones, right?? Link to comment Share on other sites More sharing options...
Monkey Mouse Posted November 14, 2004 Share Posted November 14, 2004 Roland Jupiter 8Access Virus CWaldorf Q+ Live 6, Battery 3, Project 5, Atmosphere, Albino 2, Minimoog V, Oddity, Nord 2X, Proteus 2K ***I can't play for sh*t, but I can sequence like a muthaf*ck*r*** Link to comment Share on other sites More sharing options...
bleen Posted November 14, 2004 Share Posted November 14, 2004 Hmmmmmm...... - API Vision console - Three more ADAM S2.5As (so I can mix in surround - this counts as one product!) - Access Virus TIkb recording/mix guy don gunn.com myspace.com/dongunnmusic Link to comment Share on other sites More sharing options...
I I mjrn Posted November 15, 2004 Share Posted November 15, 2004 Nice name, Capnzoot. Is that for the Beefheartians/Harkleroadians amongst us? Link to comment Share on other sites More sharing options...
c4 Posted November 15, 2004 Share Posted November 15, 2004 once you get dropped(and you will) nothing is recoupable...so take the label to the cleaners while you can Link to comment Share on other sites More sharing options...
fisheye Posted November 16, 2004 Share Posted November 16, 2004 - New Yamaha C3- Old Hammond B3- Lesly 122 Link to comment Share on other sites More sharing options...
tarkus Posted November 16, 2004 Share Posted November 16, 2004 BreakfastLunch Dinner Link to comment Share on other sites More sharing options...
Jan Nemecek Posted November 17, 2004 Share Posted November 17, 2004 Originally posted by marino: It won't happen, but if one can dream... Steinway D Nord G2 Electro 73 or maybe a Neuron... it's free, isn't it?! I've already got 2 of the 4 things you mentioned Me, I'd get something like Clusterchord posted: - Grand Piano - Eventide Orville - Yamaha CS-80 (pristine, tuned and that) Link to comment Share on other sites More sharing options...
sirgant Posted November 17, 2004 Share Posted November 17, 2004 A Hammond B-3? That's a surprise choice at this point. I would get: 1. A complete HD 3 system with Icon & massive pack plug-ins.2. A 5.1 Adam monitoring system, I think it's the ASM-3 system3. A Motif ES8 fully blown. Link to comment Share on other sites More sharing options...
clusterchord Posted November 17, 2004 Share Posted November 17, 2004 Originally posted by Jan Nemecek: Me, I'd get something like Clusterchord posted: - Grand Piano - Eventide Orville - Yamaha CS-80 (pristine, tuned and that)Hey, the only man with Neuron that i know of, welcome to the forum, Jan. btw, is that Orville plate on the "Dreaming2" music?, or its Neuron's internal Reverb (which, i've heard, isn't too bad itself)?? http://www.babic.com - music for film/theatre, audio-post Link to comment Share on other sites More sharing options...
Jan Nemecek Posted November 18, 2004 Share Posted November 18, 2004 Originally posted by clusterchord: Originally posted by Jan Nemecek: Me, I'd get something like Clusterchord posted: - Grand Piano - Eventide Orville - Yamaha CS-80 (pristine, tuned and that)Hey, the only man with Neuron that i know of, welcome to the forum, Jan. btw, is that Orville plate on the "Dreaming2" music?, or its Neuron's internal Reverb (which, i've heard, isn't too bad itself)??Yep, everything there is Neuron...I think Neuron's reverb is ok, didn't compare to other stuff though... Link to comment Share on other sites More sharing options...
JeffLearman Posted November 18, 2004 Share Posted November 18, 2004 - Yamaha CS-80 (pristine, tuned and that)Jan, did you mean CP-80, the electric grand? Or really a CS-80? Well, I guess even the synths needed to be tuned. But as cool as the CS-80 was, we can do much better now. I'd also go for a Yamaha C3-MP. Not that it's a better piano than a Steinway D3 -- as most serious classical players would scoff at that -- but it suits my style better. The MP is the MIDI piano -- MIDI in and out, but no disclavier. No point in paying $4K for a synthesizer I wouldn't pay $2K for. (I mean, ever heard anyone playing a Disclavier for ANY reason other than it's built into the damn piano and I want those other instruments?) And, if I also get some roadies and a place to put it, a good ole B3 or A100 or equivalent (pedals unnecessary) and suitable Leslie, probably 122 if I have the model numbers right. (I want the smaller one with chorale.) And since the Hammond/Leslie counts as a single item, I'll add a dedicated computer for Gigastudio and the like. Link to comment Share on other sites More sharing options...
Jan Nemecek Posted November 18, 2004 Share Posted November 18, 2004 Originally posted by learjeff: - Yamaha CS-80 (pristine, tuned and that)Jan, did you mean CP-80, the electric grand? Or really a CS-80? Well, I guess even the synths needed to be tuned. But as cool as the CS-80 was, we can do much better now.Yes, CS-80...I recall reading (in Mark Vail's Vintage Synthesizers book) that CS-80 was a pain in the ass to tune (and it lost it every time it was moved)... Link to comment Share on other sites More sharing options...
fisheye Posted November 18, 2004 Share Posted November 18, 2004 Originally posted by learjeff: I'd also go for a Yamaha C3-MP. Not that it's a better piano than a Steinway D3 -- as most serious classical players would scoff at that -- but it suits my style better. I know some serious jazz players that prefer a Yamaha grand over the Steinway D and I take their opinions as seriously as those of classical pianists. I wouldn't take classical pianists scoffing at Yamaha very serious. I'd say they just think a grand needs to be German. Although Steinway might sound better for classical stuff, I think Yamaha is better for some jazz styles, including mine and apparently yours also. Back to the dreamlists... Link to comment Share on other sites More sharing options...
BP3 Posted November 18, 2004 Share Posted November 18, 2004 Yamaha MIDI GrandThe Record Plant MobileARP 2500 Link to comment Share on other sites More sharing options...
JeffLearman Posted November 18, 2004 Share Posted November 18, 2004 Well, I know a girl (daughter of a co-worker) who by age 11 was winning national competitions against high schoolers, and recently (now 13 or 14) won a top national honor, and I've heard her recordings and except for lack of handspan I can't tell her playing from the very best. Plus she's a nice, unassuming kid. She says that the dynamics are different; the way the piano responds when you strike it at different speeds is just different, and though she grew up playing Yamahas she prefers the Steinways hands down. Also, for fast and intricate parts, the Steinway was "clearer". Believe me, this girl knows her fast, intricate parts. Maybe I'll post a short clip. She didn't put it in quite those words; I don't recall how she said it. But I'd been reading about piano technique and how high velocitiy stikes cause the hammer staff to flex and how that relates to playing technique, and it seemed to me that this was one thing she was talking about. The "clearer" part is more of an overall tone thing. I love the bell-like quality of a Yamaha, and I also like the high sustain. But that very sustain I like for my style would be a disadvantage for certain kinds of intricate parts. In any case, they're both great pianos. Frankly, if I had room, I'd love to have both! Link to comment Share on other sites More sharing options...
fisheye Posted November 19, 2004 Share Posted November 19, 2004 I very much like the way a Yamaha responds to the key, it really gives me something to work with. But I can imagine the response of a Steinway is better suited for classical stuff. I haven't any complaints about clearness in fast pieces on Yamaha's, but this girl probably plays faster than me, so I might very well be missing something. Oh well, they are both legends. Link to comment Share on other sites More sharing options...
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