JamPro Posted May 13 Share Posted May 13 Hello. I have recently been woodshedding What Is This Thing Called Love. I chose this song because I want to practice soloing over minor ii-V7-i, and this song provides plenty of opportunity to do that. The song also forces the soloist to switch between minor and major a lot. I have been having trouble at the end of the B section where the song ends the B section with a dominant V: I'm having trouble making the solo lines bring out the dominant V sound and move smoothly back into the minor sound. Today as I practiced it, what seemed to work best over this part of the song was this scale 1-2-3-4-5-b6-b7-1. Does this scale have a name? Mixolydian variant? Barry Harris dominant? Can anyone suggest another way to play over that dominant V at the end of the B section in What Is This Thing? Intellectually, it seems to me that an altered scale should work over that dominant V at the end of the B section. So far, I can't make it sound right. Either it doesn't seem to mesh smoothly with the minor that I play in the previous measure (tonic harmonic minor scale), it doesn't sound properly major and dominant, or it doesn't seem to mesh smoothly with the minor that I play as the A section comes around again. Quote Link to comment Share on other sites More sharing options...
Irena Posted May 13 Share Posted May 13 I'd call that the MM5 scale (melodic minor starting on the 5th degree), but there may be a catchier name for it. 3 Quote B/Midiboard/VirusKC/Matrix12/EX5/Maschine Link to comment Share on other sites More sharing options...
stoken6 Posted May 13 Share Posted May 13 So it's a V-Im movement, and your scale degrees "1-2-3-4-5-b6-b7-1" refer to the V chord? So it's a kind of V mixolydian b6, which is the 5th mode of the melodic minor of your IV chord. And of course the IVm-I movement is a classic (the "Christmas cadence" - it's all over that Mariah song). OR your scale degrees "1-2-3-4-5-b6-b7-1" refer to the I chord? The b6 and b7 here would be the b9 and #9 of the V, which hints at the dominant-diminished or altered-dominant scale, both of which are often used over dominant chords. (But the rest of the scale would be the regular old Mixolydian). Cheers, Mike. Quote Link to comment Share on other sites More sharing options...
Delaware Dave Posted May 13 Share Posted May 13 So, is sweet home alabama in D or G? 🤣 1 1 Quote 57 Hammond B3; 69 Hammond L100P; 68 Leslie 122; Kurzweil Forte7 & PC3; M-Audio Code 61; Voce V5+; Neo Vent; EV ELX112P; GSI Gemini & Burn Delaware Dave Exit93band Link to comment Share on other sites More sharing options...
jerrythek Posted May 14 Share Posted May 14 19 hours ago, Irena said: I'd call that the MM5 scale (melodic minor starting on the 5th degree), but there may be a catchier name for it. I found this article, which gives names to all the permutations of the melodic minor scale: https://www.learnjazzstandards.com/blog/learning-jazz/jazz-theory/modes-melodic-minor-scale/ 1 Quote Link to comment Share on other sites More sharing options...
marino Posted May 14 Share Posted May 14 Not a standard name, but I'd call it the Melodic Dominant scale. Quote Link to comment Share on other sites More sharing options...
Docbop Posted May 14 Share Posted May 14 Seeing threads like this playing name that scale makes me understand why when I was lucky to hang with some progressive (free) Jazz musician why they prefer to just call things "pitch collections". That naming it some scale or mode people fall into a hole of preconceived ways of playing over that named set of notes. Quote Link to comment Share on other sites More sharing options...
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