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Posts posted by Justin Havu
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On 8/24/2023 at 3:21 PM, GovernorSilver said:
It's free, had to grab it. Not too crazy about the string sounds, but my god, the woodwind/brass sounds are so well done! Just takes a bit of practice playing legato. The timing has to be just right for the effect to work.
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Always great to see another DX7 owner here, at least it's great for me. I love mine!!
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Just got an SY77 off of Marketplace for $380. It sure is a beast, both weight-wise and sound-wise.
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I've only ever used an iPad with a KeyLab 61 MkII, VB3m, and a PreSonus AudioBox iOne (sometimes through a Vent II which is currently on loan from a friend of mine), but only because it's the most affordable way I can get a passable organ sound in my rig when I need one, and I don't play organ that much. Otherwise, my rig would be 100% hardware.
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10 hours ago, The Real MC said:
I just tried one out for the first time, and out of all the rotary sims I've used over the years, this is by far the best. It's a little out of my budget, so I might scoop up the Mini-Vent at some point.
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I used my 2019 iPad with VB3m, an AudioBox iOne, and a KeyLab MkII 61, with a powered USB hub and a USB3 CCK at a gig last Saturday. All worked just fine.
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Ran the South Berwick, ME Strawberry 5-mile this past Saturday, and I'm glad I did! After having a bad anxiety attack a couple days prior, I needed this!
1st pic was from last year when I was probably 50 lbs heavier than I am now, 2nd pic was from this year.
Last year's time: 58:14
This year: 52:43.
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I first learned on a Yamaha PSS-130. Frustrating since it only had 2-note polyphony so making triads was impossible. Then again, I just turned 5 when I got one brand-new.
Started working with both hands on a PSS-270 (which I still have. Charming little board.) Basic 2-op FM synthesis, 10 voices of poly, some of the sounds were layered, so it cut the polyphony in half, even more if you were using the auto-accompaniment section.
I wouldn't mind having a few of those old PortaSounds around just to play with. Like I said above, there's a bit of a charm about those.
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Might be borderlining on the genre, but I'll throw in Toto's "Waiting For Your Love."
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The RD-1000 is the same. Long wooden keys, lead weights. Arguably, for my hands anyway, these two beasts have the best feeling action I've ever played in a DP/controller. CP300's design is great, but I have an extremely hard time playing it due to its action.
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13 hours ago, stoken6 said:
Angled, shallow front panel. Deep, flat top. Ideal form factor for a downstairs board.
Same reason I love my RD-1000.
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A pair of Alto TX310 speakers. Low power, not a ton of bottom-end, but they're perfect for small venues or stage monitors (I don't usually like my monitors super loud anyway), and they're extremely lightweight.
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GC in Boston had both the 88 and the 61. Acoustic and electric pianos sounded great. The organ, however, left a lot to be desired. Perhaps I've set my expectations way higher than I should have, I know.
Action was nice on both of them, from what I remember (I was down there a week and a half ago.). Same keybed on the 61 as the MODX6/7, I'm presuming. As a MODX7 owner, I don't mind the keybed. It would be interesting to A/B the 88 action to my RD-1000, as that is where I find the most comfort in terms of playability.
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First game-changer was a Korg Polysix. It was the first keyboard I ever laid hands on that allowed me to make my own sounds.
Second one was the DX7. Being born in 83 and growing up with 80s music, it was eye-opening to play the very instrument responsible for many of those signature sounds.
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As some of you may or may not know, today (May 29th. 2023) marks the 40th anniversary of the launch of the much-loved (I fall into this category), and apparently around here, much loathed Yamaha DX7. To celebrate this auspicious occasion, I quickly threw together a tune using just the DX7 and some RX7 samples. Enjoy!
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14 hours ago, bill5 said:
It appears that for some reason a few people may not be getting the gist of what I'm saying...it's probably not worth trying to re-explain, but I'm stubborn, so I'll give it one more shot As I get older, I notice I generally and increasingly don't like the sound of the crash cymbal. I'm not talking about the peformance and use of it, simply the sound itself.
I get it. I feel the same way about ride cymbals, as I previously mentioned. I've yet to come across one that is pleasing to my ears.
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The two GCs in Boston had *some* stuff. Boylston St. had plenty of Rolands: Fantom 6, Fantom 08, RD2000, and a couple of DS's, a pair of Moogs (Grandmother and Matriarch), plus a Novation Summit. I spent more time on the Summit than anything else. Mass Ave had a heaping of DPs and a Nord Grand. Played the Grand for a little bit, but I wasn't that impressed with it.
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2 hours ago, Outkaster said:
I hate the god dam ride cymbal. I say that because most drummers switch to it and it changes the feel. In groove type music it ruins thing once they move from the hi hat. It was a big problem with the drummer from a band I was in.
I hate ride cymbals too, but I hate the bell more than anything. I've yet to come across a ride cymbal I like. They're all too pingy, abrasive, and annoying. If I need a ride, I'll just use an 18" crash.
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29 minutes ago, Adam Burgess said:
Rather sit next to a crash cymbal than a china!
More specifically, a Wuhan.
I have a Sabian AAX 18" china that I absolutely love. It's very warm, not as abrasive as some others, and quite versatile.
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The Cars
Love: Moving In Stereo
Like: Dangerous Type
Hate: You Might Think (The sheer fact that Weezer covered this one completely killed it for me. I suppose I could just ignore that mess and stick with the original, though.)
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6 minutes ago, octa said:
Love: 60s & 70s
Like: 80s & 90s
Hate: 2000-present
😛
Since I was born in 83, I'd probably go:
Love: 70s and 80s
Like: 90s, but barely. Lol
Hate: 2000-present
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27 minutes ago, bill5 said:
REO:
Love - Roll with the Changes
Like - Don't Let Him Go
Hate - Can't Fight This Feeling (I was going to pick something else for variety but I simply can't not list that song lol)
REO:
Love: Don't Let Him Go (Killer solo from Mr. Doughty)
Like: Like You Do
Hate: In Your Letter (I could've also said Can't Fight This Feeling, but went for some variety.)
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The Police
Love: Murder By Numbers
Like: King of Pain
Hate: Every Breath You Take
And, to piggyback off of that:
Sting
Love: Russians
Like: Seven Days
Hate: Desert Rose
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88 Key MIDI Controllers?
in The Keyboard Corner
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All-in-one weighted keyboards with plenty of controls, for under $1000 USD would include:
KeyLab 88 MkII
M-Audio Hammer 88 Pro
I can't comment on the M-Audio as I haven't played one, but as far as the KeyLab, the controls and build quality are superb, but the action is horrible.
The other way to go would probably be a weighted DP with USB-out (if you use pitch and mod wheels, your selection may be a bit limited in terms of your budget), with something like a Behringer X-touch or Korg NanoKontrol for your control surface.