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kenheeter

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Posts posted by kenheeter

  1. So, the beauty of the XR12 for me is that it is my stereo D.I. for FOH plus I can set up levels for my various keyboards in my studio at home.  I have labels on the XR inputs for each of the keyboards I might choose to use on the gig and then just plug in what I bring.  I almost never have to tweak the mixer at the gig.  It sits on the floor next to my keyboard stand and works flawlessly.  I have made up a power snake that has one male plug that feeds many lines with both types of power connectors that my keyboards and amps  use.  I can literally set my rig up in about 5 minutes.  

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  2. The YC is great for that but in my case I use my stage amp system for vocal monitor as well. The XR12 not only allows for mixing and EQ but provides stereo balanced XLR feeds to FOH. It is an extra piece but no D.I. boxes required. I play and monitor in stereo and send a stereo feed to FOH when possible.  I have found that sound engineers appreciate that there is no need to provide me a vocal monitor, just XLR outs and in from the board. The XR 12 is small and fits in my gig suitcase.

  3. I have to say that Chris' comments pretty much echo my feelings about my new Numa X 73.  I have a couple of gigs under my belt and it was a joy to use on stage .  The USB implementation is brilliant and I'm finally confident to use my iPad in my rig. It's a keeper for sure.  I've had a few excellent interactions with Gianni at Studiologic and he is quick to help and promises more development in time.....

     

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  4. I just have to say that the TP100 action on the Seven feels and responds exactly how I want it to. I gigged with a Rhodes Stage 73 for decades and the Seven seems just right to me.  I also like the new acoustic samples with that keybed.  It may be that I'm conditioned because I have a Nord Stage 2 EX 76, which also has the TP100.  In any case I personally would not rule anything out just because it has the TP100.  Just my 0.02 CAD.

     

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  5. You don't see many Italian sportscars on the road either.  Plenty of Fords and Chevys.  I own three Nords, a Yamaha and currently two Crumars.  I have gigged with all of them for years and nothing comes closer to playing a real Rhodes than the Seven, not to mention the beautiful new acoustic pianos,  also nothing is more satisfying to play in a Hammond clone than my Mojo 61.  Except, of course, my B3/Leslie.  These instruments are not for everyone but those who try them tend to stick with them.  I am often surprised by what Guido and Andrea come up with but I have never been disappointed. I'm personally glad to have so many choices. I'm excited to see what the new Seventeen offers, but if it's not something I want then I will pass. Chances are good it will be something I want.

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