Barryjam

I forgot to mention one additional preference of Mojo 61 over Nord NE4D: the action. Keyboard feels faster, more like my A100. (I mention this to confirm what others have said about the Mojo 61 action being different/better than orig Mojo dual manual and the Legend keyboard actions).

I bought from Perfect Circuit about 10 days ago. Authorized Crumar dealer. Make sure you sign up for their email news, etc. Gets you immediate 10% off. I could find it nowhere else. Italian holiday period.

Had a Mojo 61 for a week now. Absolutely love the sound. Felt more authentic than my Nord E4 for Hammond right out of the box. Basic tone and chorus subjectively better. As a single manual clone, which is how I will use it over a CP4, the two presets per manual feels more like 4 presets, because I can so easily change the manual between upper and lower. I'm having slight concern about the WIFI for editing. With both my IPhone and IPad, I'm getting more than occasional loss of WIFI or loss of connection with the server (i.e. the Mojo 61) standing right next to the Mojo 61 indoors with powerful competing WIFI signals. I wonder if part of the problem is that my home router also uses 192.168.1.1 (which apparently lots of devices use). I'll try editing the Mojo at an outdoor gig Tuesday night. Have others experienced this? Not a huge deal, as I can make edits. It just seems a little finicky.

I would appreciate any PM about where they bought Mojo 61 and the best price. Thanks in advance, Barry

2nd request. I bet Summertime is low hanging fruit for a lot of you experienced jazz players. But any help would be appreciated.

I am looking for additional ideas on re-harmonizing "Summertime" one verse kinda slow rubato AP sound as an introduction before my 12 piece horn band blasts into a power horns version. I did a search on KC and came up blank. Any leads, recordings, or suggestions?

Can you describe how it is better than Mojo61?

I wonder how certain US officials will react to being Queened.

For me, the best classic Hammond sound is, as often described, "throaty" rather than bass heavy. You don't always get this with all combinations of classic consoles and Leslies. But, when it is there, even on recordings, e.g. Bill Champlain, it is wonderful "glue" even on simple comp chording in a full band context. I wouldn't want a software update that increases bass note loudness if it is at a cost of less "throatiness." Is it related to smeared sound? Perhaps.

Great playing and sound! Frank, was that the internal Leslie?