Groovepusher Sly Posted November 15, 2002 Share Posted November 15, 2002 I'm thinkin' I'm going to record at 24/48 for the forseeable future. What rates have you [b]settled on[/b], and why? Sly :cool: Oh yeah, I'll be archiving to a Masterlink. I use either the Masterlink or Finalizer for converting to 16/44.1. Whasineva ehaiz, ehissgot ta be Funky! Link to comment Share on other sites More sharing options...
videoeditor1 Posted November 15, 2002 Share Posted November 15, 2002 [quote]Originally posted by Groovepusher Sly: [b]I'm thinkin' I'm going to record at 24/48 for the forseeable future. What rates have you [b][U]settled on[/U][/b], and why? Sly :cool: [/b][/quote]Been at 48k/24bit for the last 2+ years. No SRC for me. I try to find the best damm D>A around when it's time to hit a CD. Link to comment Share on other sites More sharing options...
Jotown Posted November 15, 2002 Share Posted November 15, 2002 I go 24/48 only if I am gonna mix it trough a console. These days I do most of my mixing in the box, so I will usually go 24/44.1. One less conversion step later. Jotown:) "It's all good: Except when it's Great" Link to comment Share on other sites More sharing options...
Groovepusher Sly Posted November 15, 2002 Author Share Posted November 15, 2002 Yeah I've been at it for almost 2yrs. now. I asked because of all the hoopla about 24/96 etc., etc., etc., lately. I wonder how many people are going for it who, probably shouldn't be. You need a lotta storage, and a lotta horsepower for the higher rates. I'm spending my money elsewhere. [quote]Originally posted by Jotown: [b]I go 24/48 only if I am gonna mix it trough a console. These days I do most of my mixing in the box, so I will usually go 24/44.1.[/b][/quote]Do you always know how the project will end up? As in being mixed on a mixer? Are the 24/48 tracks coming out of your DAW analog? I linda got stuck on 48k cause I started out with ADATs. So Ive always been sample rate converting. Except in a few cases where I ran a project at 16/44.1 all the way through. Sly :cool: Whasineva ehaiz, ehissgot ta be Funky! Link to comment Share on other sites More sharing options...
Kendrix Posted November 15, 2002 Share Posted November 15, 2002 24 / 41.1 I go digitally from mixer to finalizer to CD. So, this way I avoid sample rate conversions. Sounds fine to me. Check out some tunes here: http://www.garageband.com/artist/KenFava Link to comment Share on other sites More sharing options...
Gtoledo3 Posted November 15, 2002 Share Posted November 15, 2002 24/44.1 Want mix/tracking feedback? Checkout "The Fade"- www.grand-designs.cc/mmforum/index.php The soon-to-be home of the "12 Bar-Blues Project" Link to comment Share on other sites More sharing options...
-_dup1 Posted November 16, 2002 Share Posted November 16, 2002 Just started 24/44.1 after years of 16/44.1... I do admit that having the extra headroom helps, as I'm able to record quicker... Now I just get an OK level that doesn't clip and hit record... No worries about the noise floor any more. Link to comment Share on other sites More sharing options...
Groovepusher Sly Posted November 16, 2002 Author Share Posted November 16, 2002 Outside of video, seems like there's not much reason to use 48 huh? Sly :cool: Whasineva ehaiz, ehissgot ta be Funky! Link to comment Share on other sites More sharing options...
Jotown Posted November 16, 2002 Share Posted November 16, 2002 [quote]Do you always know how the project will end up? As in being mixed on a mixer?[/quote]Yeah, it's a budget thing. I have a couple of clients who have deeper pockets than mine, so on their stuff I know it will be being mixed at a higher end place. [quote]Are the 24/48 tracks coming out of your DAW analog?[/quote]Yes sir. Jotown:) "It's all good: Except when it's Great" Link to comment Share on other sites More sharing options...
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