UTS-D Posted March 1, 2006 Share Posted March 1, 2006 When playing a gig on a stage, typically the guitar cabs and bass cab(s) back line the stage and the speakers face the audience. Has anyone ever placed the cabs on the side of the stage, with speakers shooting across the stage rather than at the audience? I got a couple of my old bands to try this set up a couple of times and they loved it. Everyone could hear everyone else and it sounded really great. Everyone was on the same page and it eliminated any guessing; everyone was on time. The ONLY problem with this set up is that it creates a "Dead Zone" in front of the stage. Maybe starting at about 5 feet from the stage and it goes until you get in the range of the PA speakers. If you wanted to hear the stage volume, you pretty much have to stand right up at the stage. Anyway, I was wondering if anyone has ever tried this set up and/or what do you think is the best guitar/bass cab placement on a stage for a gig. UNDER THE STONE Me Link to comment Share on other sites More sharing options...
Tenstrum Posted March 1, 2006 Share Posted March 1, 2006 Every band I've ever been in does this. Your PA is there to carry the sound out to the audience. Tenstrum "Paranoid? Probably. But just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face." Harry Dresden, Storm Front Link to comment Share on other sites More sharing options...
Edendude Posted March 1, 2006 Share Posted March 1, 2006 I usually set up with my bass cab at a 45 degree angle, out of the corner of the stage, on the drummer's high-hat side. Mainly so the drummer get's a little more definition. My Last Band Link to comment Share on other sites More sharing options...
The Bear Jew Posted March 1, 2006 Share Posted March 1, 2006 Interesting. I like to be on the ride side of tbe drumset... but I try to get my amp behind the drummer's head as much as possible. That's right... he's gonna hear AND feel the bass when I play. And I face my amp outwards towards the audience... because it's looks cool. Unless the stage is set up a little weird... in which case I still set up on the ride side... but I aim my rig somewhat slanted to the center for stage monitoring. It depends on the stage and the volume and all. \m/ Erik "To fight and conquer in all your battles is not supreme excellence; supreme excellence consists of breaking the enemy's resistance without fighting." --Sun Tzu Link to comment Share on other sites More sharing options...
zeronyne Posted March 1, 2006 Share Posted March 1, 2006 Sidefill monitoring is quite common, but it's usually a function of the monitors placed for that purpose. If you are getting a dead spot at the very front of the stage because your backline is pointed away, thats a PA placement problem. What that means is that when you DO place your amps facing the audience, no one in the spot you mentioned is hearing any vocals. "For instance" is not proof. Link to comment Share on other sites More sharing options...
Seamy ALB Posted March 1, 2006 Share Posted March 1, 2006 We, space permiting, always try for a semi circle shape with drums at 12 o'clock and the amps slightly behind our drummer. I'm always amazed when I arrive at a gig and the backline is set up 2 feet in front of the drummer and he has no monitor, thats just crazy but yet it prevails. It is hard to mess up the sound of a 3 piece though!! http://www.facebook.com/pages/A-Little-Bitter/185235472447 Link to comment Share on other sites More sharing options...
thanny XIII Posted March 1, 2006 Share Posted March 1, 2006 At one venue I paly alot they lean the amps on the moniters (they're combos)and let the pa do the work that wat you get more monitering power and the drummer can hear everyone much better. I dont know how you would do it with anything but a combo though. I knew a girl that was into biamping,I sure do miss her.-ButcherNburn Link to comment Share on other sites More sharing options...
Björn Fröberg Posted March 1, 2006 Share Posted March 1, 2006 If there's a PA, and the cabs are miked, then I always place the cabs so they face the stage. First of all the monitoring for the band gets much better, and secondly, the engineer (which part I do often) has much more control over the sound since there's much less leakage from the stage. - Bob Freebird A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools. -Douglas Adams Link to comment Share on other sites More sharing options...
way2fat Posted March 1, 2006 Share Posted March 1, 2006 I stand right next to the hi-hat and the bass cab is right behind the drummer and me. That's how the drummer wants it. www.ethertonswitch.com Link to comment Share on other sites More sharing options...
rumpelstiltskin. Posted March 1, 2006 Share Posted March 1, 2006 sometimes this technique is reserved for only the loudest bands, so the soundman can get clean sound to the house and the band can use more volume than otherwise possible. consequently, i've never had to worry about it. i have set up in a crescent, with drums on the side before. phish does it for jamming, but i'm not a phish head. it just works well for cues, since most bands practice facing each other and then perform in front of the drummer. robb. because i like people. Link to comment Share on other sites More sharing options...
wade_g Posted March 1, 2006 Share Posted March 1, 2006 If the sound guy/gal sucks, I turn my amp towards the crowd. If he/she doesn't suck, I put my amp just to the front and side of the drums and turn the speaker to that direction. I then stand in between my amp and the drum kit. And I prefer to be on the hi-hat side There is a difference between Belief and Truth. Constantly searching for Truth makes your Beliefs seem believable. Link to comment Share on other sites More sharing options...
ArwinH Posted March 1, 2006 Share Posted March 1, 2006 I always have my amp on the drummer's hi-hat side so he can clearly hear me; whenever that setup is convenient I go for it. Then again I play with alot of drummers that need to be chased or rushed or what have you. If I have monitoring for myself, I'll also spread my cabs about to sit in the most convenient areas for others or myself. www.myspace.com/movementwithoutmotion Link to comment Share on other sites More sharing options...
dcr Posted March 1, 2006 Share Posted March 1, 2006 I often use a tilt-back 1x12 combo, letting most of the sound be carried via PA, so I usually place & direct my amp where I think it'll be most useful for me & other playes (esp. a drummer). (It's also extra important to point it at myself when I'm on fretless & need to really HEAR each note closely for pitch.) I really like that flexibility. It sounds like your arrangement is giving you flexibility too, so I'd say go with it. But as 09 says, you'll need to bring your PA placement in line with the this new approach. Link to comment Share on other sites More sharing options...
jonnie u Posted March 2, 2006 Share Posted March 2, 2006 I lay my amps flat on the floor speaker side down on one cab and speaker facing up on the other then I turn my volume all the way up and it gives a really cave like effect to the audiance 'specially when there is a hollow wooden stage ,..no chit waddup bassist J. Unitus back on the set pimpin Link to comment Share on other sites More sharing options...
Brocko777 Posted March 2, 2006 Share Posted March 2, 2006 I did sound for a band last weekend (3 piece) with the g****rist from Hades!! LOUD was not the word..wouldn't couldn't shouldn't turn down for anybody. Uneven sound loud clean, louder O/D, rhythm louder than lead...anyway, sideways on the stage, took some of the volume off the audience so the mains 'could' do there job. The band dug it and I actually could 'tweak' some balance. Don't have a job you don't enjoy. If you're happy in what you're doing, you'll like yourself, you'll have inner peace. ~ Johnny Carson Link to comment Share on other sites More sharing options...
Aussie bass dude Posted March 2, 2006 Share Posted March 2, 2006 I normally have my cabs at 45 near the hi hat, as for moitoring, the 4 JBL 18's do a good job of letting the rest of the guys know they are out of time no beer until July 1 Link to comment Share on other sites More sharing options...
Tom Capasso Posted March 2, 2006 Share Posted March 2, 2006 I position near the drummer, because he wants to hear me. If the "setup space" doesn't allow for that, I'll put one of my two cabs near/facing him. I'm OK for me. The problem I've noticed lately is the guitars. They are pointing their amps up so they can hear themselves at a more reasonable (read: lower) volume. The issue is that the vocal mics pick up their sound, and that has been an issue at times. Sound guy? PA? We're not usually in that circumstance. The PA carries vocals/sax/some keyboard. That's all we can handle. The only time we played with a full club sound system/sound person, it sucked. I'm sure we were part of the problem, but it wasn't all us... Tom www.stoneflyrocks.com Acoustic Color Be practical as well as generous in your ideals. Keep your eyes on the stars and keep your feet on the ground. - Theodore Roosevelt Link to comment Share on other sites More sharing options...
Fred TBP Posted March 2, 2006 Share Posted March 2, 2006 One of my current rigs is an SWR Workingman's 15 with a 2nd cabinet, a wedge monitor with a 12" bass speaker. The 15 faces front, the 12 either goes next to me at an angle or between me and the drummer so we can both take advantage of it. With 2 cabinets I'm running a 4 ohm load and I can position the 12 so that it doesn't feed back into the PA. Equipment choice is optional, but having a 2nd speaker pointing at another angle usually takes care of that dead spot on stage. If you can't hear a 12" monitor at approx. 100-110 dB, then it's time to consider having the band turn down on stage. PS: a list of dB intensities (taken from Encarta, 2005 version): 00: Threshold of hearing 10: rustle of leaves, a quiet whisper 20: average whisper 20-50: quiet conversation 40-45: hotel, theater between performances 50-65: loud conversation 65-70: traffic on a busy street 65-90: train 75-80: factory noise (light/medium work) 90: heavy traffic 90-100: thunder 110-140: jet aircraft at take-off 130: threshold of pain 140-190: Saturn rocket at take-off Link to comment Share on other sites More sharing options...
cloclo Posted March 2, 2006 Share Posted March 2, 2006 monitors makes us hear each other on stage (7 people on stage). drums are in the middels at the back. i'm at the hihat side with my combo behind me pointed between me and the drummer (and on a flightcase or something, this way i can turn down the volume and the stage sound stays clear unless we all dig in of course ) Marvelas Something Link to comment Share on other sites More sharing options...
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