Fred_C Posted March 12, 2015 Share Posted March 12, 2015 I would like to tell you gents about a tune I play, because it touches on three of the threads already under discussion, notably the "Pick" thread, and the "Improvization" thread with a quick reference to the "Folk Music" thread. I had mentioned that Duke Ellington always stated that he wrote "folk music" not Jazz. My first Jazz teacher gave me a very nice chord melody chart of the Ellington classic, "I Got It Bad And That Ain't Good". The chart contained a million chord changes and all those changes made it an excellent candidate for extensive changes to reflect my own personal musical aesthetic. I had also mentioned that my teacher encouraged me to make changes in an effort to "make the tune my own". In the process of working through the arrangement, I added a descending chromatic A Minor Pentatonic run over an A7th change that runs from A at 4(7) to A at 5(0) which leads to an Am9 chord. The run includes every passing tone contained between the two target notes (A-A). IMO, It sounds great. I also included another descending minor pentatonic run in Em that runs from E at 1(12) to D at 3(7) and leads into an Em9 chord. This run contains no passing tones, just the scale tones. IMO, It also sounds great. The arrangement ends with a three octave GMa7 arpeggio that leads to a GMa6 triad played as a natural harmonic at the 12th fret (G-B-E) and finally a low G pedal tone at 6(3). This is the only chord melody solo I play with a flat pick. The reason is because I could not execute the minor pentatonic runs and that really cool 3 octave Ma7 arp fast enough using my fingers. IMO, this is a very beautiful, sophisticated arrangement and I am very proud of it. It really does sound nice. I really don't think I would have been capable of creating an arrangement at this level of beauty and complexity without education. See, I told you gents that this post would touch on several other threads. Regards. Fred If you play cool, you are cool. Link to comment Share on other sites More sharing options...
desertbluesman Posted March 12, 2015 Share Posted March 12, 2015 If you play cool, you are cool. Good post above, can't say I understood it all because I never heard that particular tune, but it was an interesting read. (if it sounds good it is good) dbm If it sounds good, it is good !! http://www.soundclick.com/bands/default.cfm?bandID=143231&content=music Link to comment Share on other sites More sharing options...
Fred_C Posted March 12, 2015 Author Share Posted March 12, 2015 Hey DBM, Thanks for the kind words. Here's Duke: and Here's Ella: If you play cool, you are cool. Link to comment Share on other sites More sharing options...
Warthog Posted March 12, 2015 Share Posted March 12, 2015 I'd like to hear it. The words can't do it justice. Link to comment Share on other sites More sharing options...
Fred_C Posted March 12, 2015 Author Share Posted March 12, 2015 Hey Warthog, Yeah, I plan on recording a few chord melody solos and maybe a Travis style tune or two and posting them on Soundcloud someday. I've owned a small Tascam DR-05 recorder for a long time. I have yet to learn how to use it. There's always more music to learn and I freely admit that I'm a musician, not a technician. But it is something that I really want to do-eventually. I've been sort of focused on learning Bossa Nova solos for a while now. I really dig that "Brazilian Sound". I can play "The Girl from Ipanema, "Watch What Happens" and I'm currently working on "Desafinado". Hopefully, when I've got that under my fingers I can refocus on recording some music. BTW: Thank you for your military service. I gather that you were an A-10 pilot. Man, that is one scary machine. If I were a bad guy and saw that thing coming out of the sky at me, I'd be "shitting gold bee-bees"!!! If you play cool, you are cool. Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.