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dboomer

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Posts posted by dboomer

  1. The gate keepers have always exploited the artists. ....So Spotify is nothing new except new technology for the same old exploitation.

     

    I think we used to get 8¢ per record sold. Of course who really knows what we actually received out of that. as none of us could read the books. So yes we got screwed every which way we could. But it was a lot of money when I was 18. So like we used to say ... 'You"re either in the business or you"re not'.

     

     

    btw ... funny you listed that as we had a song in 'Almost Famous' although we didn"t get paid for it as the record company kept it all :)

  2. What's interesting is that in a couple of articles I've read in the pop recording mags, there are a few (assumingly famous based on their quoted credits) engineers who aren't really sure what equipment they're using. One that sticks in my head is the mixer who didn't know what the monitors in his own studio were.

     

    So is that shame on him for not knowing or good for him, he"s just gonna make it work with whatever?

  3. No doubt, our world is gonna make some major changes because of the pandemic. My best guess is that we will be semi shut down until a vaccine is developed and deployed, so another year maybe.

     

    I think live music the way we know it will take a serious hit and never come back to what it was. But because of that inventive people will come up with new and very different ways ways to make it work. As an example, take a look at the 'Scary Pockets' project. They have built a huge online following and looks like a pile of money to go with it (considering they invented Patreon to go along with it).

     

    There are tons of opportunities for creative people and those that are just going along for the ride will suffer some.

  4. Building on what Mike Rivers said...

     

    When I first read that statement I though it meant 'it picks up the room' But later I though it meant 'it honestly hears an instrument on the other side of the glass'. So maybe Mike can chime in.

     

    How much 'room' a mic picks up depends on whether you are close micing or not. But when you compare a directional mic to an omni, yes the omni picks up the room in all directions. But a directional mic pick up half the room at double the intensity that the omni would in that same direction. That can work two ways.

     

    So yes, if you wanted to pick up the entire room with one mic an omni would do it. But if you are close micing, inverse square law applies so by comparison you may not actually get much 'room' at all.

  5. I am fond of omnis for a lot of things. Most mics start life as omnis and then are made directional by porting the enclosure and adding some tone shaping to compensate for it. Typically omnis have very flat response and making them directional exaggerates their frequency response. I used to successfully use a pair of Peavey measuring mics In sort of the Recorder Man style along with a kick mic for recording drums (untilI got my Coles ribbons).

     

    I think people worry too much that because omnis don"t discriminate about the direction of the sound source there will be too much bleed. But they forget (or don"t know) they are not as sensitive distance wise (-6dB) so they don"t 'reach' nearly as much as a cardioid mic.

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