elif
-
Posts
477 -
Joined
-
Last visited
Content Type
Profiles
Forums
Blogs
Events
Articles
Downloads
Gallery
Store
Posts posted by elif
-
-
That must be because of his zen-like nature. IIRC B15n? About 30W.Yup! My first bass player had one and he had no problem competing with two twin reverbs (2 guitar players) and an Ampeg V4 (me). -
You'd have to put two back-to-back and run one out of phase with the other. A single free-space driver is probably best. Maybe some time delay could be added compensate for driver spacing but I suppose that would work for the far field only (which is maybe good enough).Hey guysI'm intrigued, but I think you would have to have at least the 2nd, sideways, "perpendicular" speaker be an open back cabinet - to produce the Figure 8 pattern. Not sure how you would do that with a powered PA speaker, those are always enclosed.
-
Years of work went into it but it is clever IMO. I just found out about it a couple of days ago and read through the whole thread. This thing should do well with my Nord SW73.
Based on the relative mix between the two mic's (cardioid and fig 8), the M-S mic has a pattern that changes from a figure 8 to two super cardioids (IIRC), then to a single cardioid. There is no reason to think that the SS3 isn't approximating the same thing but in reverse, producing left and right audio with the same pattern. In these images the front of the SS3 would be pointing to the top.
Heads-up: SpaceStation keyboard amp is apparently back
in The Keyboard Corner
Posted
It can be done with an analog matrix, i.e. op-amps, potentiometer, maybe a mixer if you can set it up. If the SS is adjusted with an equal mix of mid and side, (presume a 12 o'clock setting of the Width control), then matrix is:
L' = 0.5 * (L+R) - m*R
R' = 0.5 * (L+R) - m*L
where m is the remote mid-side mix ratio, and 0 <= m <=1.
The output of this matrix L' and R' become the L and R inputs to the SS.