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mauriziodececco

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Posts posted by mauriziodececco

  1. please, give me a keyboard with an USB-C connector and a small USB hub...The keyboards already works as audio/midi interface; a small step would trasform them in a complete dock, needed just one cable from the keyboard to the computer to set everything up.

    I'm not sure what you're trying to do here. What cables are eliminated by adding USB-C to a keyboard?

     

    I'll make you an exemple: using USB-C power delivery USB-C displays with USB-C connection are able to charge your laptop (usually up to 60W, sometimes more), and provide between two and four USB-3 connectors, to use with keyboard/mouse and other stuff.

     

    Imagine a Yamaha MODX 8 with USB-C/PD and a couple of USB-A connected to the laptop: you do not need the power supply for the laptop (ok, you can trust the battery, but you know ...), and if you have additional

    accessories (like a second controller keyboard, or a Novation LaunchPad or some knob box) you can connect them directly to the keyboard; smaller cables, simple setup.

    Display manifacturer put this kind of add-on on 400/500$ products; while the economy is not at all the same, i imagine it should be possible within a reasonable cost.

     

    Maurizio

  2. Well, Xmas is coming closer (ehm, almost), so i am thinking about my next presents; the problem, i want a number of things that are not yet on the market.

    So, as a suggestion to the various producer companies, a few wishes: i suppose you can add yours, and we can send them around :->.

    Disclamier: i have no idea if an actual market exists for these things; so, please, do a good market analysis before taking me seriously :->.

     

    1) From all the keyboard producers: please, give me a keyboard with an USB-C connector and a small USB hub, that include power supply on USB-C; there are 400$ screen that have it; it would

    allows a dramatic reduction in cables and setup in small gigs. The keyboards already works as audio/midi interface; a small step would trasform them in a complete dock, needed just one cable from the keyboard to the computer

    to set everything up.

     

    2) Well, i finally tried the Crumar Seven, and i definitively falled in love, just playing the first, effect less, rhodes sound. But i am an urban gigger, and bring my piano (NE5HP) on my back, in the parisian metro.

    While the Seven is relatively light, is not light enough for that; so, my wish is for a Seven Light, with a form factor similar to a NE*HP.

     

    3) Remember the Nord Modular ? Well, i want a keyboard that can run a Reaktor instrument without a computer. Not a trivial thing to do, but not impossible, considering the fact that Reaktor exists, have large libraries, and that it does not include the ability to add modules in a different programming language (NI control very well the runtime environment).

     

    4) Finally, for those that gain the lottery: i want a Waldorf Quantum with a Roli Rise keybed; giving the kind of sounds and power of the synth, it seems to me that it make sense.

     

    Maurizio

  3. I am currently using a nice K&M 18953 keyboard table as Keyboard Stand.

    I live in Paris, and i go to gigs in metro or walking (no car). I have a roadie (my wife) that bring the stand while i have the piano on my shoulder.

    The problem is, the K&M is heavy as hell (8Kg), almost as much as the NE5HP, so i am looking around for a stand that is lighter and easy to transport.

     

    I am considering the Nord Keyboard Stand (5Kg), probably the easy to transport (legs can go on a small bag, or in emergency in the keyboard bag), or a K&M 18880 (3.1Kg), but with a form factor more difficult to handle, expecially if i am alone.

     

    Other suggestion ? Does anybody does an inflatable keyboard stand :cool: ?

     

    Maurizio

  4. Probably one of the worst phony keyboard displays at a trade show was from Waldorf... this non-functioning shell of a synth. :facepalm:

     

     

    http://www.noisetime.com/mm07/05.jpg

     

     

    I really hope this will NOT happen to the Waldorf Kyra too !

     

    A.C.

     

    For what i remember, in this case the story is a bit different; please, correct me if anybody knows better.

    The initial Waldorf (that of the Q and Microwave) went bankrupt. A group of people (don't remember exactly who, founders and employees ?) prepared a recovery plan, and looked around for funding; they were successful , and could buy the assets and restart the company; the recovery plan included a products plan, and that plan included the Stromberg, the Blofeld and the Zarenboug (may be other stuff); at that time, they were probably just a group of ideas and marketing material; they probably started from they considered more financially rewarding and at the end they axed the Stromberg to go in other directions.

     

    Maurizio

  5. I worked for a software company that did something similar. ....

     

    I worked for a company that sold some data acquisition software.....well, SOLD, but that doesn't mean we actually HAD it. ...

     

     

    Well, guys, as all us software people know, you do not need to go in details: just says 'selling software' imply by definition what you are talking about ... :taz:

  6. Ok, so $11K for the entry level with their new monitor. How much for the maxed out version with all the bells and whistles?

     

    Well, the new monitor is a very special item, for video/photo professional that really need it; i doubt 1000nits and extreme HDR are of any use for music :->.

     

    Maurizio

  7. Another point: while the article is interesting, is very far from being factual; for example "There is no reported change on the new MacBook Pro to the T2 security chipset that is the cause of these problems. Its therefore safe to assume that they will inherit these same issues, barring a fix from Apple." is a very superficial and weak analysis: of course, the source of the problem is the software (firmware) running on the T2, no the chipset itself.

     

    The T2 firmware has been already updated twice since the article has been written.

     

    This is not to say that what the article report is false (or true), but to get a better view of the state of things it is better to look in places like MacRumors forum; by the way, for unlucky users its seems there are other problems than audio connected to the T2 :-<.

     

    Maurizio

     

     

     

     

  8. Thats doubly confusing because some of the Apple machines USB-C connectors are used both for Thunderbolt 3 and USB 1/2/3 connections.

     

    On a MacBook Pro *all* the connector are Thunderbolt 3 *and* USB-C, no risk of confusion.Only USB-C connectors are in the MacBook 12", that have no Thunderbolt 3 ports.

     

    On older machines, some of the Thunderbolt 3 connector had a lower thruput, but they are anyway Thunderbolt 3.

     

    Maurizio

  9. I like the 'maker' oriented philosophy; i am considering the idea to go back to coding a bit and write some kind of synth for fun, and i am looking around for an embedded platform (a lot more fun).

    They says their platform is hackable, so it may be interesting. But details are very scarce, other than generic description of a distributed platform that would apply to anything from the internals of a two keyboard Prophet 10 to the whole Internet.

     

    Anybody interested in a KC Maker club ?

     

    Maurizio

  10. In the time since my original post, I checked out Davinci Resolve free version, and i find i really good.

     

    It is hugely powerful, but if you stick to what you usually do with iMovie, the learning curve is not very steep; i looked a 15 min tutorial and i was able to do the basic stuff i need. Clearly, there is a lot more if you want to go there, including the ability to use our beloved VST/AU plugins for the audio tracks !

    It even run on my old 2015 12" Macbook. OK, better not edit a Hollywood blockbuster with it :->.

     

    Referring to my original problem with iMovie (the fact that is not really suited to music clips), Davinci Resolve solve largely the problem.

     

    Maurizio

  11. About targeting the Nord market: a few years ago i choose a Nord Electro 5HP over a CP4, mainly for two reasons: weight (i am an urban/pubblic transportation gigger :), and user interface. I clearly preferred the AP and EP of the CP4, but i didn't wanted a keyboard to program before playing, i wanted direct access to parameters, that i usually change on the fly while playing. And weight was just too much.

     

    In my case, organ sounds were just a bonus, not expecially a reason for the choice.

     

    If i had to choose today, i would consider the CP73 *very* seriously.

     

    Said this, it is not very likely that i will sell the NE5HP to buy it (unless the sound is so great that it convince me otherwise); the NE5HP fit the bill, i love it, a couple of Kg lighter, and it is already paid :->

     

    Maurizio

  12. Hallo,

    i wonder if any forum member have experience with video editors for preparing music clips.

     

    I usually work with iMovie, that is very convenient for the easy of use and the level of integration (i shoot a video on my iPhone, and it automatically appears on my Mac iMovie media browser).

     

    But it is a pain in the ass when doing music clips, where the music is the main track to which you want to synchronize all the materials.

     

    I played around with Avid Media Composer, very steep learning curve and not very stable (at the time, i am sure it is better now), and with Adobe Premiere (expensive location) or Adobe Premiere Element (nice, but you need a big screen, i sometimes work on my 12" MacBook on the run).

     

    Any preferences, suggestions, ideas ?

     

    Maurizio

  13. I was married to a red blooded Sicilian and she pronounced it with a silent G, my brother insisted it was with a hard G. I said at least it isn't pronounced "nookie".

     

    I wouldn't trust a sicilian accent :->.

    Anyway, noway. It is not a soft G, it is not an hard G, is not nookie. It is just 'gnocchi'.

     

    I mean, the phoneme AFAIK just doesn't exists in english or in french, so, just eat them and don't ask questions :->.

     

    Maurizio

  14. About the TP100: i am an happy owner of a NE5HP; i am not a great pianist, but i have a nice vertical Rameau, and at school i play a Steinway model B.

     

    Yes, the TP100 is by far not the best action i play; but my dexterity level is low enough that the impact of the keybed on my playing is limited with respect to my natural limits; i play mostly EPs with it but sometime AP when i use it with the school group.

     

    I choose the NE5HP as a compromise between multiple factors (in my case, portability, sound, keybed and real time sound tweakability), and i decided to handle the keybed by practicing to get used to it.

    I cannot bring a VPC-1 or an MP11 on the Parisian metro :->. Even a CP-4 would be problematic for my use.

     

    What i mean is that the different product represent different optimal points in the compromise space, depending on your skills and needs. I may understand that if you are a good pianist, using deeply all the nuance a good instrument provide you, you may rightly find the TP100 unacceptable; but there are many other cases where it become the (only) acceptable solution.

     

    About the Seven, no opinion yet, i hope to find it soon in a Parisian music shop to try it out :->

     

    Maurizio

     

     

  15. Well, i really don't know, but my OB-6 continue to insist that he would be happy to rest on top of a Seven.

     

    While i really appreciate the Seven form factor, it just do not fit my main use case, that is going to a gig/rehersal using the parisian metro, with my piano on my shoulder; that why a couple of years ago i choose a NE5HP, that perfectly fit the need (that are very specific, no car, no driving license, and a yearly metro subscription).

     

    But still, my OB-6 really want a new friend :->.

     

    Maurizio

     

    PS: another point of view: it is great to see a product like the Seven coming out from a region with such a long tradition in musical instruments ! (my region, by the way).

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