[(TOTO) DAVID PAICH USED PSR SERIES]

I’ve yet to delve into the Arranger board world, but they’ve always intrigued me. Perhaps someday 

[(TOTO) DAVID PAICH USED PSR SERIES]

3 hours ago, Justin Havu said:

AFAIK, the Motif's (and later the Montage8 ) were used as controllers for a Mainstage rig.

You are correct, sir!

 

I can no longer find the article, but David was using Motif then Montage live as Mainstage controllers, with the boards setup as fail safe, in case there was a computer glitch he could easily switch to the board's internal to get thru the gig.   he's the one who 'inspired' me to do something similar in which one of my board in a Mianstage rig is always a "ROMPler, so to speak.

 

Examples of my various Mainstage rigs: I've used Roland A-88MK2 with a MODX+61 up top.   Casio PX5S or Roland RD88 with Arturia Keylab61MK2  up top.

My usual go to was the RD88, Arturia 61 Setup.

[Jesús Molina - Wow!]

This is when I discovered Jesus

 

 

[Rolls PM351 - unusual DI behavio(u)r when set to mono?]

4 hours ago, Sean M. H. said:

 

 

Note: when using it this way, the input labels on some of these Rolls units may kinda become misnomers.  IIRC, the 1/4" input on my PM55P that I use for the keys thru is called 'monitor'...and the XLR is called "MIC In"...or something like that 

On the 351 that Stoken and I have, the keys input is a 1/4” trs jack

the mic input and mic thru are both xlr

the line input (for feed from FOH, etc) is 1/4” trs jack

 

The three volume pots that control the three inputs sent to headphone out are labeled 

Line. Mic. Instrument. 

[PX-5S and Fantom 06 for the win!]

5 hours ago, BluMunk said:

Yes, I'm using the stock sound - the ConcertGrand stage setting is my go-to.

I have in the past been disappointed with the length of the sample/sound, but I only ever feel that way in the 'studio'... every time I take it out on a gig I forget I ever took issue with it. 

 

Yes.  It is also wonderful with Mainstage etc.  

I find it to be fantastic with PianoTeq Pro and Keyscape. 
Taking the time to get the velocity settings detailed in each program really make it shine. 

[PX-5S and Fantom 06 for the win!]

Brought out the PX5S (version 2 for me as I had to retire the infamous red one)

Paired with my new Fantom 06

 

Playing our annual headlining slot yesterday (Sunday afternoon)

It was/is a perfect paring

MIDI Din in and out connected them.

Very simple as far as pedals.   Sustain connected to PX5S, and Expression connected to Fantom.

Thru deep menu diving on both boards, I can get each to control the other the way I want.  It does take some time due to each board's 'unique' ways

It is time well spent.

 

One main thing I want to say:  This is the first time in a very long time I've gigged with a PX5S.  It was a straight 2 hour set.   I had forgotten how much I like playing these keys.  I can get very nuanced.  My hands don't get fatigued.   Also, the way I can setup the Fantom on a patch by patch basis, using an expression pedal on the PX5S is EASY.

 

I can go into much more detail later, as I know there's been old threads on Casio Forum about getting the PX5S and new Fantom and Fantom 0 to be nice to each other.

Here's a couple shots during set up and sound check.

 

This PX5S will remain in its factory finish. @Mike Martin   

 

 

 

[Rolls PM351 - unusual DI behavio(u)r when set to mono?]

In short form, yes what you experienced is normal as far as what the Rolls will send out the XLR jacks to FoH.

 

I've long ago stopped using the Rolls as the DI in my rig.   I use a Radial Pro D2. and take the "thru" via a Y cable ts and ts to TRS into my Rolls.

That way I ALWAYS hear myself in Stereo, regardless of what FoH does.

 

My setup:

 

mixer L/R to Radial Pro D2

Pro D2 XLR L/R to FoH

Pro D2 thru to Rolls as above

Feed from FoH with rest of band to Line In on Rolls via a XLR to TRS 1/4" cable

Mic into Rolls

MIc Thru on Rolls to FoH

 

FoH does not send me keys or my vocals

 

 

 

 

 

[Anyone heard of a new model Roland Fantom being released?]

Yeah. The only place I found that said available is Kraft

 

Zzounds/American Musical  only show a blemished and a factory resealed ad available. 
 

of course we know Sweetwater says none. 
 

Guitar Center/Musicians Friend say they have a couple new in stock. 

[A.I. - I Just Bust A Nut In My Pants]

1 hour ago, harmonizer said:

This song "Life During Wartime" and some others like The Rolling Stones "Miss You" have the quarter note kick beat of Disco. But I don't consider either to be Disco songs, and I like both of them.

 

I truly love the live version of 'Life During Wartime" from the 'Stop Making Sense" movie, and I would love for our covers band to cover that version.

 

 

This maybe my favorite from the movie.    The only thing I didn't like, and it still gets a visceral reaction when watching:  The only time the camera would show Jerry Harrison or Bernie Worrell was when they were NOT jamming the tasty solo and licks. 

[Synths—Is it Time to Let the 1980s Go Again?]

19 minutes ago, synthdogg said:

When I read message boards and read people getting into the minutiae about why the vintage version of Synth X is better than the reissue of Synth X, which is WAY better than the software version of Synth X I think we've lost the plot, and at some point we're just arguing to argue and may as well be talking about politics or religion. What inspires you? What makes you smile as you create? This is music, it's supposed to be fun. Yeah, most of us have some types of gigs that we need tools for just to get the job done...I get it. Sometimes I will choose a tool that's more convenient than fun for those moments, but that is not the whole of me as a musician. I really just want to play, and I want to have fun and be inspired while I make music...so I'm going to make sure I have access to instruments that are fun and inspiring for me. 

Yes

 

I've learned as I get older:  Get what you want/like.  Don't worry about what anyone else thinks about your choice of instrument because, frankly, it just doesn't matter.

Just look at my current sig line under "gig rig"  

 

It's like synthdogg said above, "I really just want to play, and I want to have fun and be inspired while I make music...so I'm going to make sure I have access to instruments that are fun and inspiring for me. "

[Arturia Astrolab]

1 hour ago, ElmerJFudd said:

You’ll have to let us know if this lets you ditch the laptop and MainStage for the journey set.   Off the top of your head, what sounds are you thinking Analog Lab would nail?  

 

I already use Arturia Jup 8, Prophet V, DX7, in my Mainstage Rig.

I use PianoTeq 8 Pro for pianos.

 

Shows in which I would use the AstroLab would use my PX5S for the piano and EP based sounds

The AstroLab would provide the synth sounds.

 

As I said, this is for unique situations.

 

For actual shows where we sync lights and video, etc..  My usual Mainstage rig will still be in use.

In fact I just got my new Mackie DL16S digital mixer to make it easy to use my Fantom 08, as my 88 board, as well as route various sub outs as needed.

I can't ever imagine ditching Mainstage for the big rig gigs.

 

The other thing about the Astrolab:  I'm a gadget freak.  I love getting these things and seeing what I can do to shape them towards what I want.

 

[Arturia Astrolab]

I just talked with my guy at Sweetwater.    It is a popular item.

 

 

I ordered one.

 

Based on my several years of experience with Keylab especially the MK2 61, there is no reason to worry about build quality.     Based on the dimensions and published weight, I'm sure this will be just as robust.  

 

"So why get one if you have the Keylab?"

Fair question.

"Options"

 

I own all the Arturia synths since forever.

Some shows I do absolutely make the computer setup a PITA.

I'm always a 2 keys rig.  88 and 61

 

Also, the ability to do all my setup of sounds on the computer, then transfer them into Astrolab is a really neat feature.

 

I envision using this on the "throw and go" municipal gigs above my PX-5S.   These show we are not running click to sync with our video show, and don't need all manner of audio outputs for various things.

 

I read an earlier comment here making fun of this being called a "stage" keyboard since it's only 61 keys.   What?   My Fantom 06 and MODX 6+ might have something to say.

 

Will the Astrolab be for everyone?  Of course not.   That's okay.  For me, it checks boxes for the specific uses I would use it for.   As do ALL of my various keyboards.

 

[Arturia: A new chapter awaits…]

whatever it is, I've got my popcorn ready for the show that will takeover KC for a bit. 

 

[Arturia KeyLab 61 MK II - Yellowed Keys]

That is really odd.

I've had a Keylab61 MK2 since they came out with the MK2  (replaced my original MK1)

I have not had any discoloration of the keys on my Arturia, or any other keyboards.

 

I don't store my keyboards in cases.  When home from a show, they come out of the case, cleaned if necessary, and put on my home practice stand, or on a shelf.

[A stupid anecdote and a survey question]

Both of the hardware boards in my gig rig setup can function as an audio i/o

[Pre-drilled Rack Panels for 1/4" Audio Jacks]

Very nice work!

[Pre-drilled Rack Panels for 1/4" Audio Jacks]

Greg,

  You want to get the D-Sub panels.  Sturdy and largest selection of connectors for them

 

Another vote for Redco

 

1/4" Passthru

 

1/4" wire it yourself

 

Inside my SKB 4U StudioFlyer rack case

 

Front side

 

Backside with Labeled connections

 

 

[Montage M - Is it Me?]

3 hours ago, HammondDave said:

I still cannot figure out how to assign effects to the stupid superknob. In fact, the bling effect of the pulsating superknob was the very first thing I turned off when I bought the MODX+. 

It's actually quite simple.

 

The thing about the Montage/MODX is that the deep diving is meant to be done BEFORE you take it out to gigs.

 

I personally love the Superknob and all that it lets me do without taking my hands off the keys.

 

[When the forum algorithm censors you......]

let's put full test.

 

Caution.. turn back now if George Carlin's dirty words offend 

....

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Rat shit bat shit, dirty old twat. Sixty-nine assholes tied in a knot.  hurray ,lizard shit fuck!

 

[When the forum algorithm censors you......]

Testing this myself...

 

I was on a forum that was family friendly.

 

I brought up something about the town of Milford, Ohio.     It got kicked for using the word 'Milf'    

 

[Why do famous artists cover up the brand names on their keyboards on TV (and sometimes live)?]

The only time the logos on my boards were covered were when we played the local segment of ABC's Good Morning America back around 2010.   It was the network and not me who did it.

 

It was also a 5 am load in to be ready for our 7 minutes of fame at 9 am  

[Introducing UB-Xa]

I really liked listening to Tim's review.   I enjoy his clear voice, and way of explaining things.

 

Thanks for posting this @niacin

[Van Halen "ripped off" Jump riff from Hall & Oates?]

52 minutes ago, JohnH said:

Not even close, and I always notice when something rips something else. Now if you want to talk about Outlaw Pete - Bruce Springsteen and Kiss I was Made For Lovin You, then we have a total rip off, that is impossible not to notice how similar they are.

 

Springsteen ripped off KISS?

[Van Halen "ripped off" Jump riff from Hall & Oates?]

still my favorite

 

[Possibly the most ridiculous all-star jam ever]

Okay   as Moonglow said, that was fun.

I enjoyed it for exactly what it was.  I don't do a deep dive into these things.  I just enjoy the jam.

 

I think we take ourselves too seriously at times.