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Wurlitzer Spectratone on tracking session


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At my recording session this past weekend, we were looking for something a little offbeat for the organ sound, since the track we were working on featured a mix of Deep Purple-inspired heavy metal "rhythm guitar" organ playing, and some English prog-type sections that called for something more pastoral.

 

The owner/engineer of the studio we've been using had recently dug up an old Wurlitzer Spectratone rotary speaker (photo is attached; the quarter-inch jack is the "Put In," get it?)

 

Here's a video of some guitar players using one:

 

[video:youtube]

 

I ran my Mojo into an overdriven US-made Vox from the 60s with a little bit of trem on it, and that speaker output drove the Spectratone. It created a really cool overdriven-Leslie-but-not-quite sound that fit really nicely into both the heavy and ethereal sections of the track. I actually used a power strip as a "speed change" switch for the Spectratone, while the Vox functioned as a constant low "rotor." It was a lot of fun! Track is forthcoming, but below is a little video of us playing with tones for a section of the tune. You can't hear the coolness of the spinning effect particularly well, but you can see me kick in the rotary with the power strip a few seconds in.

 

[video:youtube]

 

Anyone else messed around with one of those speakers before? I think it must be pretty old; the few I've seen online are all from the 60s.

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Samuel B. Lupowitz

Musician. Songwriter. Food Enthusiast. Bad Pun Aficionado.

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The first organ my family owned was a Wurlitzer 4300 spinet, which had one of these setups built in. A pair of 6' with a spun aluminum counterweight, mounted in the rear of the cabinet (which explains all the sound holes in the rear panel). A bogus Leslie sure, but it did sound like the real deal, and it did move air.

 

Jake

1967 B-3 w/(2) 122's, Nord C1w/Leslie 2101 top, Nord PedalKeys 27, Nord Electro 4D, IK B3X, QSC K12.2, Yamaha reface YC+CS+CP

 

"It needs a Hammond"

 

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Love how you're workin' that power strip!

+1. "Powerboard as performance aid" has potential as a revolutionary new movement I reckon.

It's not quite as cool as turning a Hammond off and back on to get a pitch bend effect, but in a digital world, there's something satisfying about a musical application for "turn it off and turn it back on again" (which is a large percentage of what I do in my day job).

Samuel B. Lupowitz

Musician. Songwriter. Food Enthusiast. Bad Pun Aficionado.

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