I'm having this weird experience where the sound is so familiar; I feel like the solution is on the tip of my tongue. But nothing comes.
At 2:04 and 2:36 into the song, there are two fuzz guitar overdubs (Terry Britten), panned left and right (headphones may be best for this), that harmonize with each other and add a real cool dimension to the song. They have little hints of break-up or wave-beating when pushed (or maybe he's doing it with his pick-up switch, like at the end of the first passage?). They're almost synth-like in the way they seem to come to life.
Any thoughts on how he's doing this? Gear? Technique? I'm dying to crack the code.
Thanks,
Dave
