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CNPCNP

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  1. Ah OK, thanks for adding, recall to have read that one some while ago. So we're already at at least two entries. (Bugs a fact of life, but at least good to know about them.)
  2. FWIW, just wondering what the known bugs are? (Not the desired additional functionality) Here's one: after orderly jumping around for various sounds, the VC-v2 here landed at a certain point on an (acoustic grand) piano ... with tremolo. Which isn't one of the intended use-cases as I understood it. Tap-tempo could control the rate, but the lever couldn't disable it. Switching power off & on made it disappear, but I thought it has happened before... anybody recognizing this?
  3. Hi, thanks for the response. Perhaps I've not put my question in the clearest way. The Vox/Korg Continental manual mentions that the Korg DS-1H damper pedal gives the half pedaling possibility, but does not explicitely say that this is indeed for all sound-types. I forgot which machine, but happened to see for some (way) other keyboard it only does the 'half' for certain sounds. Then realizing the VC uses different engines for the various types, I could then imagine the 'half' not necessarily being implemented for all sound types. Then better know this before buying. Cool, thanks, good to know. I guess this being the most important one (for me as well), so thanks, go, (I) buy, done. Bye!
  4. Just a quick question before I get this pedal: does the half pedaling with the Korg DS-1H damper pedal work for all sound-types (ORGAN, E.PIANO, PIANO, KEY/LAYER), or by design/engine-limitations just for the acoustic pianos? Thanks!
  5. Thanks for that clip-link, had seen it, it's a good one. Ah OK, you have the Reface CP (and at least one CK61) as well, this changes the landscape a bit. I mean, so the fact that you _have_ a certain keyboard doesn't mean it's your number #1, but that preference is expressed in the _amount_ you have of them. ☺️ I like it!
  6. Triggered by this thread here, but since it's a thing likely to be relevant for other non-display keyboards as well I thought it may be best to post it as a new topic: Bye
  7. ** Note this was triggered by the "new Vox Continental - Some thoughts" thread, but since it's a thing likely to be relevant for other non-display keyboards as well I thought it may be best to post it as a separate topic ** For the VOX/Korg Continental, I've been looking for a way to have some scene-names/info. And preferably before actually selecting a certain scene. Method 1: The little paper that AnotherScott uses does all that. Method 2: I'm not into tablets (yet) for MIDI-stuff, but I figure that could do the job as well. Method 3: Yet I was wondering which compact 'MIDI hardware-gear' could come in handy here. Backlit or LED-display, at least say 8 characters which can be edited. Like FX-units with multiple programs, MIDI-footcontrollers with more than just a program number display (like the Rocktron MIDI Mate). Most however don't provide a 'view before selecting'. So far I've come closest to the complete wishlist with the Line6 M5 I already had. While there's no view before selecting, you do get to see three presets in the display, of which the middle one is the active preset. The Line6 M5 can do just 24 presets though, but I could live with that. (The Vox Continental can have 64 scenes.) Note the actual audio-FX of the M5 can obviously also be employed, like adding a certain FX which the VC can't give you. And as known, many FX-types available in the M5, so each of the VC scenes could be augmented by a suitable one from the M5 (or even more, if you use the M9/M13 iso the M5). (I'm for instance missing a separately available tremolo in the VC FX-department, which the M5 can well provide in a few flavours.) You can connect the VC & M5 in two ways: 1. M5-MIDI-out --> VC-MIDI-in: make the selection on the M5 2. VC-MIDI-out --> M5-MIDI-in: make the selection on the VOX The latter may be the best, since the M5 sends CC#64 (used there for tap tempo), while CC#64 is used for the damper on the VOX, so that's not good. Attached pics for illustration - obviously the current preset-names are still FX-oriented, but will be edited for being more descriptive for the VOX Continental scene/sound. Just wanted to share this, and also curious to what other people use here. Other gear may be even better suited, or with a simple tablet things are even simpler and/or more complete. With most people using dual boards I can well imagine the selection on the VOX is simply done from the other board (which likely has a full selection-mechanism & display). So curious to what you people are using, especially for single board setups, thanks!
  8. Ouch! πŸ˜ƒ Great! I figure I still have many hours of happily exploring the VC possibilities ahead of me, so while it's hard to resist a 73 (for convenience/fun), it'd still be on the same path. Adding a CK right now would diverge attention a bit too much I guess, but that doesn't mean it won't be added later. πŸ₯² While at it, I figure you then perhaps also have a Reface CP somewhere (or perhaps several), right? That pretty common praise for its EPs remains intriguing; I don't recall a comparison with the VC.
  9. Good to know about the (im-)possibilities of these Sequenz stands, thanks both. Since the type most easily available (and relatively the cheapest as well) is the actual dedicated VC stand, for getting a second tier it looks best to simply get another full set (which will have been pointed out here somewhere previously). And in case another type of keyboard needs to be mounted then trying to find a Sequenz SKH-B mounting set.
  10. You people should stop me, not encourage me πŸ₯² . But so true, at the end of the day fun should always be the final push 🌞 An alternative I briefly considered when testing & buying the VC 61 was to also get the Yamaha CK61 which I compared it to at that store (could have had a package deal on this combination). I figure the VC + CK cover more area than twice a VC, but since the VC immediately felt like being a potential long term companion (for me as a relative newbie to keys at least) - and that I wasn't too grabbed by the CK61 - made me skip this combination. Now for twice the same VC model (be it a 61 + 73) I figure it'll indeed still cover less area than that VC + CK combination, but also for that combination there's still some functionality I'm missing, so that has to be added anyway (by means of laptop). But hey, forget all of this. I simply want that VC 73 since it also starts at E, just like my main instruments (bass&guitar) 😊
  11. Thanks, yes that was the intent of the question. With the stoppers as they come from the factory there's only one possible position for the 61, right in the centre. But I see, silly me 😊 , both those keyboard holders were already pre-inserted, but these can possibly be removed and placed outside the stoppers, that's good. (And otherwise removing those stoppers/rivets.) Nice, that configuration you describe sounds good! I forgot, indeed at least two people here with multiple of them. πŸ‘πŸ‘ As a relatively newbie to keys I feel a bit embarrassed to get me another one as well (be it a 61 + 73 then), but the excuses to do so keep piling up πŸ™‚ Here's a few more: less hauling back & forth between locations (home/rehearsal), ... having a backup when one happens to become unrepairable... etc. Thanks/bye
  12. If I'd be adding a second VOX (to my present 61) it would be a 73, for the extended range. Just curious to your setup with two 73s, do you use two of them to be able to avoid splits? ... Or now being able to have different FX on each, separate outputs, ... or still other nifty things which I hadn't realized now possible? Or just for the fun of it (and great looks) ? 🌞 Little detail, I think to understand a 61 & 73 would misalign (each on their own tier) on the Vox/Sequence stand, right? As in: keys not lining up, because of the unequal number of additional keys left & right. (Nothing that some rivet-drilling couldn't fix though). Thanks!
  13. FWIW, when thinking of a reasonable/will-do-for-now amp for a freshly acquired keyboard (VOX Continental 61), I remembered I have one of those brown Fender combo-amps-intended-for-acoustic-guitar around. Mine happens to be the Acoustasonic Jr DSP. The main thing here is that these seem to be full-range stereo speaker systems (in a relatively small cabinet though, so stereo-spread is compromised), and IIRC only one of the two speaker sides has a horn though, that's a pity. BUT there are those chrome tiltback legs, very handy. Related models may work as well; I'm using the FX-loop inputs (stereo-returns), so am in fact bypassing/ignoring the preamps & DSP. So just an idea, if you happen to have one of these around as well. Apart from the sound (the most important), mine looks great next to that retro-ish orange VOX keyboard (bonus πŸ™‚ ).
  14. Thanks for the info, good to know what to get and to know what to avoid! You mean the tiers, or the actual machines? That's a bit risky, before I know it I end up with three of these goodies just like you πŸ˜‰ πŸ’ͺπŸ‘ The second tier initially intended to add other stuff (to use with my orange VC61), but I must admit, I don't know what would happen if I ran into a orange 73 🫒
  15. Hello, Ongoing enjoyment of the freshly acquired VOX Continental (61) here. πŸ‘ And adding that gorgeous-love-it-or-hate-it chrome contraption/stand was a no brainer. 🌞 Thought to have understood the Vox/Korg Continental chrome stand is a dedicated derivative from a way more expensive universal Sequenz-brand stand, right? Meanwhile we've arrived at the next stage: if/how to extend it, as in: an additional tier - and/or trying to make use of the open space left/right of the VC 61 (for audio interface, small mixer, ...) I saw those SKH-B add-ons (as pictured), I assume these will fit the tier of the VOX/Sequenz-stand as well? As far as separate additional tiers that would indeed fit the VOX stand: what we'd need here would then be a STA-M (-Black) type, correct? Stating the obvious, it then looks like it would make more sense (more economical) to simply get another complete VOX stand for just the tier, right? πŸ™„ (In addition, those separate and more costly tiers seem to be less readily available than a complete second stand-set as well.) BUT the remaining thing is then that stuff you want to use it for needs to be compatible with the mounting method as used for the VC61/73. Can then imagine those SKH-B mounts would be better suited, so need to get these as well (although they don't seem readily available). What have you people done for extending/adapting those VOX stands? Thanks!
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