Redknife
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Posts posted by Redknife
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DJ: I'm interested to hear your thoughts on the m8x should you follow through since you are a Montage and Kronos user. I have a Kronos 2 and have been thinking about one last hoorah of studio revision: selling Kronos and Moog, picking up the m8x. Looking for something fresh. It's hard for me to find holes in the Kronos sound pallet but sometimes different is good. So far, I like the m8x control interface, PAT, the particulars of the AN-X, and overall sound characteristics. Pianos are important to me. Ever since I sold my SY77 I've missed the Yamaha sound. Maybe it's time to get in the Y game again. Given the power of computer/iPad sound generation it can be tough to argue the need for a flagship controller, but the integration of sounds and controls on a workstation is a big differentiator for me. For now, I'm taking all the info in and waiting on member hands-on reports! Maybe a Montage M will show up on the floor stock of the local Guitar Center (low expectation).
I lack clarity on how MIDI control has changed montage:M8X. I also don't know how to view the utility of the user sample memory. Are there Yamaha/aftermarket "user samples" to load (other than generating home grown samples and transferring to user sample memory)? I also don't know the functions available for sample management for issues such as multi-sample options although in truth I'll likely never do that.
26 minutes ago, DeltaJockey said:I've been quietly following the discussions from the beginning, without contributing to speculation, even though I know synth hardware from the beginnings in the 70's, I am totally clueless when it comes to speculation on marketing strategies for keyboard companies. I've had an original Montage8 from near the beginning, and have gone in and out of passion for it.
The things I like about it are not the same as most people, and I have used it as a master studio controller for much of the time, because of its high quality audio interface and onboard 4 channel analog outs which I use for 4 channel surround monitors. I have on the whole liked the BHE action, but not above some of my other actions, particularly compared to the NumaX GT action. I don't use the organ and EP patches at all, so drawbars don't enter into my calculation. The one thing in particular that really irked me about the Montage, was the fact that I couldn't get the sliders to control external vst parameters, only the rotary encoders.
...Enter the MontageM8x
I was not intending to upgrade anytime soon, but the specs and discussions have me following with interest, particularly the new action, which is always a moth to light for me
The incorporation of the hybrid tech, and the ability for additional functionality with firmware upgrades, along with less physical and wear-outable sensors also had me excited.
The comments about it being lighter than previous actions got me listening, and with hope I thought it may be a bit more like the Numa X GT in this regard.
I'm not in a position unfortunately to go traveling to try it out for real, but along with interest in many of the upgraded and added features, already having my gun locked and loaded, the little GAS voice which sits on my right shoulder whispering in my ear, went and pulled the trigger before I had a chance to stop it :).
Of course I'm excited about the increased level of sound generation, ANx and control/display improvements, and will be pouring over every youtube video I have time to watch.
I now have a perfectly new condition Montage8 to sell, and rather cheap I suspect! I expect the M8x to turn up hopefully by the end of the coming week.
If no one else has given first hand opinions, I will make some comments when I get it from a pianists point of view.
The speculation on fan noise is not an issue for me, as I've owned a Kronos for many years, with zero concerns over it's fan noise, and life, which is about 8 years of use, and no wear or dust on the fan. Non issue! The Montage has a 5 year warranty, before I'd even have to consider the burden of this.
I'm not normally a first adopter, and hope that there aren't any gotchas which will emerge in the next few months from people roadtesting them.
I see folks baulking at the price in USD and UK pounds etc. Spare a thought for us in OZ with a quite terrible exchange rate at the moment.
The Yamaha recommended price is $7200AUD! Street price seems to be around $6400, and there seems to be a promotional price at the moment of $5750, so not wanting to spend more later, I grit my teeth and went for it. It's not a sign of wealth, it's indicative of the only hobby I spend my money on
So, just a few of my ramblings, take them with salt, or whatever pinch of spice takes your fancy!
s).
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(ETA: I’ve been made aware this video is a repost on YouTube of one of the Yamaha official videos, and posted to this thread 10/9 by @DmitryKo
I thought it was new and, as closely as I’ve followed this thread and others, didn’t recognize the duplication)Some examples of AN-X sounds, although not exclusively_ all playing (corrected to official Yamaha video)
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17 hours ago, ElmerJFudd said:
On the app itself as a whole or the specific Piano Capture feature?
Both. The new Piano Capture is certainly enticing but is part of a whole. I'm thankful for the feedback already in the thread.
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The feature examples in the video look pretty cool. The reviews are kind of rough in the app store. I'd be interested to hear if or when anyone here puts it to use..
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Michael McDonald has such a huge vocal presence in the midst of master song-smithing that it’s easy to miss details. At least that’s what I’m telling myself having listened to this song countless times and missing the clav. It does sound like the clav has a whammy although can’t exclude guitar.
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I’ve anlways enjoyed this piece, which I suppose is not surprising given its popularity. The frenetic runs can slip if I don’t play it for a while. D flat major 2nd movement is stunningly beautiful to me. Somehow it works with the first and 3rd movements coalescing in the final bars, I like your inclusion of different pianists in your post. I follow Tiffany Poon on YouTube and find her content reliably interesting as she prepares for performances.
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Dude is super-talented. Enjoy his stuff. Several Vulfpeck adjacent bands record this way and it’s hard to understand the ways around mic bleed etc. that you allude to.
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Scorcher
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On 1/9/2023 at 12:22 AM, Docbop said:
Keyon Harrold is one of the rising stars in the trumpet world and part the HipHop Jazz scene.
Been exploring and enjoying Keyon Harold since this post above by Docbop. Here’s a cool one I listened to today:
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“Soft Drummer” on iOS may be an option. Press play or dive deeper.
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Merry Christmas and happy holidays friends
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Disabled vascular surgeon
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So many come to mind and many greats mentioned. Scofield is the one I find myself saying “wow this song would be awesome if Scofield were playing”. I think not mentioned yet would be Al Di Meola. David Gilmour, Holdsworth, Beck, Steve Vai particularly with Zappa, and John Petrucci. All have integrated well with keyboard players and I can do deep dives on any of their libraries.
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Rumors: Yamaha Montage successor
in The Keyboard Corner
Posted
Linwood,
Thanks for early hands on report, especially action. Do you have any thoughts on the new ANX engine sounds? Have you had a go at programming ANX?