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tucktronix

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Posts posted by tucktronix

  1. For me, it largely depends on personal preference/situations. 

     

    I've been gigging with my Korg CX-3(for organ) for 14 yrs.. now relegated to just blues gigs. It comes in a flight case which adds another 35 or so lbs to the already pudgy 37 lb board. I also have a Nord Electro 5d, but I much prefer the CX3/Lester K setup for blues gigs. The 25 lb Casio PX5S was my go to piano for 10 yrs. I recently bought a Yamaha YC88 to replace the Casio. Despite it's 41 lb weight, I fell in love with the pianos and the keybed felt the best to me. A Yamaha YC88 and Korg Kronos X has just recently become my main setup for the majority of my gigs.

     

    My schedule is usually pretty busy, and I run my boards to the ground. So for me weight takes a back seat to sound and build quality(I DO have my limits, tho.. LOL). I'm sure that this will change as I get north of 60 😄 

    • Like 1
  2. My synth setup for my dance during the last 3 years included a Moog Subsequent 37 as my 3rd board. Just recently I have slimmed down to a 2-board setup with a Yamaha YC88 and Kronos X to cover synths. I have also been incorporating the Hydrasynth as part of my setup for the Billy Joel tribute band.

  3. For me, it was both the Wavestation EX and the Yamaha S80..

     

    The Wavestation was my first "pro-level" synth. Bought this open box.. with ROM card for $800 in 1994..  a steal! It was primarily used for creating sequences until I found a nice-sounding Hammond patch(at the time) "Rotary Organ". I would then bring it out on blues gigs as my "organ". Had it for around 10 yrs until it started having issues.. after which I sold it.

     

    I bought my S80 around 2001 as a well-needed replacement for my distressed Alesis QS8.1, which was having issues with clanking noises in the first 2 octaves. The pianos and the keybed got me sold on it. Played many a gig with it and has been with me on gigs from St Louis to Rockland, ME. This was my "money" board for 10 yrs before I eventually sold it to get something a bit "lighter"(a MOX8) which was a huge mistake.

  4. On 9/21/2023 at 12:07 PM, obxa said:

    Want to upgrade your stage look?

     

    Best $29.00. I've spent all year.   I do a ton of Theater and Winery gigs,  for a vibey look, they often provide Persian style rugs for keys, drums, etc.    I  carry one with me as well, but  always have to take it from my studio, and kinda heavy.   Found these on Amazon:  more like a bathmat than true rug, but serves the purpose- super light and easy to fold/roll.  Plus washable.   The drummer on the gig ordered one on break! 

     

    Forgive this horrific cable mess. This past Saturday, we were about to be rained out at an amphitheater gig, so we moved up to the covered pavilion and quickly reset with no  time to dress it up.  Note the listing for the one I bought is now missing on Amazon, but there's a ton of similar ones under $40.00

     

    IMG_5393.thumb.JPG.61c57de0d906113c7a1bf62148d6eae1.JPGIMG_5395.thumb.JPG.b428c5cf1c390a606a56ee90a0485355.JPG

    Haha.. that looks like my rig 😆

  5. 10 hours ago, Dockeys said:

    You should try a Kronos. If you had a power dip whilst playing that you’d have to wait until the ship docks before it’s back up…

    One of the great things about the Kronos is that you can shut it off after the last song of the night. When you get repeated cries of "ONE MORE!!", you can just say "sorry, I've already turned off the keyboard. Have a nice night!"

    • Haha 1
  6. 1 hour ago, Artomas said:

    The entire length of the CP/YC73 keyboard is supposed to have keys that are the same as (and do feel like) the top octaves of the CK88, whose keys get heavier in the lower octaves.

     

    I just bought a CK88 yesterday. I tried it right next to a YC73. The YC73 felt very similar to the CK88. In the upper octaves, it did feel like exactly the same keyboard. The CK wasn't even that much heavier lower down. If someone doesn't like the keys on a CK88, I don't think they'll like the keys on a CP73 either.

     

    For me, the choice was mostly between the new CK88 and a used CP88 available locally (the new YC73 cost double the CK88. The used CP88 was right in the middle). When I was in the store, I lifted up the CK and the YC, and decided that even though I'd much rather have the CP88's keys, I didn't want to deal with the extra weight. I needed portability, so that was that. I'm already used to the keys. Neither type (CK88/CP73 or CP88) feels normal for organ, to me, but I'm not really an organ player, so that wasn't a deal-breaker.

    I have the YC88, and I'm not completely sure if the action on the YC73 is the same as the YC88 but keybed action was the main reason I went with the YC88 over the CK88. I also have a MODX8 and the YC88 has a completely different and far more superior keybed for my fingers. 

  7. Hi Guys,

     

    Just ordered the 49 key Hydrasynth. I've been watching a lot of YT videos and all of them are showcasing this synth in a home studio/techno environment. This will be replacing my Moog Subsequent 37 and will be used for gigs with my dance/party band. My questions to all the Hydrasynth owners here.. do any of you play gigs with it? How well does it sit in the mix? 

     

    Thanx,

     

    Tuck

  8. I would have to say that there were 3 synths that were life-changers..

     

    Roland Alpha Juno-1 - This was my first synth. I remember seeing a used one at The House Of Guitars. One of the patches in it was the Tom Sawyer filter sweep and I wanted to buy it so bad, but I couldn't afford it at the time. Looking through the swap sheet a year or two later, I found one on sale for $350 and snatched it up. This one didn't have the TS filter sweep :-(, but I've created a lot of cool patches with it :-). The story goes that when I first bought it, I thought it was multi-timbral. So I bought a Yamaha QX5 sequencer and laughingly spent countless hours trying to get sounds on separate MIDI tracks.

     

    Roland D-5 - I sold both the Alpha-Juno and the Casio CZ-101 to get it. It was multi-timbral, and with myself being heavily into sequencing at the time, I had to have it. Coupled with the QX5, I have done boat loads of sequencing.

     

    Wavestation EX - this was a real game-changer for me. I've seen ads on Electronic Musician and had never thought that I would be able to afford one. There is backstory. Around 1994, I had been scouring the swap sheet for any used Wavestations. Needless to say, couldn't find any. One day I found an ad for a Roland JV-80 and thought hmm.. The guy was selling it for $800. Having $800 cash in my pocket from my profit-sharing check, I decided to pay a visit. The presets were to me.. okay. I wanted a pad machine. Cash in hand, I was about to make a purchase when I had casually mentioned that I was looking for a Wavestation. Weird enough, he informs me of a guitar player who is selling his for $800.. w-w-what???!!! So I left him for the Wavestation dude. It was brand new.. in the box.. with ROM card(don't remember which one). Being in my Tangerine Dream phase at the time, I was so enamored with all the ethereal pads and textures. At the time, it was my piano in a blues band, but I later discovered a patch called "Vektor Organ" that sounded pretty authentic when coupled with the "rotary" effect and the vector joystick was used for the "drawbars". Had it for 10 years before it started having issues.. ended up selling it :-(

  9. I remember P120dUdE. Despite his initial dislike of the P250, I think he eventually bought a P250 and changed his name to ChrisM250.

     

    Other names I remember on Harmony Central were Yoozer and Kirumamoru (spelling?!)

     

    I don"t know if these guys still post these days. I am not all that frequent a poster myself.

     

    Migrated here from HC, I remember those guys vividly

     

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