cedar

Uh, no. I'm not a budding student who needs to "learn the 12 keys." I've transcribed countless tunes and, while there are occasions where I'm still happy to do it because the precision is necessary, more often it's a nuisance, especially when time is of the essence. And it's not the LISTENING or ANALYZING part I find tedious; it's the actual physical act of entering info into programs like Finale. In fact, as I mentioned before, part of the appeal of these types of programs is the promise of transcribing my OWN compositions. I could hand-write some transcriptions faster, but my penmanship is lousy. So I'll gladly use any shortcut for transcribing that is available.

I tried it also, using a link to a Nancy Wilson recording. Unfortunately, the results were quite off. There is another program there called "Melody scanner" which I haven't tried yet, but might be more geared towards simple lead sheets.

Because I'm lazy and always looking for fastest way to transcribe music -- both my own compositions and obscure jazz tunes - I decided to do a quick search for AI tools for music transcription. One search sent me to Klangio. The website has a number of distinct products that claim to generate sheet music/lead sheets from various sources, including youtube videos, MIDI, MP3. https://klang.io/ Has anyone experimented with such AI programs for transcription? Any recommendations? If any of these types of programs could accurately create just a lead sheet quickly - let alone more advanced transcriptions -- I'd gladly sign up and pay a reasonable fee.

I read Benson's autobiography a few years ago. It was pretty good.

A tale of woe. Over the past 5 years, my music room has suffered a couple of floods. Each time, the water never got more than an inch high - perhaps because the carpet soaked things up. I thought the water only reached the wheels of my beloved Mason and Hamlin grand piano, sparing any real damage. (Other items all could be moved out of the room). After extensive repairs inside and outside the house over past six months, this week I thought I was finally ready to re-open my room for sessions. Final step was laying down the rug and moving furniture back. While I was out of my house, the large run was laid down, and the workers were cajoled into rolling the piano into place. I get home, decide to inch the piano into the exact ideal spot - moving it forward ever so slightly. Within seconds, the front leg suddenly gives, leaving me with this result: Suddenly, my long-awaited dream of re-opening the room is replaced by the horror and wondering how long before I get to play again. I cannot tell you fast I spiraled into depression. Luckily, I find piano-repair people who were willing to come over the next morning. Today, they came by, removed the leg and all the wheels. Supposedly, repairs will be complete in a matter of days. So I can breathe again, In retrospect, it’s possible that the moisture in the room - though never rising more than an inch - was impacting the wood. The wheels are being replaced because there was rust. But I was also told I never should have moved the piano myself - at least not forward - because it put too much stress on the front leg. Anyway, just wanted to share this saga. Maybe there’s a moral here somewhere.

Make sure you listen to the whole thing, Dave. Each tune is quite different. Ends with Billy's Bounce (or some bop blues - not sure I remember which one).

Enjoy! WBGO video of duo performance

Check out Gershwin plays Gershwin: The Piano Rolls Very impressive playing throughout.

Scroll up in this thread and you'll see the entire FB post quoted.

I wasn't going to weigh in, but I can't resist saying that I saw absolutely nothing objectionable about his FB post. He lamented about students being late and unprepared, remarks which hardly seem controversial to me. And I really didn't interpret his comments as suggesting one generation was better than another. He criticized the "culture of everybody getting an A" but that criticism has, indeed, been around for decades at least, and I didn't think he meant to suggest it was only a recent phenomenon. He noted that his "mentors and bosses gave it to him straight" when he was out of line - which is actually an admission that he himself had made the same types of transgressions. I suppose it's fair to ask what the purpose of the post was. Maybe it was just to vent? Or maybe he assumes his students will read his social media posts, and the post was meant as a way to light a fire under them all? I agree that the best lessons would be taught/communicated individually, but don't have any problem with his message.

Speaking of great pianists: last night, I caught a set with a pianist I had not seen for a couple of decades, and kind of forget about: Geoff Keezer. He was part of a group playing Art Blakey material, including Bobby Watson, Peter Washington, Carl Allen, Robin Eubanks, and Brian Lynch. Ironically, I think the last time I may have seen Keezer when he was playing with Blakey, I believe when he was just a teenager or in his early 20s. Back then, my recollection is that he and Benny Green were among the most impressive young pianists of that "generation." I kept up with Benny Green through the years but lost track of Geoff. Anyway, Geoff was amazing last night, kind of stole the show. And he did it with very original takes on standard Messenger material. Really opened my eyes to some new approaches.

I always assumed that the term "generation" referred colloquially to a period of about 10-15 years. Just seems to me the way the term is usually used. Under any definition of the term, Herbie can't be considered the same generation as Brad. (If we really were to put Brad in the same conversation as those musicians who were active from 1960s-1980s, I could literally name dozens who I prefer to listen to - but I know that's just personal taste.)

Watched the film last night. Was disappointed, mostly in the decision to focus on the last portion of his life. In a way, this criticism might be unfair. Film makers can make whatever movie they want, and there was a story to be told about the last 1/4 of his life. But I think that most people (musicians and non-musicians) would have been much more intrigued to learn about his early or mid-life, particularly when he was actually creating West Side Story, Candide and On the Town. In fact, I would have been very interested to follow his development from his teenage years on. Instead, it felt like 75% of the movie was devoted to his life from the late 1960s on. And the section where his wife got sick, I thought, was maudlin and really dragged. I should also point out that I am invariably disappointed that biopics of musicians don't spend more time discussing the development of the artists and importance of their achievements. But I realize that may be best left for documentaries, and is not the goal of these movies. Still, the performances were great and the music outstanding.

By the way - Surface Pro has a screen size of 13 inches. It's great size for reading one page of sheet music (at least for most jazz charts/lead sheets).

Another thing I'm looking into is the category of "laptop extenders." For example: https://www.howtogeek.com/851670/what-is-a-laptop-screen-extender-and-should-you-buy-one/ These are extra monitors that can clip-on to laptops. But I don't know yet how well these things would work with a program like Mobile Sheets Pro.