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This is a Jo Jo Gunne song from 1972 with Jay Ferguson playing keys. I'm thinking it sounds like maybe a Pianet or a Helpenstill but I'm not sure.

I thought I would post it here and let the hive mind go at it. My guitar player wants my piano solo to sound like this on our album we're in the studio working on.

Hoping someone on here either knows Jay Ferguson or knows of him and may have some insight on his piano. TIA

 

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Yamaha
: MODX7 | Korg: Kronos 88, Wavestate | ASM: Hydrasynth Deluxe | Roland: Jupiter-Xm, Cloud Pro, TD-9K V-Drums | Alesis: StrikePad Pro|
Behringer: Crave, Poly D, XR-18, RX1602 | CPS: SpaceStation SSv2 | 
Controllers: ROLI RISE 49 | Arturia KeyLab Essentials 88, KeyLab 61, MiniLab | M-Audio KeyStation 88 & 49 | Akai EWI USB |
Novation LaunchPad Mini, |
Guitars & Such: Line 6 Variax, Helix LT, POD X3 Live, Martin Acoustic, DG Strat Copy, LP Sunburst Copy, Natural Tele Copy|
Squier Precision 5-String Bass | Mandolin | Banjo | Ukulele

Software:
Recording
: MacBook Pro | Mac Mini | Logic Pro X | Mainstage | Cubase Pro 12 | Ableton Live 11 | Monitors: M-Audio BX8 | Presonus Eris 3.5BT Monitors | Slate Digital VSX Headphones & ML-1 Mic | Behringer XR-18 & RX1602 Mixers | Beyerdynamics DT-770 & DT-240
Arturia: V-Collection 9 | Native Instruments: Komplete 1 Standard | Spectrasonics: Omnisphere 2, Keyscape, Trilian | Korg: Legacy Collection 4 | Roland: Cloud Pro | GForce: Most all of their plugins | u-he: Diva, Hive 2, Repro, Zebra Legacy | AAS: Most of their VSTs |
IK Multimedia: SampleTank 4 Max, Sonik Synth, MODO Drums & Bass | Cherry Audio: Most of their VSTs |

 

 

 

 

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Jay Ferguson has been busy since the late 60's first in the band Spirit and then Jojo Gunne. I vaguely remember seeing them once I think at the Whiskey in Hollywood I think they had one local hit record. Most the stuff I've heard Jay used funky AP and early piano mic'ing system. Jay Ferguson has done well as a media composer.

 

Link to his IMDb page

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I'd guess it's some kind of real piano. I know back in the late 60s, before Helpenstills were around, we used to wedge contact mikes agains the soundboard of spinets, and uprights using rubber ball cut in half. I later had a guy in Buffalo install 88 magnet&coil pickups behind the strings of a Console piano (shorter than an upright, taller than a spinet, but in. wider body so the string slant would accommodate upright length strings). I think this is an easy sound to replicate with the right eq (lose some bottom and top) and a ton of the right compression, like a DBX 160 or maybe a 33609 or a Fatso JR. There are plenty of edgy compressors that should get close.
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Yeah I'm hearing a brighter than normal sound. I tried a tack piano patch, a few honky tonk patches, went through Keyscape to try and find something and as much as I love it they were all mostly too clean.

The reason I mentioned Hohner Pianet was remembering that it (and the RMI Electra Piano) both kinda sounded like pianos but you (we) could tell they weren't. They were closer to what I was hearing.

 

Another example was Shake That Fat off the same album. The intro has that sound I'm talking about but then you hear what sounds like regular piano takes over. Again, when it hits the second verse you can hear it again.

 

Hardware:
Yamaha
: MODX7 | Korg: Kronos 88, Wavestate | ASM: Hydrasynth Deluxe | Roland: Jupiter-Xm, Cloud Pro, TD-9K V-Drums | Alesis: StrikePad Pro|
Behringer: Crave, Poly D, XR-18, RX1602 | CPS: SpaceStation SSv2 | 
Controllers: ROLI RISE 49 | Arturia KeyLab Essentials 88, KeyLab 61, MiniLab | M-Audio KeyStation 88 & 49 | Akai EWI USB |
Novation LaunchPad Mini, |
Guitars & Such: Line 6 Variax, Helix LT, POD X3 Live, Martin Acoustic, DG Strat Copy, LP Sunburst Copy, Natural Tele Copy|
Squier Precision 5-String Bass | Mandolin | Banjo | Ukulele

Software:
Recording
: MacBook Pro | Mac Mini | Logic Pro X | Mainstage | Cubase Pro 12 | Ableton Live 11 | Monitors: M-Audio BX8 | Presonus Eris 3.5BT Monitors | Slate Digital VSX Headphones & ML-1 Mic | Behringer XR-18 & RX1602 Mixers | Beyerdynamics DT-770 & DT-240
Arturia: V-Collection 9 | Native Instruments: Komplete 1 Standard | Spectrasonics: Omnisphere 2, Keyscape, Trilian | Korg: Legacy Collection 4 | Roland: Cloud Pro | GForce: Most all of their plugins | u-he: Diva, Hive 2, Repro, Zebra Legacy | AAS: Most of their VSTs |
IK Multimedia: SampleTank 4 Max, Sonik Synth, MODO Drums & Bass | Cherry Audio: Most of their VSTs |

 

 

 

 

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That's an acoustic piano, but it's super compressed and it's probably an upright. Definitely an acoustic piano. It almost sounds like a piano with less than the usual three strings per note, but that would be highly unusual. I'd say you should try adding some tape simulation since you're already open to using plugins. Get the sound of slamming levels into tape plus some compression, using an upright and have it in mono. That should get you close.

Yamaha: Motif XF8, MODX7, YS200, CVP-305, CLP-130, YPG-235, PSR-295, PSS-470 | Roland: Fantom 7, JV-1000

Kurzweil: PC3-76, PC4 (88) | Hammond: SK Pro 73 | Korg: Triton LE 76, N1R, X5DR | Emu: Proteus/1 | Casio: CT-370 | Novation: Launchkey 37 MK3 | Technics: WSA1R

Former: Emu Proformance Plus & Mo'Phatt, Korg Krome 61, Roland Fantom XR & JV-1010, Yamaha MX61, Behringer CAT

Assorted electric & acoustic guitars and electric basses | Roland TD-17 KVX | Alesis SamplePad Pro | Assorted organs, accordions, other instruments

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Thanks to all of you. I'll try my best to get something that will work. Bless his heart, when he gets a sound in his head (guitar player/songwriter) THAT'S what he wants. All I can do is try to appease him.

Already had to up my game in the honky-tonk piano department for this project. lol He came in there with Billy Powel (RIP) on his brain! That was outside of my comfort zone but hey, it's what makes us develop as players, right?

Hardware:
Yamaha
: MODX7 | Korg: Kronos 88, Wavestate | ASM: Hydrasynth Deluxe | Roland: Jupiter-Xm, Cloud Pro, TD-9K V-Drums | Alesis: StrikePad Pro|
Behringer: Crave, Poly D, XR-18, RX1602 | CPS: SpaceStation SSv2 | 
Controllers: ROLI RISE 49 | Arturia KeyLab Essentials 88, KeyLab 61, MiniLab | M-Audio KeyStation 88 & 49 | Akai EWI USB |
Novation LaunchPad Mini, |
Guitars & Such: Line 6 Variax, Helix LT, POD X3 Live, Martin Acoustic, DG Strat Copy, LP Sunburst Copy, Natural Tele Copy|
Squier Precision 5-String Bass | Mandolin | Banjo | Ukulele

Software:
Recording
: MacBook Pro | Mac Mini | Logic Pro X | Mainstage | Cubase Pro 12 | Ableton Live 11 | Monitors: M-Audio BX8 | Presonus Eris 3.5BT Monitors | Slate Digital VSX Headphones & ML-1 Mic | Behringer XR-18 & RX1602 Mixers | Beyerdynamics DT-770 & DT-240
Arturia: V-Collection 9 | Native Instruments: Komplete 1 Standard | Spectrasonics: Omnisphere 2, Keyscape, Trilian | Korg: Legacy Collection 4 | Roland: Cloud Pro | GForce: Most all of their plugins | u-he: Diva, Hive 2, Repro, Zebra Legacy | AAS: Most of their VSTs |
IK Multimedia: SampleTank 4 Max, Sonik Synth, MODO Drums & Bass | Cherry Audio: Most of their VSTs |

 

 

 

 

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I'll say that it's not particularly detuned, so honky-tonk might be going too far the other way. A decently in-tune upright should work as the basis (again in mono).

Yamaha: Motif XF8, MODX7, YS200, CVP-305, CLP-130, YPG-235, PSR-295, PSS-470 | Roland: Fantom 7, JV-1000

Kurzweil: PC3-76, PC4 (88) | Hammond: SK Pro 73 | Korg: Triton LE 76, N1R, X5DR | Emu: Proteus/1 | Casio: CT-370 | Novation: Launchkey 37 MK3 | Technics: WSA1R

Former: Emu Proformance Plus & Mo'Phatt, Korg Krome 61, Roland Fantom XR & JV-1010, Yamaha MX61, Behringer CAT

Assorted electric & acoustic guitars and electric basses | Roland TD-17 KVX | Alesis SamplePad Pro | Assorted organs, accordions, other instruments

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My first guess was CP70/80. It's got a purity of tone that you don't get from mic'ing.

 

My first guess is wrong, I know (the slightly shimmering quality of CP is missing), but the Helpinstill idea, or some kind of pickup system, is where I'd put my money. And it's certainly highly compressed, EQ'ed for brightness, and a little chorus for the detune effect?

 

You might want to try a CP patch on your Kronos or MODX - not to be authentic, but it might capture some of the quality of what your guitar player is looking for.

 

Cheers, Mike.

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It almost sounds like a piano with less than the usual three strings per note, but that would be highly unusual.

That would describe one version of the Baldwin Electropiano I mentioned, they made one with just one string per note.

the Helpinstill idea, or some kind of pickup system, is where I'd put my money.

and ditto, the Baldwin Electropiano, which is a strung piano with short strings, and pickups but no soundboard. (I'm not saying that's what the band used, I don't know, but that's about what the Baldwin sounds like, to my memory.)

 

And no, not a Pianet (which would sound more like a Rhodes or Wulry, depending on the vintage), nor an RMI (which had its own sound but was not velocity senstive). This one is definitely strings. Even undamped at the top.

Maybe this is the best place for a shameless plug! Our now not-so-new new video at https://youtu.be/3ZRC3b4p4EI is a 40 minute adaptation of T. S. Eliot's "Prufrock" - check it out! And hopefully I'll have something new here this year. ;-)

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Not to shift focus, but I always wondered what Bill Payne was using on the original recording of Tripe Face Boogie

Sounds like a CP70/CP80 to me.

Maybe this is the best place for a shameless plug! Our now not-so-new new video at https://youtu.be/3ZRC3b4p4EI is a 40 minute adaptation of T. S. Eliot's "Prufrock" - check it out! And hopefully I'll have something new here this year. ;-)

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This thread blows my mind. I have not thought about JoJo Gunne in 20 years. I was a big fan of their early stuff as well as Spirit.

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Jay Ferguson was my first rock concert experience as a kid; he opened for Styx on their Grand Illusion tour...which is why I went. I'm guessing if I went back and listened to both today, I would prefer Jay :)

Yamaha CK88, Arturia Keylab 61 MkII, Moog Sub 37, Yamaha U1 Upright, Casio CT-S500, Mac Logic/Mainstage, iPad Camelot, Spacestation V.3, QSC K10.2, JBL EON One Compact

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Not to shift focus, but I always wondered what Bill Payne was using on the original recording of Tripe Face Boogie

Sounds like a CP70/CP80 to me.

 

I had a Helpenstill Roadmaster 64 and sold it to buy a CP70. I hated the sound of it, plus the pickups fed back at really low volumes. The sound here is very close to the Helpinstill rather than the Yamaha-

 

-dj

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Not to shift focus, but I always wondered what Bill Payne was using on the original recording of Tripe Face Boogie

Sounds like a CP70/CP80 to me.

 

I had a Helpenstill Roadmaster 64 and sold it to buy a CP70. I hated the sound of it, plus the pickups fed back at really low volumes. The sound here is very close to the Helpinstill rather than the Yamaha-

 

-dj

 

That was my guess, though I never played one myself.

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