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What standard tune is this?


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It"s the A section"s chord progression , regardless of key:

 

||: G-7 | C7 | Fmaj7| Fmaj7 |

| G-7 | C7 | Fmaj7 | Fmaj7 :||

 

I can only think of three tunes that is such and want more answers.

 Find 660 of my jazz piano arrangements of standards for educational purposes and tutorials at www.Patreon.com/HarryLikas Harry was the Technical Editor of Mark Levine's "The Jazz Theory Book" and helped develop "The Jazz Piano Book."

 

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It"s letter A.

Titles?

Stumped huh?

 

 Find 660 of my jazz piano arrangements of standards for educational purposes and tutorials at www.Patreon.com/HarryLikas Harry was the Technical Editor of Mark Levine's "The Jazz Theory Book" and helped develop "The Jazz Piano Book."

 

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Most standards by far favor the variations of I vi ii V, starting on the I.

Maybe 5 tunes in Real Book Vol. I use the strict ||: ii | V | I | I :|| for their A sections (in bold text below).

 

But here are a minority that actually harp on the pacing and essence of

||: ii | V | I | I :|| it"s really not very common.

 

Avalon

Baubles Bangles and Beads

C"est Si Bon

A Certain Smile

Diane

Fools Rush In

Freckle Face

I"ve Got You Under My Skin!

Irresistible You

It"s You or No One

My Little Suede Shoes

Pent Up House

Perdido

Pure Imagination

Tangerine

Tea for Two

They Didn"t Believe Me

They Say it"s Wonderful

Under A Blanket Of Blue

Wait Till You See Her

You Brought A New Kind Of Love

 Find 660 of my jazz piano arrangements of standards for educational purposes and tutorials at www.Patreon.com/HarryLikas Harry was the Technical Editor of Mark Levine's "The Jazz Theory Book" and helped develop "The Jazz Piano Book."

 

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I don't care what this is, I have "Night and Day" in my head now, and I feel GREAT.

Hammond: L111, M100, M3, BC, CV, Franken CV, A100, D152, C3, B3

Leslie: 710, 760, 51C, 147, 145, 122, 22H, 31H

Yamaha: CP4, DGX-620, DX7II-FD-E!, PF85, DX9

Roland: VR-09, RD-800

 

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Yes I get it. D is a beautiful acoustic guitar key for Brazilian/ Bossa type interpretations of Standards and such.

 

There's a reason so Many of Jobim's tunes were written in D, A and G. The Jazz people just put them in their friendly keys- Bb, Eb and F.

 

Those Guitar keys are so they can use open strings which can add nice sound and some case play more piano like voicings. Jazz guitarist like Jim Hall used to play a lot in "Jazz" flat keys because he could use the open strings to add altered tensions to chords.

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