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Your 1st Synth?


Jeebus

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Juno 106. :)

It has big time sentimental value:

1. Not able to go with my Dad to Europe when I was 12 (I needed to spend $1000 on a ticket and spent it on the Juno instead)

2. It was on almost every song I produced from 1983 1999

3. I hand painted it in 1993

4. I still love the bass sounds I can manage out of it

5. You always remember your first one

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Roland U20

 

Pros: decent pre-GM sample set, esp. the piano. Nice action. Very easy to use in multitimbral setup.

 

Cons: Utterly unprogrammable (not a con at the time)Samples aged quickly

 

Sentimental and/or monetary value: none. It was the right board for me at the time. It's piano sound still holds up well. Now it has about 9 broken keys but is still a fully functional U220 if anyone wants to buy it...

Check out the Sweet Clementines CD at bandcamp
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JX-3P, which my parents sold as a punishment for getting into trouble at school, followed the next year by a Juno 106 and a DX-7 when I graduated HS as Valedictorian. Thanks, Mom and Dad!

 

In between, I used a friend's Korg Delta and the school's Rhodes.

 

Sadly, I sold the 106 and DX-7 to buy an M1 and an EPS. Biggest mistake of my life. Well, not really, but it's up there....

"For instance" is not proof.

 

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MiniMoog - I bought it because I had seen it used on TV by bands I liked.

 

Pros - It was a great first synth for someone to learn how to create sounds. I spent hours and hours sitting on the floor with that Moog and a set of headphones. It was simple by todays standard but I learned to get a lot of sounds. Everything from Lucky Man leads to helicopters flying over mountain tops. When someone mentions a desire to get a first synth and learn to program patches I try to suggest something with the same layout as the Mini.

 

Cons - As great as it was at home, it was a nightmare on stage. I could tune it before a song and it might be out of tune before I got to my solo. The pitch bend wheel was also hard to get back to center. It had no dead spot and I had to learn to center, then push down slightly to get some consistency. I think the only dirty looks I ever got on stage from band mates was when I would hit a note and the ting would be horribly out of tune.

 

Robert

This post edited for speling.

My Sweetwater Gear Exchange Page

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Korg Polysix. I still have it. :)

 

The Polysix was a great board for learning about programming and synthesis. I had a MIDI kit added to it, but haven't used it in a while. The last time I used it I had to open it up and re-tune all the oscillators.

 

There were only two things about it that I never liked.

Portamento (it doesn't have it) and a pitch wheel that was spring loaded.

-Mike Martin

 

Casio

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The Big Picture Photography Forum on Music Player Network

 

The opinions I post here are my own and do not represent the company I work for.

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Ah, yes. The Casio CZ-101.

 

Pros: Cheap, not a bad sounding synth in a digital kind of way.

 

Cons: Little itty-bitty keys, no sustain pedal.

 

I gave it to my sister. The last time I saw it was a Christmas a few years back at her place. We used it to sing carols with.

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Casio WK1500. Not a 'synth' to me, but a good learning tool for awhile - and some of its sounds were quite good! Gave it to a friend when I got my Alesis QS71.

I used to think I was Libertarian. Until I saw their platform; now I know I'm no more Libertarian than I am RepubliCrat or neoCON or Liberal or Socialist.

 

This ain't no track meet; this is football.

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Moog Prodigy. Like a junior version of a Minimoog, as fun to program and sounded great. I agree with Rabid, as powerful as synths are today, that's a great layout for learning to create sounds and great to have learned synthesis on. I loved it and would still have it, if not for that "incident" in '84. Anyway, some pawn shop customer in Tampa had a better day than I was having. :( I didn't own another synth for over a decade, when I got back in with a QS6.
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I'm a young-un, I was too young during the analog days. My first was a Roland XP-10, which I still use as a controller. Pros: it was mine (that's about it.) Well, it has some barely decent pads. Cons: everything else. I've only been in the "synth world" for a few years now.

"And then you have these thoughts in the back of your mind like 'Why am I doing this? Or is this a figment of my imagination?'"

http://www.veracohr.com

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Korg Mono/Poly.

 

Was a nightmare turning at least a dozen knobs between songs. I think it had a pretty fat mono sound though...

 

I either gave it away or sold it cheap ($50?). When I last checked, I think they're actually worth something (being an analog synth). I kinda wish I'd hung on to it.

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My first was a Poly 61 (blah). I remember begging for a Juno 60, but the Rolands were a bit pricier, and my dad didn't think a 13 year old needed anything too extravegant. So, I got the Korg, but sold it a few years later and got a CZ-1000. Not the worst move, I suppose. I don't miss it.
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http://www.paia.com/p4700j.jpg

 

I built a PAiA 4700J in the mid '70s.

 

Before that I had two Rhodes, two Wurlitzer EPs, and an RMI Electra Piano.

 

The PAiA was a great learning experience. It had four oscillators, two filters, mixer, and a neat computer built into the keyboard that you program in hex. Programs were stored on a cassette tape. I was never very good at assembler, but enjoyed tinkering with it.

 

Gas :cool:

"Music expresses that which cannot be put into words and that which cannot remain silent." - Victor Hugo
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What was your 1st synth, and when did you get it?

My first synth was a Moog Liberation that I purchased in 1980.

 

What were it's pros and cons?

Pros: It was the first commercially available synth designed to be worn while playing. It sounded great for lead lines, and it was fun both theatrically and musically to play solos with.

 

Cons: Its polyphonic sound sucked, and I had to program each patch live in between songs! Despite the fact that it was light enough to be worn, it was pretty heavy for extended wear: the ad aimed at unsuspecting keyboard players read, "light as a Les Paul guitar!" (That's a pretty heavy electric guitar!)

 

Did you keep it or sell it?

Neither, it was stolen.

 

Does it have sentimental value?

Yes, but not nearly as much as the Oberheim OB-8 that I replaced it with! :thu:

 

Best,

 

Geoff

My Blue Someday appears on Apple Music | Spotify | YouTube | Amazon

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A Paia 2700, then some 4700 (hey GAS!)

 

Pros: Cost less than the Minimoog did, during my high school days circa 1980!

 

Cons: Wasn't a Minimoog ;-)

 

I traded it off a while back but still have the first module, a VCA/Ring Modulator.

Give me the ANALOG and no one gets HURT
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So far...

 

Roland: 7

 

Moog: 3

 

Casio: 2

 

PAiA: 2

 

Korg: 3

 

ARP: 2

 

UniVox: 1

 

Yamaha: 3

 

Kurzweil: 1

 

Ensoniq: 1

 

Cat Electronics: 1

 

Creative (sblive!): 1

 

Siel: 1

 

Carlo Original: 1

Check out the Sweet Clementines CD at bandcamp
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I built a synth when I was 13 or 14, with the help of a friend, out of a project taken from a magazine. We were so broke that we did it on a piece of wood - no boxes! And no keyboard either - just two knobs, one for pitch, the other for filter.

A bit later, I bought a Davolisint and a FBT Synther 2000, both Italian synths, and sold both of them in a couple of months because I hated them.

 

Quite a few years after that, I bought my first serious synth, a Korg Trident.

 

Carlo

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A Cat by Octave Electronics, later Voyetra, purchased in 1975.

 

pros: two note polyphony, laid out like an Arp Odyssey, affordable.

 

cons: pitch slider (Eeew!), not a Minimoog (but I got one after I sold the Cat)

 

It would be interesting to hear one today, it might surprise me.

 

k.

9 Moog things, 3 Roland things, 2 Hammond things and a computer with stuff on it

 

 

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I should say sblive!

I got it about three years ago. It came with my dell pc. By recording and editing soundfont patches, I was first introduced to the world of syths.

I still have it. And with KX driver, I can still use sblive! with vst...

Pros: cheap.

Cons: low quality sound.

Conclusion: It's a cheap and low quality card/or synthesizer without keys...

 

Oh, actually I owned a melodian when I was in kindergarten...It's not a synth technically since it cannot manipulate sounds but it looks like one. I remember the odd smell coming from its hose when I blew...Maybe it was my stinky breath.

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Yamaha DX-100, with the tiny little keys.

Ah, the AWESOME recordings I made with that, my trusty Yamaha MT4X four track, RX-15 drum machine, and Alesis Midiverb II :rolleyes: ... Memories....

"You can't enjoy yourself unless you're having fun."
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Originally posted by Mike Martin:

Korg Polysix. I still have it. :)

There were only two things about it that I never liked.

Portamento (it doesn't have it) and a pitch wheel that was spring loaded.

Hey - I actually liked the spring-loaded pitch wheel. Made for some killer 'slapback' pitch bend effects on solos.

 

Anyway - my first synth that wasn't a hand-me-down was an ESQ-1.

Weasels ripped my flesh. Rzzzzzzz.
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