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Zeronyne's bass assembly diary (Update 4/12/2006)


zeronyne

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Hmm... methinks that bass shall be LOUD.

 

Don't forget to use some black gaffer's tape on it somewhere.

\m/

Erik

"To fight and conquer in all your battles is not supreme excellence; supreme excellence consists of breaking the enemy's resistance without fighting."

--Sun Tzu

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Originally posted by Matt W:

Originally posted by zeronyne:

2) Is bridge placement simply a function of measuring from the nut...doubling the distance from the nut to the 12th fret?

 

Yes

 

Or is there a much more complex way to do it?

I suppose... want me to describe it?
One thing to remember is to mount the bridge so that the saddle travel equals or just passes 17" from the crown of athe 12th fret (on a 34" scale instrument) and that the majority of the travel exceeds 17". You should never have to get under 17" between that 12th crown and the saddle to intone a bass and it can be quite a bit more on a thick, nontapered string.

You can stop now -jeremyc

STOP QUOTING EVERY THING I SAY!!! -Bass_god_offspring

lug, you should add that statement to you signature.-Tenstrum

I'm not sure any argument can top lug's. - Sweet Willie

 

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I'm interested in this thread, if all is successful I'll probably be doing something along the same lines sometime next year. I have too many projects going on right now that are eating up all of my spare funds.

 

My suggestion, don't overlook Rio Grande Pickups . I played one of their "Vintage for P-Bass" once, very smoove indeed.

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Originally posted by zeronyne:

Originally posted by Whacked:

yea, took another look ath the original photo and saw taht route. also looks like a control plate is needed also.

Actually a normal P-Bass pickguard should do the trick.
Clear pickguard?

 

Strings are such a personal preference, but I love my Fender® 9120 Nylon Tapewound Bass Strings .

http://img3.musiciansfriend.com/dbase/pics/products/tn/4/9/9/237499.jpg

Great tone, they don't chemically dissolve in my acid producing hands, and they visually dissolve on a black bass. Oh yeah, they're loud too!

 

Great thread! Uh, link to blog? ;)

 

ATM

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I have completed the same type project. I purchased a 79 fender ash body on ebay, teamed it up with a rosewood fretboard neck made by USA Cusom Guitars (awesome necks). Went to the fender website,got the schematics. Then to Warmoth and ordered the Seynour Duncan SP2,pickguard,pots and cap and schaller tuners,gotoh bridge,gold hardware.I love it. I've always wondered what Lindy Fralin or Bill Lawrence pickups would sound like in comparison to the SD's I have. Supply pics when you are done. Projects are great to do.

Good luck and have fun.

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excuse my ignorance, but how are those Sperzel D-Things superior to Hip Shot detuners?

Tenstrum

 

"Paranoid? Probably. But just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face."

Harry Dresden, Storm Front

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i think a simple, wht/blk/wht 3-ply pickguard would be nice, but i also like the idea of an anodized aluminum pickguard like the 59P reissues use. but i think it might look tacky if the pickguard were anodized gold. i wonder if you could find one anodized clear (i.e. "silver")? i think that could be a nice touch.

 

another darkhorse candidate is mint green. i put a mint green pickguard on the black hecho en mexico J i had. it looked really slick. the green is very subtle and very classy.

 

still, my vote is for a 3-ply white.

 

robb.

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excuse my ignorance, but how are those Sperzel D-Things superior to Hip Shot detuners?
Hmmm, one would think you had to have seen the posts answering that question, since you asked about Sperzels in this thread.

 

http://www.musicplayer.com/ubb/ultimatebb.php?/ubb/get_topic/f/5/t/013629.html#000016

 

http://www.musicplayer.com/ubb/ultimatebb.php?/ubb/get_topic/f/5/t/013629.html#000020

 

; }

.
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Originally posted by greenboy:

excuse my ignorance, but how are those Sperzel D-Things superior to Hip Shot detuners?
Hmmm, one would think you had to have seen the posts answering that question, since you asked about Sperzels in this thread.

 

http://www.musicplayer.com/ubb/ultimatebb.php?/ubb/get_topic/f/5/t/013629.html#000016

 

http://www.musicplayer.com/ubb/ultimatebb.php?/ubb/get_topic/f/5/t/013629.html#000020

 

; }

Saw that, but I guess I'm just not "getting it".

Tenstrum

 

"Paranoid? Probably. But just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face."

Harry Dresden, Storm Front

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I did the same thing for similar reasons. I knew what I wanted in a p-bass (colors, pickups, neck, bridge, etc.) I didn't think I could find what I wanted, so I set out to make (well, assemble) one myself.

 

This is the (more or less) finished product:

http://www.geocities.com/kenfxj/KennysPJBass.jpg

 

It's probably not nearly as ambitious as yours, but I had a lot of fun with the project, and am very happy with the result. Good luck!

Push the button Frank.
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"I figure the locking style not only makes stringing up easier - it also improves the accuracy of a drop-tuner since multiple loops around the tuning post are not involved."

 

 

Misattributed the link this one goes with:

 

"Hmm, the compact, lever-less profile of those Sperzel D-Things look like it'd be possible on some pegheads to set the bass up to use multiples to work the Manring Hyperbass thing. If that's possible for mere mortals."

.
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STEP TWO

 

OK, so now I'm onto shopping for a neck.

 

I went through the sites of all the usual suspects (WD, USACG, StewMac, Warmoth, etc). It turns out that most of them offer Fender replacements that look fine...maple/maple, maple/rosewood, maple/ebony, all with dots. But to go beyong what I could salvage off of a MIM Jazz or P, I have to go at least semi-custom.

 

I don't want to identify the price quotes I got over the phone because they were ballpark, but to get a birdseye maple FB/maple neck with just a black binding (no blocks) and a black peghead was in the area of 500.00 to 550.00. An ebony fretboard is $20 more. This is a bit rich for my blood, especially since there's a 50/50 chance I'll be spending 400-500 dollars for someone to fix all my mistakes at the end. :)

 

So in the spirit of compromise (without compromising the overall look I was going for), I looked on Warmoth's gallery...they have a few BenLoyish necks that look really pretty...basically a 4 string version of the neck on the Warmoth bass posted earlier in this thread. The price is in line with others from all the other places. A quick call to them confirmed that they have no plans to produce more...not that they won't...it's just not scheduled. They're drilled for Gotoh BML's of which there is a light version in case Hipshots orSperzels won't fit.

 

A large chunk of the price is in finishing the headstock, so I guess I'll be doing that myself...ReRanch, here I come.

 

Hey, it's a learning experience, right?

 

So unless I see something on Ebay tonight, I'll be snagging that neck.

 

My body will be here in 5-10 days.

______________________________________

total cost so far: $116.00

total time spent: 3 hours

total progress: 1%

"For instance" is not proof.

 

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Sam,

I have built a bass doing pretty much what you are doing. Lots of fun. Best luck to you.

May I recommend Dan Erlewine's books? They are in your Stew-Mac catalog ;) , and they are worth the price.

 

IMO, on the body pictured (nice btw), I would approach a pickguard a couple of ways:

 

White multi-ply, as seen in the 5 string Jazz pic posted by Arwin on page 1 of this thread. Traditional and familiar, also effective and functional. To some, this means boring, but I think a nice contrast; Anodized could offer a nice alternative, but I agree with a previous post re: gold ano looking "off". Perhaps a black ano pickguard ?;

Lastly, how about a carbon fiber pickguard? :D

 

Also, you might consider the Moses necks above, stable and solid. Not "Traditional", but still nice.

Just my opinions, plenty of great advice above.

 

Have fun.

Measure everything twice. And then, again.

 

Peace,

 

wraub

 

I'm a lot more like I am now than I was when I got here.

 

 

 

 

 

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OK, I just purchased that neck on ebay...he had almost 1000 transactions with 100% feedback, so I'm hoping that indicates a square deal and a straight neck.

 

I like the Moses necks a lot, but this Geddyish neck is $100.00 below what All Parts charges.

 

So, the running total:

______________________________________

total cost so far: $370.00

total time spent: 3 hours 15 minutes

total progress: 2%

______________________________________

 

Onto pickguards and hardware!

 

You guys are giving me too many awesome options...I'm going to have to Photoshop something tonight...stay tuned.

 

And I sincerely thank you all for your advice.

"For instance" is not proof.

 

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Good call on the neck.

 

Don't limit yourself on the pickguard. There are some places that will do custom 'guards in all kinds of colors. If I were you, I'd do some experimenting with different options.

 

You could be truly bad-ass w/ chrome hardware and a black-silver-black 'guard or black-red-black 'guard. You'd then get a slick trace outline amidst all the loudness.

 

You have a plethora of fine choices for pickups. I love my Nordstrand pickups (duh), and I got to play almost all of Carey's models when I visited him this past summer. The P pickup is killer. He's also fine tuning a P w/ diagonal pole piece configuration like the Fat Singles and Fat Stacks. You might want to ask him (or Jay or others) how the development on that bad boy is working out.

 

Really, though, you'd probably do well w/ Bill Lawrence, Seymour Duncan, DiMarzio, Rio Grande, Nordstrand, or others.

 

Enjoy!

 

Peace.

--SW

spreadluv

 

Fanboy? Why, yes! Nordstrand Pickups and Guitars.

Messiaen knew how to parlay the funk.

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"This" was a good purchase.

 

You are building a true a** kicking beast. That body is sweet.

 

I can see a black-silver-black or a silver pearl pickguard on there.

 

Great thread.

My whole trick is to keep the tune well out in front. If I play Tchaikovsky, I play his melodies and skip his spiritual struggle. ~Liberace
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