jlrush Posted October 29, 2005 Author Share Posted October 29, 2005 Interesting conversation guys! Although I feel like I've learned something, I think a lot of it went right over my head. On a seperate note, I've been checking out BBE stomp boxes as a way to shape tone. Another I've seen is called a Radial Tonebone. Any thoughts? Ahh, the quest for tone!!! Visit my band's new web site. www.themojoroots.com Link to comment Share on other sites More sharing options...
jlrush Posted October 29, 2005 Author Share Posted October 29, 2005 I've also liked what I've seen in the Carvin catalog. The P Series look pretty cool. Greenboy, what kind of Carvin do you have? Visit my band's new web site. www.themojoroots.com Link to comment Share on other sites More sharing options...
g. Posted October 29, 2005 Share Posted October 29, 2005 jlrush, It's LB75F {I barely remember model numbers of even the gear I have ; } - fretless Five. It's either gotten better and better as I have, or... Well, anyway, when I bought it I had tried a lot of basses that cost considerably more and it didn't come up short then. The market has become more competitive since then (Oct or Nov 1998) but other than being more into Sixes now, this bass still does it for me. The attention to detail, the wood quality, the weight and balance, the neck, all great. Nothing else has really turned my head in a serious way except for maybe a fanned Dingwall or Bee or one of the other luthiers who are beginning to build fanned instruments. . Link to comment Share on other sites More sharing options...
RSS Posted November 3, 2005 Share Posted November 3, 2005 Have you considered a dual pot, so that the middle position will be able to control the bridge and the neck pickup individualy. Giving space for a master volume. Link to comment Share on other sites More sharing options...
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