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Keith Jarrett, unusual moments


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 Find 660 of my jazz piano arrangements of standards for educational purposes and tutorials at www.Patreon.com/HarryLikas Harry was the Technical Editor of Mark Levine's "The Jazz Theory Book" and helped develop "The Jazz Piano Book."

 

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:laugh: His comping for Chet and Lee is in a total other time space / zip code and probably made them feel real uncomfortable. But as soon as they stopped and he was playing Trio with Charlie, the two of them instantly locked.

Man you nailed that Dave! Instant!

J  a  z  z  P i a n o 8 8

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I had totally forgotten about that date! But didn't Jarrett and Haden meet via Charles Lloyd? And is Chet the one who got Charlie on smack (though he kicked it later)?

 

I was such a huge follower of the American Quartet (sometimes a Quintet with the extra percussionist, and occasionally a jazz guitarist sit-in as well). My brother as well. Lots of those concerts were broadcast live on PBS back in the day; what a joy!

 

And yeah, Jarret and Haden are locked in tight as can be, once on their own. It's no wonder they kept it going beyond that Chet session.

Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35, D'angelico SS Bari, EXL1,

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You're right; I saw that band with both bassists. Haden was busy with Ornette Coleman at the time. Keith pulled one or two of the Charles Lloyd era compositions into the American Quartet as I recall.

Eugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35, D'angelico SS Bari, EXL1,

Select Strat, 70th Anniversary Esquire, LP 57, Eastman T486, T64, Ibanez PM2, Hammond XK4, Moog Voyager

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[video:youtube]

 Find 660 of my jazz piano arrangements of standards for educational purposes and tutorials at www.Patreon.com/HarryLikas Harry was the Technical Editor of Mark Levine's "The Jazz Theory Book" and helped develop "The Jazz Piano Book."

 

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