16251 Posted May 7, 2019 Share Posted May 7, 2019 I've been thinking about how to explain to myself what I'm not hearing in the Nord piano attack portion of their pianos but I'd like to think about how all sampled pianos work through this part of the sample. I've decided for me it is the thud of the hammer that I think is most important. My N2 is not a great comparison but my senses are feeling/hearing a thud like a grand (the felt hitting the string.) I guess a good example of testing this out would be a slow expressive ballad. Quote AvantGrand N2 | ES520 | Gallien-Krueger MK & MP | https://soundcloud.com/pete36251 Link to comment Share on other sites More sharing options...
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