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Kirk Douglas


whitefang

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No, not the iconic movie star.

 

Apparently, there's a guitarist in the house band of Jimmy Fallon's show with that name. And the e-mail newsletter I get from Gibson just sent me news of a signature Kirk Douglas SG. Sweet looking thing, sporting three pick-ups, gold bridge and tailpiece and a white doublewide pickguard. White binding, too. SGs look good to begin with, and all these mods make it look better. Of course, Gibson claims the sound is great, too. But that's to be expected. Maybe someone here with better computer moxie can find it and post a pic for you all.

Whitefang

I started out with NOTHING...and I still have most of it left!
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Let's see if this gets it, Whitefang -

http://www.premierguitar.com/ext/resources/images/content/2103_08/Latest-News/Aug13_LNU_GibsonCaptainKirkSG_WEB.jpg

 

Looks a lot like the short-lived Les Paul model that became the SG.

 

"Monsters are real, and Ghosts are real too. They live inside us, and sometimes, they win." Stephen King

 

http://www.novparolo.com

 

https://thewinstonpsmithproject.bandcamp.com

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Funny, I got the same email, and I too thought it was the famous movie actor. The description of the guitar sounds really good, but am I supposed to pay more for the guitar simply because it has the name of some guy I never knew about on the guitar?
I rock; therefore, I am.
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:rawk: Sweet! Check out the trick selector-witch, as well as the whole simple yet extremely versatile electronics topology! All in a classic vintage-y SG. :cool: I think I could really get along VERY well with this axe...

 

______ [video:youtube]http://www.youtube.com/watch?v=-VqpF45HFAw

 

Gibson Kirk Douglas SG info

 

______ http://images.gibson.com/Lifestyle/2013/kirk-douglas-2.jpg

Ask yourself- What Would Ren and Stimpy Do?

 

~ Caevan James-Michael Miller-O'Shite ~

_ ___ _ Leprechaun, Esquire _ ___ _

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"Captain" Kirk Douglas is a really good guitarist with interesting taste in axes...always worth a look to see what he's slingin'.

 

Buying? Different question.

 

...Though I dig that one!

Sturgeon's 2nd Law, a.k.a. Sturgeon's Revelation: âNinety percent of everything is crapâ

 

My FLMS- Murphy's Music in Irving, Tx

 

http://murphysmusictx.com/

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Beautiful... but I've played a couple of the later 60s model Les Paul SGs and that third pickup makes it had to find a picking spot if the action is low...

 

I'd rather have the Elliot Easton or Jeff Tweedy (Wilco) model...

 

http://28.media.tumblr.com/tumblr_lfmk1mTVdH1qbhei2o1_500.jpg

 

"Captain" Kirk Douglass is a cool guitarist, I hope this SG makes up for Prince borrowing and smashing his old white Epiphone Crestwood...

 

http://www.spin.com/articles/prince-smashed-someone-elses-guitar-fallon/

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Interesting that they've revived what, in the 60's, was a really crappy Vibrola tailpiece. They must have done a lot of work on the design to make it something that wouldn't be laughed off the stage. A bandmate of mine back in the day had a vibrola on a Melody Maker, & it just would not stay put for more than 20 seconds.
Scott Fraser
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Interesting that they've revived what, in the 60's, was a really crappy Vibrola tailpiece. They must have done a lot of work on the design to make it something that wouldn't be laughed off the stage. A bandmate of mine back in the day had a vibrola on a Melody Maker, & it just would stay put for more than 20 seconds.

 

Yeah... they're not really THAT functional, but they've become "cool" from a historical/visual standpoint.

 

I really Elliot Easton doing a vid for his SG model and saying "The Vibrola... I never touch it, it's there because I think it adds something nice to the tone and it just looks SO DAMNED COOL!!!" When someone asked him something about it "removing sustain" he said "I don't think it does, but natural sustain is such an overrated thing in rock electric guitar, because no one can hear it over the din of a full band."

 

The SG was Gibson's attempt to keep up with musical trends that were favoring Fenders and making Les Pauls unwanted at the time, anyway, so sustain maybe wasn't what they intended for that guitar, anyway.

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...and didn't autograph it later, yes.

 

I like Prince's music, but sometimes, he gets afflicted with rockstaritis. (Not that he's alone in that, of course.)

 

OTOH, when that guitar passes from Kirk's hands- assuming it doesn't get destroyed outright- the autograph won't matter much to a collector. EVERYONE will be aware of its provenance.

Sturgeon's 2nd Law, a.k.a. Sturgeon's Revelation: âNinety percent of everything is crapâ

 

My FLMS- Murphy's Music in Irving, Tx

 

http://murphysmusictx.com/

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Yes, it sucks that a guitar got martyred, and Prince DID violate Wheaton's Law.

 

But OTOH, what are the odds that a well-heeled collector- or possibly some entity like the Hard Rock Cafe- is right now considering buying that axe as a bit of R&R history?

Sturgeon's 2nd Law, a.k.a. Sturgeon's Revelation: âNinety percent of everything is crapâ

 

My FLMS- Murphy's Music in Irving, Tx

 

http://murphysmusictx.com/

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Interesting that they've revived what, in the 60's, was a really crappy Vibrola tailpiece. They must have done a lot of work on the design to make it something that wouldn't be laughed off the stage. A bandmate of mine back in the day had a vibrola on a Melody Maker, & it just would stay put for more than 20 seconds.

 

Yeah... they're not really THAT functional, but they've become "cool" from a historical/visual standpoint.

 

I really Elliot Easton doing a vid for his SG model and saying "The Vibrola... I never touch it, it's there because I think it adds something nice to the tone and it just looks SO DAMNED COOL!!!" When someone asked him something about it "removing sustain" he said "I don't think it does, but natural sustain is such an overrated thing in rock electric guitar, because no one can hear it over the din of a full band."

 

The SG was Gibson's attempt to keep up with musical trends that were favoring Fenders and making Les Pauls unwanted at the time, anyway, so sustain maybe wasn't what they intended for that guitar, anyway.

 

They really do have a certain, rather pretty tonal quality, like the original trapeze tail-bridges on the original '52 Les Pauls do, and the way a Strat with trem-springs in it- even if the bridge is blocked in and immobilized- sounds diffrent from a "hard-tail" model; they can add a brightness and clarity to an all mahogany solid-body axe. They have a subtle but discernible affect on string-tension and "feel". And their weight can counterbalance a neck-heavy SG or Firebird.

Ask yourself- What Would Ren and Stimpy Do?

 

~ Caevan James-Michael Miller-O'Shite ~

_ ___ _ Leprechaun, Esquire _ ___ _

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Interesting that they've revived what, in the 60's, was a really crappy Vibrola tailpiece. They must have done a lot of work on the design to make it something that wouldn't be laughed off the stage. A bandmate of mine back in the day had a vibrola on a Melody Maker, & it just would not stay put for more than 20 seconds.

 

In 1967, I got a Kalamazoo electric with that same vibrato. The guitar had an SG body shape, but the headstock was "6 on 1" like a Fender. That vibrato never bothered me much. Sadly, the electronics on that Kalamazoo were SO wonky, it was easily overpowered by any other guitar, no matter the amp.

Whitefang

I started out with NOTHING...and I still have most of it left!
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